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Instrumental Duet Guitar,Instrumental Duet - Digital Download SKU: A0.953831 Composed by Haydn Reeder. 20th Century,Concert,Contemporary. Score and parts. 7 pages. Haydn Reeder #3448243. Published by Haydn Reeder (A0.953831). Suitable as an exciting inclusion in a concert setting, this guitar duo lasts about 5 minutes. At times there are a few extended techniques required, all confined to playing on the strings, such as raised pitches, glissandi, harmonics and pizzicato.To explain the title: there are several distinct gestures or textures which circulate through the piece.  However, only one is heard in its original form on its return.  It features an intermittently repeated low chord on one guitar while the other traces a slow high two-part shape.  After being introduced, it is contemplated for quite a long time and during this initial phase is returned to several times.  Here, the composer is like an alchemist who is reflecting on the results of a successful experiment.  At its later return this central idea is only briefly referred to.  The final section could be described as a thumping toccata.
Return to the Distilled Gold for two guitars
2 Guitars (duet)

$4.99 4.27 € 2 Guitars (duet) PDF SheetMusicPlus

Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score and parts. 17 pages. Derek Hasted #4836609. Published by Derek Hasted (A0.797756). PATAPAN - traditional carol - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.There are TWO ARRANGEMENTS in this one edition.Derek Hasted writes This Burgundian Carol, first published in 1720, usually has four verses in the French version and three in the English. This arrangement has three verses, all in slightly different styles.The melody and the onomatopoeia in the lyrics are together meant to symbolise the fife (“Ture-lure-lu”) and the drum (“Pata-pata-pan”).In both arrangements Guitar One has melody, and it fits nicely in a mix of IV and V position. There is no fingering, because your ensemble might want to choose between two different approaches...A less experienced ensemble might prefer to venture up the neck just to reach for the A and B notes, and return to the first position as soon as possible...A more experienced group might want to stay up the neck to get a more rounded tone throughout. Depending on your choice of fingering, slurs might be possible to improve the flow.There are two versions of the lower parts. In the first arrangement, in “SATB” style, Guitar 4 plays the bass; Guitar 3 provides, in the three verses, percussion, a choral countermelody, and finally a Hurdy-Gurdy style drone; Guitar provides a countermelody.In the second arrangement, the roles rotate at the end of each verse, so that all the accompanying players have three very different verses to play. Guitar 1 stays with the tune, because in a mixed ability ensemble, moving the tune about tends to highlight any weaknesses. This arrangement highlights the strengths!Percussion (the X-headed notes) works well if you tap the guitar near the bridge to get a deep bass drum.At the end, the brave amongst you can shout “Patapan” to bring the piece to a surprise conclusion...I hope you enjoy this piece!
Patapan - Carol for easy guitar quartet
4 Guitars (Quartet)

$2.99 2.56 € 4 Guitars (Quartet) PDF SheetMusicPlus






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