Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Music #1052847. Published by Bilsco Music (A0.1475304). SCORES INCLUDED:Full Score & Parts Scores: Solo+Sopranos, Mezzos+Altos, CajonPERFORMANCE NOTES FROM THE COMPOSER:I AM is a singing meditation. It is both a piece that honors the individual and the whole. It is meant to affirm an individual's worth, as well as the whole collective. When a choir prepares for a performance, they rehearse a piece dozens if not hundreds of times. I wanted the experience of rehearsing I AM to be an ongoing declaration of the singer’s value. Therefore, every phrase in this piece is an affirmation. When a singer finds themselves singing the piece outside of rehearsal, they will be singing words that are positive and affirming. I cannot express how much joy that brings me as a composer.Musically, I AM is both complex, with its 7-part vocal split, contrasting rhythms, and varying accents, yet simple in its repetition, lyrics, and tonality. Each of the 7 parts sings a unique affirmation throughout the piece. They are simple statements like, I am enough and I am love, but can hold so much complexity depending on an individual's relationship with the statement. In the middle of the piece, there is an aleatoric section where each singer contributes their unique affirming statement. It creates a chaotic building of sound before coming together for the first and only time in the piece to sing I AM as a whole choir in block chords.  It is one of my favorite moments in the piece because simple and complex are just a beat apart.I AM was commissioned by the Grand Rapids Women's Chorus and premiered on May 10, 2024.  If you would like to hear more about the creation of the piece, you can hear the composer's original explantions on Youtube.

Voice Duet Alto Voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1305303 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 7 pages. Kevin G. Pace #894741. Published by Kevin G. Pace (A0.1305303). A stunningly beautiful vocal duet for alto and tenor.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.  Text inspired by the the verse in Doctrine and Covenants 29:5 I am your advocate with the Father.Text:I Will Plead Your Cause “. . . (I) am your advocate with the Father; . . .� - Doctrine and Covenants 29:5Alto: I have sinned and cannot be restoredTo Father’s sight, to Father’s heavn’ly door.I am stopped, but there is One whose lifeWas giv’n for me so I would not know strife.Tenor: I am Christ, and I will plead your cause.For this I bled so you would not be lost.I am Christ, who died on CalvaryTo show my love to you explicitly.Tenor: Those who will confess my Name to all,To those will I confess when Father calls.But if they deny my Name to men,They, too, will I deny to Father then.Alto: I have sinned, but I have faith in Thee;To be my advocate, will Thou now be?As I plead for mercy and thy grace,Will Thou help me discover Father’s face?Both sing at the same time:Alto: I have sinned; O will Thou plead my causeBefore my Father’s face, or I’ll be lost?Thou art Christ, who died on CalvaryTo show thy love to me explicitly.Thou art Christ, who died to save my soul.Thou art Christ. Thou died to make me whole.Tenor: I am Christ, and I will plead your causeBefore my Father’s face so you’re not lost.I am Christ, who died on CalvaryTo show my love to you explicitly.I am Christ, who died to save your soul.I am Christ. I died to make you whole.

Choral Choir,Choral (SATB) - Digital Download SKU: A0.818364 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christian,Sacred. 26 pages. Stephen R Dalrymple #6668479. Published by Stephen R Dalrymple (A0.818364). The Claims of the Son 5: I Am the Road♫ original song for SATB choir and piano by Stephen R Dalrymple♫ based on John 14♫ This collection of songs focuses on the Claims of Jesus Christ based on the “I Am’s of the Gospel of John. ♫ On the night of His arrest, Jesus told the disciples that He was going away, leaving them, and they could not follow Him. ♫ He further explained that they knew the road He was taking. Philip asked His destination so he could figure out the route. ♫ But His claim “I Am the Road, the Truth, and the Life� was not speaking of a destination with latitude and longitude coordinates. Jesus is plainly claiming that He alone is the only path to God, the path to truth, and the path to eternal life.♫ “I Am the Road� has a dual listing. It is also used as a worship song.♫ music © 1999, 2022 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ sequenced by the composer♫ This.pdf file includes 1) full score 2) SATB choir parts on 2 staves 3) full score for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube Channel: @Dalrymple Designs.

Easy Piano - Level 1 - Digital Download SKU: A0.1172421 Composed by James H. Fillmore, R. Kelso Carter, and William Moore. Arranged by Amanda Tero. Children,Christian,Religious,Sacred. Score. 9 pages. Amanda Tero #772646. Published by Amanda Tero (A0.1172421). Delight your late beginner students with three exciting hymns in level 2 sheet music solos. These are specifically arranged for the students who like a little bouncy touch to their hymns.Great for church services or recital for both piano students and piano teachers. This works well for the smaller church offertories that only need about 1 minute of piano playing.This piano sheet music is equivalent to most Level 2 or ABRSM Grade 2.6 pages total. 1 piece in F. 2 pieces in C. Musical elements in Brethren We Have Met to Worship Note values: whole notes, dotted half notes, half notes, half rests, quarter notes, eighth notes Note reading: bass clef C2 to F4, treble clef Bb3 to A5 8va RH reading bass clef RH over left hand Accidentals Ties Finger numbers Practice tips for Brethren We Have Met to Worship The most fun–and hardest–part of this arrangement is the right hand, measures 11-14. The right hand is not only reading bass clef, but is reading the lowest notes in the piece of music. This is a great place to start. Additionally, the left hand for the first page is an open fifth the entire time but changes on the second page. So it may be beneficial to start learning the left hand intervals on the second page first. Musical elements in I am Resolved Note values: whole notes, half notes, quarter notes, eighth notes, eighth rests Note reading: bass clef C2-E4, treble clef C4-E5 Drop-roll (slur-staccato) Staccatos Moving left hand Accidentals LH octave reach A lot of thirds Broken chords Practice tips for I am Resolved While the left hand starts with a catchy left hand pattern, it does get more complicated for the chorus, starting in measure 11. It would benefit the student to focus a little extra attention on the rapidly changing notes of the left hand for the chorus. While the chorus is harder, it does feature repetition, so have the student identify the measures that are the same. Musical elements in Standing on the Promises Note values: whole notes, half notes, half rests, quarter notes, quarter rests, eighth notes Note reading: bass clef C2-E4, treble clef C4-C6 Fermata Staccatos Accidentals Chromatic scale LH octave reach Practice tips for Standing on the Promises If your student doesn’t know their chromatic scale yet, this is the perfect piece to teach it to them! If they already know a chromatic scale, then they will be able to easily master the last two measures. There is a solid left hand pattern that will be beneficial to help the student analyze. If they figure out the pattern it will make learning easier.

String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

Electric Bass Guitar,Flute,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105095 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Accompaniment. Duration 163. David Kai #708341. Published by David Kai (A0.1105095). This contemporary hymn of comfort is based on Isaiah 41:10. This version can be used to accompany a soloist or congregation. Words and Music: David Kai © 2021 Chorus: Fear not, for I am with you, Be not dismayed, for I am near, I will strengthen, I will help you, Uphold you, cast away your fear. In the night of weeping I am with you, Holding ‘til you reach the morning bright, In the day of storms I am beside you, Guiding ‘til you find the rainbow’s light. Chorus: Enemies surround you, do not fear them, They can never harm the hope within, Friends will soon abound to hold, support you, Love in just community will win. Chorus: Cruelty and selfishness astound you; When will we perceive the kindom come? All the world’s injustices confound you, We shall overcome working as one. Chorus:.

Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105093 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 176. David Kai #708339. Published by David Kai (A0.1105093). This contemporary hymn of comfort is based on Isaiah 41:10. Words and Music: David Kai © 2021 Chorus: Fear not, for I am with you, Be not dismayed, for I am near, I will strengthen, I will help you, Uphold you, cast away your fear. In the night of weeping I am with you, Holding ‘til you reach the morning bright, In the day of storms I am beside you, Guiding ‘til you find the rainbow’s light. Chorus: Enemies surround you, do not fear them, They can never harm the hope within, Friends will soon abound to hold, support you, Love in just community will win. Chorus: Cruelty and selfishness astound you; When will we perceive the kindom come? All the world’s injustices confound you, We shall overcome working as one. Chorus:.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1390727 Composed by Clint Borzoni. 21st Century,Classical,Contemporary,Opera,Romantic Period. Score. 11 pages. Clint Borzoni #974283. Published by Clint Borzoni (A0.1390727). What do I care, in the dreams and the languor of spring,That my songs do not show me at all?For they are a fragrance, and I am a flint and a fire,I am an answer, they are only a call.But what do I care, for love will be over so soon,Let my heart have its say and my mind stand idly by,For my mind is proud and strong enough to be silent, It is my heart that makes my songs, not I.- Sara Teasdale.

Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841583 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3471715. Published by Andrew Mc Donald (Macka Records) (A0.841583). I Am So Happy is a song about being happy 'cause we have Jesus.We can rejoice in the Lord always even though some people grumble and complain. They only do this because they are not fulfilled. We can find fulfillment and contentment and happiness in Christ.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940065 Composed by Jacob Evans. Christian,Gospel,Sacred. Octavo. 9 pages. JDE FORCHRISTMUSIC #3374747. Published by JDE FORCHRISTMUSIC (A0.940065). This piece of music is a statement of faith. The chorus states, Yes, I know, the Lord, He loves me so! It is a fun, bright song that is perfect for many different occasions.Lyrics:Verse 1Every day through life we're faced with sin and strife,We see that the heart of men is black;They say that they all know the way,They think they're satisfied with what they have.When at first we see that Jesus set us free,Our selfish self says we know what's right.But since we are filthy we must turn to the light.ChorusYes, I know, The Lord, he loves me so;He saved me from bondage deep within.I know where I'm going; I'm assured of that home,The new earth that is free from death and sin!Oh yes, I know, the Lord, he loves me so,For he took my sin and changed it for his love.Since I made him me guide I now feel certain insideThat I am going to heaven above!Verse 2None can know that day that he will showHimself to this world he made so well;He'll stand and say who chose the way of sinOr who on right things chose to dwell.If he came today, would you stand in dismayAnd say that you're not ready to depart?Be willing, accept himAs Lord into your heart.Chorus.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1459292 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #1038234. Published by Andrew Mc Donald (Macka Records) (A0.1459292). I'm Not Playing Games is a song about how the world is heating up and coming to an end. Some people just think it is climate change and that they can do something about it. But the reality is that fire will rain from the sky and Jesus will return at the trumpet blast and the world will finally come to a close. You might think I am joking but I am not pulling your leg! What I am saying is true and I am not playing games with you! This is the piano and vocal score.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.903666 Composed by Glenn Calcote. Children,Christian,Graduation,Instructional,Standards. Octavo. 4 pages. Glenn Calcote #6450269. Published by Glenn Calcote (A0.903666). This song is from a Christian musical entitled Keep On Dreaming.  The narration in the beginning is not included in the score but was part of the original recording.  Performed as a solo but can be a unison choral piece.  This song expresses a child's dream of what they can be when they are an adult.  Appropriate for concert or programs emphasizing making good choices in life.