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Piano Solo - Level 5 - Digital Download SKU: A0.1414692 Composed by Dana Suesse. Arranged by Zellev. 20th Century,Blues,Broadway,Film/TV,Jazz,Musical/Show. Score. 5 pages. Zellev Music #996473. Published by Zellev Music (A0.1414692). Key Signature: Eâ™­ majorTime Signature: 4/4Tempo: Moderato misteriosoDifficulty: AdvancedDana Suesse (1911-1987) was an American Composer. She was born in Kansas, Missouri but moved with her mom to New York when she was 15.While in New York, Suesse studied piano under Alexander Siloti, Franz Liszt's last surviving pupil. She studied composition under Rubin Goldmark, one of George Gershwin's teachers, and spent three years studying with Nadia Boulanger after World War II. In 1931, bandleader Paul Whiteman (following Gershwin's Rhapsody in Blue) commissioned her to write Concerto in Three Rhythms.On December 11, 1974, Suesse and her husband produced a symphony concert at Carnegie Hall, devoted exclusively to her compositions. (In the 1990s, Robert Stern produced a CD of the concert using masters from Voice Of America.) On July 31, 1975, the Newport Music Festival (Rhode Island) presented four of her works in their concert series. A year after the Carnegie Hall concert, Suesse and her husband moved to the U.S. Virgin Islands.After her husband's death in 1981, Suesse moved back to New York, the city where she had spent her most creative years. She took two apartments in the Gramercy Park Hotel and continued to write plays and songs for the theatre. Just before her death from a stroke on October 16, 1987, she was writing a new musical, putting the finishing touches on Mr. Sycamore, which had been optioned for off-Broadway, and was looking for a New York home for a straight play, Nemesis.
Jazz Nocturne
Piano solo

$8.00 6.94 € Piano solo PDF SheetMusicPlus

Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095. Published by Musik Fabrik Music Publishing (A0.533318). Première Sonate pour piano et violonI. ModéréII. Assez lentIII. AniméIV. Bien allant, mais d'expression tranquilleJacques Leguerney began the composition of his First Sonata for Piano and Violin in 1926, shortly after beginning composition studies with Nadia Boulanger. She was reportedly quite enthusiastic about the natural talent of her new student, and offered to give him private lessons to supplement her analysis classes. Leguerney was already reticent about studying composition. In an interview in 1989, he remembered his feeling at that time, saying that I found that this was useless work. If one is gifted for music, one is capable of writing harmonies. instead, Leguerney showed his Sonata to the French composer Albert Roussel, who was renting an apartment on Avenue Wagram in a building next to that of the Leguerney family. Leguerneyremembered Roussel's apartment with its dark blue walls and gilded Indian statues! Roussel encouraged his efforts and said of the second theme of the first movement: I would have liked to have written that. (J'aurais été très content d'avoir écrit ça.)The first performance of the Sonata was given by the pianist Thérèse Cahen (1897-1944) and the violinist Hortense de Sampigny (? – 1970) in a private concert. The violinist was already a well-known concert artist. De Sampigny finished her studies at the Paris Conservatory in 1915, where she was in the class of Jules Boucherit. In 1918 she married the French author Auguste Bailly (1878-1967). From 1921, she was a member of the Trio Trillat, founded by the pianist Ennemond Trillat with the collaboration of cellist Jean Witkowski. The Trio was active in concerts and recordings in France and abroad for about thirty years. De Sampigny later taught at the Conservatory as assistant to René Benedetti. Thérèse Cahen had studied piano, harmony and counterpoint at the Schola Cantorum, where she obtained a Second Prize. She was a faithful friend and muse for Leguerney, and recruited many musicians for first performances of his vocal and chamber works. She was deported to Auschwitz on July 31, 1944, a few weeks before the Liberation of Paris. This edition of the Sonata was performed at a private concert in Vernon (France) in July 2011 by French violinist Marion Larigaudrie and pianist Mary Dibbern.  It is based upon the autograph manuscript OL 23, on deposit at the Music Department of the Bibliothèque national in Paris.
Jacques Leguerney: Première Sonate for piano and violin
Violin and Piano

$25.95 22.52 € Violin and Piano PDF SheetMusicPlus

Voice and piano - advanced - Digital Download SKU: S9.Q6714 On poems by Auguste Villiers de l'Isle-Adam, Emile Verhaeren, Charles Baudelaire, René-François Sully-Prudhomme. Composed by Emile Naoumoff. This edition: Sheet music. Downloadable. Duration 18 minutes. Schott Music - Digital #Q6714. Published by Schott Music - Digital (S9.Q6714). French.These songs by Emile Naoumoff are squarely in the tradition of French lied composition such as by Gabriel Fauré. Here, Naoumoff chose texts by late 19th-century French lyricists: Auguste Villiers de l'Isle-Adam, Emile Verhaeren, Charles Baudelaire and René-François Sully-Prudhomme. In their elegance and suppleness, the four songs sound typically French. As they are all easy to sing and have not been composed 'against' the voice, they are perfectly suited for both music lessons and concert programmes. Naoumoff was born in Sofia in 1962. At the age of eight, he began his career as a pianist and composer; he was a student of Nadia Boulanger for ten years until her death. At the age of ten, Naoumoff composed and performed his own piano concerto under the direction of Yehudi Menuhin. He then received numerous awards and prizes and gave performances as highly acclaimed pianist. Today, Naoumoff lives and works as an associate professor at the School of Music of the Indiana University at Bloomington. He gives master classes in the USA, Europe and Japan and is director of a music academy.
Four Songs
Piano, Voice

$19.99 17.34 € Piano, Voice PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.914173 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,Romantic Period,Standards. Score. 5 pages. Music for a While #6410513. Published by Music for a While (A0.914173). Robert Nathaniel Dett (1882-1943) was born in Canada before moving to the Unites States at the age of 11. He began studying piano at an early age and went on to be the first black American to graduate from Oberlin Conservatory of Music.  Throughout his career he worked as a composer, organist, pianist, choral director and music professor; he received many awards for his music and writing and spent a period at the Fontainebleau School of Music south of Paris where he studied with Nadia Boulanger.  Dett became well known for incorporating tunes and and elements of African American folk songs and spirituals into classical music.Cave of the Winds was composed in 1902 whilst Dett was living in Niagara Falls, NY and was first published the same year. The title refers to a natural cavern behind a waterfall at Niagara Falls which existed until 1955.
R. Nathaniel Dett - Cave of the Winds for solo piano
Piano solo

$1.99 1.73 € Piano solo PDF SheetMusicPlus

Harp solo - Medium - Digital Download SKU: MQ.6535-E Composed by David Conte. Secular, 21st century. Score & instrument part. 15 pages. E. C. Schirmer Music Company - Digital #6535-E. Published by E. C. Schirmer Music Company - Digital (MQ.6535-E). Marian Variations for harp solo was written for and is dedicated to harpist Ruth Inglefield, Professor of Harp at the Peabody Conservatory. In 1975, I was a student in Dr. Inglefield's Music History class at Bowling Green State University, where I was pursuing a Bachelor's Degree in Composition. Dr. Inglefield arranged for me to study in Paris with Nadia Boulanger, which I did from 1975-78, making me one of her last composition students and utterly changing my life. This piece is written in gratitude for Dr. Inglefield's vision and generosity.The work is based on my own Ave Maria for SATB chorus which was commissioned in 1991 by the San Francisco male vocal ensemble Chanticleer. Each of the four variations is based on the main melody of the Ave Maria and is separated by interludes built of contrasting material, all leading to a literal statement of the motet after the fourth variation. Thus, though the piece is largely intended for use in solo recitals, it could be played as part of a liturgical service where the motet is also sung. I am grateful to Sonja Inglefield for her expert and detailed editing of the score. Harpists Steve Main and Michael Rado also offered valuable suggestions. -David Conte.
Marian Variations (Downloadable)

$8.75 7.59 € PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1032349 Composed by Charlotte Botha. Contemporary,Sacred,Standards. Octavo. 9 pages. Charlotte Botha #4762601. Published by Charlotte Botha (A0.1032349). Tale van Liefde (Languages of Love) was inspired by the Afrikaans hymn Praat ek mense, eng'le tale based on the text from 1 Corinthians 13. The piano accompaniment subtly quotes the hymn melody, which you might recognise as the tune from Beethoven's Ode to Joy. The piece carries a strong message: unless our words carry love for those who live and speak differently from us, they will fall on silent ears. After a short 2-part introduction, the melody is presented in unison, and then in 3-part canon, imitating crowds speaking to one another. Throughout, a small group underscores the harmony with a pedal chant, listing the languages in which we can speak love. The work is best suited for Afrikaans-speakers. .
Tale van Liefde
Choral 3-part

$2.00 1.74 € Choral 3-part PDF SheetMusicPlus






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