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Woodwind Ensemble E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.593086 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6416279. Published by David McKeown (A0.593086). O When the Saints is a beautiful spiritual arranged here for Solo Alto Clarinet and Piano.The origins of O When the Saints are unclear, though it was first recorded in 1923. A later instrumental recording by Louis Armstrong affirmed the song’s status as a jazz standard and created an ongoing association with the city of New Orleans. When the Saints Go Marching In was later performed by artists as diverse as Elvis Presley, Bing Crosby and Chuck Berry.
O When the Saints, Gospel Song for Alto Clarinet and Piano

$2.49 2.13 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.868815 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. Score. 6 pages. Really Good Music, LLC. #4596949. Published by Really Good Music, LLC. (A0.868815). Scompagnata tortorella is an aria from Solo cantata XI Presso un fiume tranquillo, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – Eb5) for low voice.
CAVALLI Francesco: Scompagnata tortorella, aria from the cantata, arranged for Voice and Piano (F mi
Piano, Voice

$5.95 5.08 € Piano, Voice PDF SheetMusicPlus

Oboe, bassoon & piano - Digital Download SKU: IZ.CMS1418 Composed by David Bixler. Score and Parts. 37 pages. Imagine Music - Digital #CMS1418. Published by Imagine Music - Digital (IZ.CMS1418). 9 x 12 in inches.Composer's NotesOn occasion I have been asked to compose works by several of my colleagues at Bowling Green State University where I am the Director of Jazz Studies. When I was approached by Susan and Nermis last fall to write a piece for their performance at the 2014 IDRS convention in New York, I think there was a genuine curiosity, possibly coupled with a healthy amount of trepidation, in anticipation of what the jazz guy was going to do. However, as an improviser and composer, I don't really think in terms of categories. I made a genuine attempt to create music borne of its natural environment. I was grateful for the time I spent with the ensemble that helped bring this piece to existence. It was a fluid process in which I discovered (and was told) what worked and what didn't work as I became more familiar with the sounds and capabilities of these instruments.
Gaze

$16.00 13.66 € PDF SheetMusicPlus






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