SKU: A0.981011

'Tango for Marimba, Flute and Alto Sax': (Duration: 2.36) Higher Intermediate to the Advanced student. Typical Latin/Spanish style. Alto Sax part.

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SKU: AX.00-PC-0016260_AX2

UPC: 038081475134.

This chart, originally done by Buddy Rich, has been scored for grade 2 while maintaining the essence of the original and more. The tempo is around 154 BPM, and the chart contains written solos for tenor and trumpet 2, as well as nice dynamics to show off your band. A fun chart that you'll play for years to come. (4:17) This title is available in SmartMusic.

SKU: AX.00-PC-0016270_TX1

UPC: 038081479743.

Gordon Goodwin wrote this funky chart for Grade 3 to showcase trumpet 1 and trombone 1. Everything is written out to include the melody duet, the solos, and the trades. The tempo is very accessible at 160 BPM. Easy to assemble. (5:08) This title is available in SmartMusic.

SKU: A0.1409057

Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.

For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.

Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.

Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.

Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.

SKU: A0.1355600

SKU: AX.00-PC-0017541_BTX

ISBN 9780757934650. UPC: 654979050728.

Gordon Goodwin's stellar reputation as a writer is well deserved. A funky half-time shuffle groove for big band, Gordon's clever opening melody statement is played by altos and trumpets with solo space provided for piano, alto, or tenor sax. The burnin' shout chorus will make this an all time favorite chart for every library. Percussion part included. As recorded on Gordon Goodwin's Big Phat Band: Swingin' for the Fences. This chart grooves! This title is available in SmartMusic.

SKU: AX.00-PC-0016844_BTX

UPC: 038081502564.

Up on the Housetop is a holiday favorite played at 128 BPM with a swing feel and no individual solos. Benjamin Hanby's arrangement features great ensemble work all the way and is easy to rehearse and perform. (2:12).

SKU: AX.00-PC-0016181_TX1

UPC: 038081318387.

Based on Beethovens Ode to Joy, arranger Victor LA3pez begins with a hymn-style chorale then switches to a rock feel for the development. This chart has a nice rock groove, interesting harmony, no individual solos and the lead trumpet player's highest note is a written A-flat. A very pleasant change of pace for the holiday concert. (3:21).

SKU: A0.834103

Great for exams and Eisteddfods, Le Petit Negre is taken from Debussy’s ‘Children’s Corner’ , a collection of pieces for Piano that he dedicated to his daughter, Claude-Emma, after her death at the age of fourteen.  Debussy used language that was in common usage at the time, but some of his titles, including this one, now sound unavoidably racist.    In addition to syncopation, Debussy also uses other techniques in this piece that have been adopted by jazz musicians, for example, pentatonic scales and chromaticism.