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Harpsichord - Level 5 - Digital Download SKU: A0.778591 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Gospel,Jazz,Latin,Rock,Sacred. Score. 7 pages. Don Hodell Chilcote #28007. Published by Don Hodell Chilcote (A0.778591). Into The Wilderness is composed by Don Hodell Chilcote. For Piano,Piano Solo,Keyboard/Synthesizer. Christian,Contemporary Christian,Gospel,Sacred,Jazz. Advanced. Sheet Music Single. Published by Don Hodell Chilcote Into The Wilderness is composed by Don Hodell Chilcote. Into The Wilderness is for advanced piano. An original composition with great funky bebop melodies, drawing upon soundgarden and foofighters harmonic structures, but definitely latin jazz. Simple and groovin at times and also Harmonically daring and rich with great resonance. Big Chords and great nonfunctional Gospel sounding voice leading produces a striking example of the beauty qualities of this astounding gem. Piece includes multiple distinct and unique themes and developments before concluding. 6 page arrangement is challenging but not overly so, and well worth the effort to learn. Deeply funky tune draws from inspiration in Hezekiah Walker, Chick Corea, Ricky Dillard, Charlie Parker, and Theolonious Monk. It was used for a piano and drum prelude in church.
Into The Wilderness
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Harpsichord - Level 3 - Digital Download SKU: A0.862503 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 2 pages. Michael Butkus-Bomier #2032023. Published by Michael Butkus-Bomier (A0.862503). Thirds, seven-note scalar runs, and syncopation characterize this final entry in the series of Modal Inventions. The Locrian mode was not a true church mode. It was given that name by jazz musicians, who wanted a modal designation for each of the seven modes for every major scale. This piece uses cut-time, and a half-note figure as its subject. The countersubject is a scale. Each exposition and its reverse end with a syncopated series of thirds, like the E Major Invention of Bach. These elements mix and match themselves through the piece, which ends on a B7 chord without a 3rd or 5th degree, giving the finale its ambiguous, Locrian sound. All nine inventions make a nice program for the opening of a three-element recital. They also make an excellent introduction into the world of modern music, since the two-part invention format is familiar, and the scalar aspect is also a musical staple throughout the eras, even though the modal derivatives rather than the parent major scales are used. MBB.
Invention in B Locrian from 9 Modal Inventions
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