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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.1241295 Composed by Todd Marchand. Christian,Holiday,Patriotic,Sacred. Octavo. 4 pages. Con Spirito Music #836674. Published by Con Spirito Music (A0.1241295). Lord, Hear Us for Our Native Land (also known by its incipit, Lord while for all mankind we pray) was writ­ten by the Rev. John Reynell Wreford (1800-1881), an English Unitarian minister, in hon­or of the ac­cess­ion of Bri­tain’s Queen Vic­tor­ia to the throne in 1837. It was published that same year in his Lays of Loyalty, a collection of poetry commemorating both the passing of King William the Fourth and the accession of the then-18-year-old Victoria. Fitting for national celebrations and remembrances, Wreford's text speaks of a nation's humility before God and reliance on His providence and blessing. This new tune and arrangement for unison voices and organ is reminiscent of O God, Our Help in Ages Past (being in the same 8.6.8.6 meter), with triplet fanfares that echo the American national hymn, God of Our Fathers. Lord, while for all mankind we prayOf every clime and coast,O hear us for our native land,The land we love the most.O guard our shores from every foe;With peace our borders bless;With prosperous times our cities crown,Our fields with plenteousness.Unite us in the sacred loveOf knowledge, truth, and thee;And let our hills and valleys shoutThe songs of liberty.Lord of the nations, thus to theeOur country we commend;Be thou her refuge and her trust,Her everlasting friend.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
Lord, Hear Us for Our Native Land — unison voices, organ
Chorale Unison

$2.00 1.74 € Chorale Unison PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1317913 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Traditional. Score and part. 12 pages. Jmsgu3 #906595. Published by jmsgu3 (A0.1317913). Instrumental descants are useful in hymn playing as they add variety and interest to the music, and they can be used to enhance any piece of music if done correctly. An instrumental descant is a counter melody usually pitched higher than the hymn's. It is played by an instrument, usually a trumpet or a flute, with organ accompaniment. The usual form for these instrumental postludes is to play the hymn melody once through and then to play the descant. An instrumental descant always enlivens the singing of hymns, and this volume promises practicality, variety, and well-crafted countermelodies to do just that. The term descant is used to describe a countermelody, generally at a higher pitch than the main melody, and it is typically sung in the final or penultimate verse of a hymn. Although the English Hymnal of 1906 omitted descants, this influential hymnal served as a source of tunes for which the earliest known hymn tune descants were published. Among composers of descants from 1915 to 1934 were Alan Gray, Geoffrey Shaw, and Ralph Vaughan Williams.
Guthrie: 18 Descants for Trumpet & Organ
Trompette, Piano

$32.95 28.62 € Trompette, Piano PDF SheetMusicPlus






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