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Full Orchestra - Digital Download SKU: A0.742695 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 73 pages. AnderKamp Music #3637271. Published by AnderKamp Music (A0.742695). Beginning with a simple to play, yet bold sounding brass fanfare, this orchestral driven piece is a great opener to a service. Based around a snare drum type cadence, this arrangement features the brass at the beginning and end and slows down in the middle a little to feature the woodwinds. Plenty of energy in this piece makes this a ‘go to’ piece when wanting to feature the orchestra. This arrangement is in the Key of F and changes keys to C.As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
Rejoice the Lord Is King - 8 Core Orchestra
Orchestre

$49.99 43.05 € Orchestre PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.841329 Composed by Georg Goltermann. Arranged by Michele Galvagno. Instructional,Romantic Period,Standards. Score and parts. 65 pages. Artistic Score Engraving di Galvagno Michele #3501895. Published by Artistic Score Engraving di Galvagno Michele (A0.841329). This is a solo and string orchestra version of the third movement from Georg Goltermann (1824-1898) fourth cello concerto in G major. As a greatest hit in the cello students’ repertoire, it is seldom performed in its full orchestral version, mainly due to the lack of a full symphonic orchestra in little music schools.This arrangement for string quintet or orchestra (with the viola easily adaptable as a third violin) hopes to solve this most basic problem and give students a great chance for a public performance they will never forget!
Goltermann - Cello Concerto n°4 op. 65 in G major - 3rd movement - for Cello and String orchestra
Orchestre à Cordes

$19.95 17.18 € Orchestre à Cordes PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.576916 Composed by David Warin Solomons. Christian,Contemporary. Score and parts. 48 pages. David Warin Solomons #519345. Published by David Warin Solomons (A0.576916). This is based on the Organ Voluntary that was originally written for the mass for men's voices and organ. It is intended as an optional finale for the Mass for choir and orchestra (also available on this site), but it can also be performed as a separate item. The themes of the choral setting of the mass are taken up by the orchestra, leading to a musical mix reminiscent in some places of film soundtracks. The congregation is blessed by the priest and leave the church in exuberant mood with the music of the Mass ringing in their ears in this orchestral extravaganza. The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains score and parts. The score on its own is also available on this site. The Mass for choir and orchestra itself, and also the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
Ite Missa Est for orchestra (Score and Parts)
Orchestre

$15.00 12.92 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.533846 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 33 pages. Musik Fabrik Music Publishing #3053317. Published by Musik Fabrik Music Publishing (A0.533846). Thérèse Brenet's work for narrator and orchestra is inspried by a passage from De Rerum Natura by Lucretius, which deals with Man's reaction to observing the cosmos.  The work is scored for large orchestra (2(pic)222/3330/Timp/2perc/hp/pn/strings).  There is no precise interaction between the narrator and the music, except that each segment corresponds to a specific movement.  It is up to the conductor and the narrator to define how they wish the text to interact with the music.  This is the score only.  The orchestral parts are on rental from the publisher.
Thérèse Brenet: De Rerum Natura ou Le Chant des étoiles for narrator and orchestra
Orchestre

$25.95 22.35 € Orchestre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316158 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904895. Published by Chappell Kingsland (A0.1316158). Finally, a new take on this familiar classic! The soloist’s part matches Boccherini’s original, but the orchestral accompaniment includes many surprises to delight your audience.This arrangement is for Violin Soloist and Chamber Orchestra (13 players). You can also find Chappell Kingsland’s arrangements for C Instrument or Bb Instrument as the soloist for sale on this website.Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
Boccherini Minuet and Trio - arr. for Violin Soloist and Chamber Orchestra
Orchestre de chambre

$50.00 43.06 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1457320 Composed by Alan Bullard. Arranged by Alan Bullard. Classical,Multicultural,World. 120 pages. Colne Edition / BullardMusic #1036364. Published by Colne Edition / BullardMusic (A0.1457320). These light-hearted dances for small orchestra comprise six movements:  ·      Three-quarter time ·      Serenade ·      Mambo ·      Valse Française ·      Smooth and Spanish ·      Celebration!  They are an orchestral arrangement of Alan Bullard's piano duets, 'Six Dances for Four Hands' (which were themselves originally published as volume 3 of the series 'I Love Piano Duets').  Scoring:2 Flutes, 1 Oboe, 2 Clarinets in B flat, 1 Bassoon2 Horns in F, 1 Trumpet in B flatViolins 1 and 2, Violas, Cellos, Double Basses This download contains full score and all parts – feel free to print out as many string parts as you need for your orchestra. This edition is copyright © Alan Bullard 2024. All Rights Reserved. Published by www.colneedition.co.uk For details of all Alan Bullard's music please visit www.alanbullard.co.uk.
Six Dances for Small Orchestra
Orchestre de chambre

$50.00 43.06 € Orchestre de chambre PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.766986 Composed by Felix Bartholdy Mendelssohn. Arranged by Bob Delfausse. Concert,Romantic Period. Score and parts. 101 pages. Robert Delfausse #5324223. Published by Robert Delfausse (A0.766986). Mendelssohn's Songs Without Words is collection of short piano pieces.  I chose four of these that seemed orchestral In character, and arranged them for chamber orchestra (strings, piano, and seven winds).  While arranging is often an exercise in reducing music originally written for a large ensemble, the challenge here was to expand Mendelssohn's piano miniatures into music for a chamber orchestra that sounds as it were written specifically for that ensemble.  Level: advanced intermediate.  Duration: 8 minutes, 50 seconds.
Four Songs Without Words (Mendelssohn), for chamber orchestra
Orchestre à Cordes

$20.00 17.22 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement  for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This  Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level.  For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work.  A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com 
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
Orchestre à Cordes

$29.99 25.83 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1219564 Composed by Nick Raspa. Contemporary. Score and Parts. 160 pages. NJR Music #815925. Published by NJR Music (A0.1219564). This is a string orchestra adaptation of the full orchestral version I wrote in 2007.  (Listen to the complete recording of this string orchestra adaptation by clicking the YouTube link.)When I began Ocean Voyage, I was thinking about how my father and my grandparents left their families and the comfort of familiar surroundings in Italy and immigrated to America for a new life during the early part of the 20th Century.Just as there is an element of danger in taking a trip across the ocean, there is the excitement of the voyage and the promise of a new experience in a place you have never been before.  The trip itself is an adventure since you will spend several days aboard the ship, and in days that have long since faded from the calendar, these trips took weeks and even months. This piece attempts to capture the spirit of the adventure and excitement of such a trip.The piece starts with the sounding of the horn as the ship embarks.  This leads to a beautiful lyrical section and later there is a spritely gigue.  Through these various sections I attempted to capture the various moods of the passengers during various stages of this long, exciting journey.  ASCAP.
Ocean Voyage (string orchestra)
Orchestre à Cordes

$35.00 30.14 € Orchestre à Cordes PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.998491 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 88 pages. Scott Fields Davis #6190351. Published by Scott Fields Davis (A0.998491). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the first movement of the second of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all the parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Horns in F, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 6 minutes and 30 seconds. To download the other movement, click the following link: John Field, Sonata II (Movement II) arranged for orchestra by Scott Fields Davis.  
John Field, Sonata II (Movement I) arranged for orchestra by Scott Fields Davis
Orchestre

$15.00 12.92 € Orchestre PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes

$3.99 3.44 € Orchestre à Cordes PDF SheetMusicPlus






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