Composed by Composed by Mykhailo Verbytsky (1815-1870) Arranged by Keith Terrett. Arranged by Keith Terrett. Romantic Period, European, Patriotic. Score, Set of Parts. 5 pages. Published by Music for all Occasions

Piano Solo - Digital Download

SKU: A0.507269

Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 3 pages. Published by Heather Cattanach (A0.507269).

Capricornus is a Late Intermediate Piano Solo featuring plucked strings. It is associated with the god Pan (listen for his panpipes and the conch shell he blew). From “88 Constellations� a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Performance Time 2 minutes. 2 pages. (General Instructional, 21st Century, Impressionist Style, Modern, Prepared Piano, Repertoire, Recital, Zodiac).

Small Ensemble Marimba,Xylophone - Level 4 - Digital Download

SKU: A0.935374

Composed by Dan Heslink. Contemporary,World. Score and parts. 41 pages. Pharaoh Publications #4855253. Published by Pharaoh Publications (A0.935374).

Andean Refrains, composed by Dan Heslink

The composing of Andean Refrains resulted from the composer’s travels in the Andes Mountains of Venezuela, where he came to know and enjoy the melodies of the indigenous Andean band. Although the marimba is not an instrument of that region, it seems to be well-suited to the music’s technical and expressive demands.

 

Requiring four marimbas and one xylophone, Andean Refrains is an original composition employing tradition Andean musical styles. Some of the five parts require four mallets, the others require two. It is best to perform the bass part on a marimba that can play two octaves below middle C, but if no instrument with that range is available octave transpositions of some notes is acceptable. In this work the marimbas imitate the wide vibrato of zampoñas, or panpipes, with rapidly alternating octaves. The notched-end wooden flute, quena, is suggested with hard mallets on the xylophone, and of course the guitars and charango (Andean ukulele) transcribe well to marimba with four mallets. The bass end of the marimba provides the register of the guitarrone. Chaccha, the rattle of llama toenails, is simulated by instructing one marimbaist to at times strike the bar with the handles of the mallet.

 

With this work the composer hopes to capture the quiet dignity and inevitability of life’s events expressed by Andean musicians.

Easy Piano - Level 1 - Digital Download

SKU: A0.1451601

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Edna J. Bloom. 21st Century,Contemporary,Instructional,Pop,Singer/Songwriter. Score. 5 pages. Bloom Musicnotes #1030902. Published by Bloom Musicnotes (A0.1451601).

Alphanotes make this popular new song accessible to the beginner pianist.  Set in treble clef with one sharp (always marked) and uncluttered rhythms, the arrangement can be played along with Billie Eilish's recording.  The melody is especially enjoyable using built-in keyboard voices such as panpipes or flute.

Choral Choir,Choral (SATB) - Level 2 - Digital Download

SKU: A0.1311809

Composed by Adrienne Inglis (ASCAP). 21st Century,Folk,Latin,Multicultural,World. 38 pages. Adrienne Inglis (ASCAP) #900744. Published by Adrienne Inglis (ASCAP) (A0.1311809).

Sing in the ancient Andean language of Aymara! Pronunciation guide included!

Uma (2023)

SATB and string quartet with optional charango and sikus, composed in the style of a Bolivian huayño
Text — excerpts from the Aymara poem Uma (2002) by Pedro Humire Loredo (1935-2020) — used with permission
Duration — about 2’
Difficulty 2 (High school)
World premiere:
21 Oct 2023 at 7 PM
Jester King — Brewery, Kitchen, Farm & Event Hall — 13187 Fitzhugh Rd, Austin, TX 78736
Panoramic Voices presents “Folk Yeah� with Invoke that includes two world premieres, Wari and Uma, both Andean folk settings in Aymara.

Commissioned by Panoramic Voices for its “Folk Yeah!� concert October, 21, 2023, Uma for SATB and string quartet with optional charango and sikus is written as a dance in the style of a Bolivian huayño. The text in the indigenous language of Aymara comes from the poem “Uma� written by Chilean poet Pedro Humire Loredo. In the high Andean plateau called the altiplano or puna, the scarcity of water calls on the local people to share the precious and essential resource. Humire’s poetry reassures us that there is enough uma (water) for all. The popular indigenous huayño dance predates the Spanish conquest. This choral setting celebrates cooperation and sharing of water with embellished instrumental sections and optional panpipes (sikus or zampoñas) played in hocket (trenzado) and charango. Occasional shouts (gritos) may add to the excitement.