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Small Ensemble - Level 4 - Digital Download SKU: A0.869296 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #2022197. Published by Thomas Oboe Lee (A0.869296). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]
Eight Tarot Cards for Madam Rubio ... La Stella (1997) for two marimbas

$9.99 8.75 € PDF SheetMusicPlus

Small Ensemble - Level 4 - Digital Download SKU: A0.869289 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #2022187. Published by Thomas Oboe Lee (A0.869289). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]
Eight Tarot Cards for Madam Rubio ... La Torre (1997) for two marimbas

$9.99 8.75 € PDF SheetMusicPlus

Small Ensemble Clarinet,Flute,Marimba - Level 4 - Digital Download SKU: A0.917308 Composed by Robert Chamberlin. 20th Century,Contemporary. Score and parts. 16 pages. Robert Chamberlin #6057357. Published by Robert Chamberlin (A0.917308). This is a brief piece for flute, Bb clarinet, and two marimbas.  An alternate arrangement of this piece is available for two Bb clarinets and two marimbas. The subtitle of the piece is A reflection on social distancing in the COVID-19 era. Therefore, performers are spaced no closer than 6 feet from each other. The marimbas provide a pulsed, minimalist chord progression throughout. The flute and the clarinet play the main melodic ideas as call and response, sometimes with canonic answers. The piece is just over two minutes in length. Parts are included with the full score in this listing. The piece has not yet been performed, so the audio clip supplied is a reasonable MIDI realization.
Distant Patterns for Flute, Bb Clarinet and Two Marimbas

$8.00 7.01 € PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.917307 Composed by Robert Chamberlin. 20th Century,Concert,Contemporary. Score and parts. 16 pages. Robert Chamberlin #6055839. Published by Robert Chamberlin (A0.917307). This is a brief piece for two Bb clarinets and two marimbas.  An alternate arrangement is available for flute, Bb clarinet, and two marimbas.  The subtitle of the piece is A reflection on social distancing in the COVID-19 era.  Therefore, performers are spaced no closer than 6 feet from each other.  The marimbas provide a pulsed, minimalist chord progression throughout.  The clarinets play the main melodic ideas as call and response, sometimes with canonic answers.  The piece is just over two minutes in length.  Parts are included with the full score in this listing.  The piece has not yet been
Distant Patterns for two Bb Clarinets and two marimbas

$8.00 7.01 € PDF SheetMusicPlus

Small Ensemble Marimba - Level 2 - Digital Download SKU: A0.935384 Arranged by Pharaoh Publications. Christian,Christmas. Score and parts. 21 pages. Pharaoh Publications #5363017. Published by Pharaoh Publications (A0.935384). Silent Night Prelude for five marimbas                        arr. by Dan Heslink           This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound.  The difficulty level is easy. There are no changes of key, and keyboard parts require only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At letter D, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 2:20. A recording of this arrangement scored for percussion octet is available under the listing for Silent Night Prelude for Percussion Octet. The arranger, Dan Heslink, can be contacted at [email protected]  
Silent Night Prelude for five marimbas

$4.99 4.37 € PDF SheetMusicPlus






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