Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.749835 Arranged by Evelyn Larter Music. Christian,Christmas,Concert,Jazz. Score and part. 7 pages. Evelyn R Larter #3663481. Published by Evelyn R Larter (A0.749835). This is the beautiful Austrian carol arranged for alto saxophone solo and piano in slow jazz ballad style. It is from a set of international carols commissioned by clarinetist Lydia Calhoun for her CD, Carols for the King from Around the World, released in 2015. For more advanced performers, this perennial favorite is suitable for Christmas concerts and church preludes or offertories; it can be taken at either a moderate or a slower tempo, and is around 5 minutes in length. The MIDI recording is only to give an idea of the piece. See also the versions for cello solo, clarinet solo and solo piano. Parts for an optional string quartet, of moderate difficulty, may be purchased separately. All these versions are available at Sheet Music Press. More carols from the collection will be made available in due course. For more information on my music, please visit www.evelynlartermusic.com or my Facebook page for Evelyn Larter Music.

Ukulele - Level 2 - Digital Download SKU: A0.1145160 By Michael P Walker. By Simon Gorlier. Arranged by Michael P Walker. Classical,Renaissance. Score. 60 pages. Michael P Walker #745480. Published by Michael P Walker (A0.1145160). These compositions were transcribed for Low G ukulele from a facsimile copy of Guillaume Morlaye’s first book of tablature for the guitar. Guillaume de Morlaye, (c. 1510-c. 1558) was a French Renaissance-era lutenist, composer, and music publisher. He was a pupil of Albert de Rippe and lived and worked in Paris. In 1552 Morlaye received a ten-year license to publish music from Henry II, and between 1553 and 1558 published four lute collections in cooperation with Michel Fezandat, six lute collections compiled by Albert de Rippe, and also lute arrangements of Pierre Certon and Claudin de Sermisy. He also published four books of his own four-course Renaissance guitar compositions from 1552–53, including fantasies and dances, I encourage you to experiment with ornamentation for each piece and make them your own. Have fun! Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Thirty-Five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.

Ukulele - Level 2 - Digital Download SKU: A0.1147335 By Michael P Walker. By Guillaume Morlaye. Arranged by Michael P Walker. Classical,Renaissance. Score. 73 pages. Michael P Walker #745478. Published by Michael P Walker (A0.1147335). These compositions were transcribed for Low G ukulele from a facsimile copy of Guillaume Morlaye’s Second book of tablature for the guitar. Guillaume de Morlaye, (c. 1510-c. 1558) was a French Renaissance-era lutenist, composer, and music publisher. He was a pupil of Albert de Rippe and lived and worked in Paris. In 1552 Morlaye received a ten-year license to publish music from Henry II, and between 1553 and 1558 published four lute collections in cooperation with Michel Fezandat, six lute collections compiled by Albert de Rippe, and also lute arrangements of Pierre Certon and Claudin de Sermisy. He also published four books of his own four-course Renaissance guitar compositions from 1552–53, including fantasies and dances, I encourage you to experiment with ornamentation for each piece and make them your own. Have fun! Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Thirty-Five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.

Ukulele - Level 2 - Digital Download SKU: A0.1145159 By Michael P Walker. By Guillaume Morlaye. Arranged by Michael P Walker. Classical,Renaissance. Score. 79 pages. Michael P Walker #745479. Published by Michael P Walker (A0.1145159). These compositions were transcribed for Low G ukulele from a facsimile copy of Guillaume Morlaye’s fourth book of tablature for the guitar. Guillaume de Morlaye, (c. 1510-c. 1558) was a French Renaissance-era lutenist, composer, and music publisher. He was a pupil of Albert de Rippe and lived and worked in Paris. In 1552 Morlaye received a ten-year license to publish music from Henry II, and between 1553 and 1558 published four lute collections in cooperation with Michel Fezandat, six lute collections compiled by Albert de Rippe, and also lute arrangements of Pierre Certon and Claudin de Sermisy. He also published four books of his own four-course Renaissance guitar compositions from 1552–53, including fantasies and dances, I encourage you to experiment with ornamentation for each piece and make them your own. Have fun! Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Thirty-Five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.

Ukulele - Level 2 - Digital Download SKU: A0.1145157 By Michael P Walker. By Guillaume Morlaye. Arranged by Michael P Walker. Classical,Renaissance. Score. 66 pages. Michael P Walker #745476. Published by Michael P Walker (A0.1145157). These compositions were transcribed for Low G ukulele from a facsimile copy of Guillaume Morlaye’s first book of tablature for the guitar. Guillaume de Morlaye, (c. 1510-c. 1558) was a French Renaissance-era lutenist, composer, and music publisher. He was a pupil of Albert de Rippe and lived and worked in Paris. In 1552 Morlaye received a ten-year license to publish music from Henry II, and between 1553 and 1558 published four lute collections in cooperation with Michel Fezandat, six lute collections compiled by Albert de Rippe, and also lute arrangements of Pierre Certon and Claudin de Sermisy. He also published four books of his own four-course Renaissance guitar compositions from 1552–53, including fantasies and dances, I encourage you to experiment with ornamentation for each piece and make them your own. Have fun! Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Thirty-Five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.

Instrumental Solo - Level 3 - Interactive Download SKU: A0.483204 Composed by Melissa Blanton. This edition: Interactive Download. Classical. Individual part. 1 pages. Duration 48. Melissa Blanton #5bHU2H3Q014NREklBqR3wu. Published by Melissa Blanton (A0.483204). Key: D minor.So many recorder songs sound too much like Hot Cross Buns! Boring! I've written lots of recorder solos that make the kids (or you!) excited to be playing music! This one moves fast! (With practice of course!) Its in cut time, dorian mode, some accidentals, and one high E. Have fun with this! *If you need permission to use this for contest( some contest rules state you cannot use self published music without the composer's consent) , on You Tube, or for any other purposes, please email mrsblantonsmusicnotes@gmail.com thats, mrs blantons music notes with no spaces.

Ukulele - Level 2 - Digital Download SKU: A0.1145165 By Michael P Walker. By Guillaume Morlaye. Arranged by Michael P Walker. Classical,Renaissance. Score. 81 pages. Michael P Walker #745485. Published by Michael P Walker (A0.1145165). These compositions were transcribed for Low G ukulele from a facsimile copy of Guillaume Morlaye’s fourth book of tablature for the guitar. Guillaume de Morlaye, (c. 1510-c. 1558) was a French Renaissance-era lutenist, composer, and music publisher. He was a pupil of Albert de Rippe and lived and worked in Paris. In 1552 Morlaye received a ten-year license to publish music from Henry II, and between 1553 and 1558 published four lute collections in cooperation with Michel Fezandat, six lute collections compiled by Albert de Rippe, and also lute arrangements of Pierre Certon and Claudin de Sermisy. He also published four books of his own four-course Renaissance guitar compositions from 1552–53, including fantasies and dances, I encourage you to experiment with ornamentation for each piece and make them your own. Have fun! Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Thirty-Five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.

Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.541668 Composed by Chauncey Olcott. Arranged by Cindy Blevins. Folk. 7 pages. Cindy Blevins #3120573. Published by Cindy Blevins (A0.541668). This is beautifully arranged for harp (or piano) and flute. With this download, you receive the score (so you can see how the parts go together), the harp part and the flute part. The harp part is for lever harp, and of course can also be played on pedal harp. There is no levering or pedaling within the piece. The flute adds a delightful voice, adding melody, harmony, and counter-melody to the harp part. The harp part is two pages long. The flute part is one page. The sound sample was digitally produced and gives you an idea of what the arrangement is like. It will sound even better played by actual instruments.For harp music (originals and arrangements), harp learning materials, harp with other instruments (clarinet, Native American flute, mandolin, flute), Native American flute learning materials, piano music (originals and arrangements) and much more, visit my website.My website: https://www.cindyblevinsmusic.comMy YouTube Channel: https://www.youtube.com/channel/UCuTv5LTRQW-uI_pIxg94IkQ?

Piano Solo - Digital Download SKU: A0.894031 Composed by Wynn-Anne Rossi. Contemporary. Score. 15 pages. Abundant Silence #6291155. Published by Abundant Silence (A0.894031). For Solo Piano, Early Advanced, 13 PagesNotes from the Composer: Theme & Ten Variations was the result of my curiosity as a composer. It was self-assigned in an effort to deepen my own understanding of musical connectivity. There is a lot of math and manipulation in this composition, making it a good choice for analysis. However, musical communication is far more complicated than connectivity. Each short says something in particular to the performer. I might name the theme Less is more. The first variation communicates a daring sense of risk. And so on. Of course, this is delightfully subjective! Some of these variations are technical beasts. Find your own tempos as you delve into this work. Musical ownership and self-discovery are the ultimate goals.Each short says something in particular to the performer. I might name the theme Less is more. The first variation communicates a daring sense of risk. And so on. Of course, this is delightfully subjective! Some of these variations are technical beasts. Find your own tempos as you delve into this work. Musical ownership and self-discovery are the ultimate goals.

Guitar - Level 3 - Digital Download SKU: A0.1471203 By Noah Kahan. By Noah Kahan. Arranged by MAJOR SCORE PUBLISHING TM. Country,Folk,Pop,Singer/Songwriter. Guitar Tab. 7 pages. Major Score Publishing #1048864. Published by Major Score Publishing (A0.1471203). Stick Season - Noah Kahan Premium Guitar Tabs - 7 pages (G) Guitar players look no further! Learn Stick Season by Noah Kahan as authentically as possile with our premium guitar tabs! A fantastic resource for private music lessons, guitar enthusiasts and more! This arrangement of STICK SEASON has been TRANSPOSED TO G MAJOR A MUCH EASIER KEY! YOU CAN ALSO USE A CAPO to ound in A!We do of course offer this title in the ORIGINAL KEY HERE:Follow us today!Instagram@majorscorepublishingWebsite: (All titles availabe on Hal Leonard)https://www.majorscorepublishing.com/guitartabsheetmusic

Concert Band - Level 1 - Digital Download SKU: A0.1377507 Composed by Jonathan Bush. Arranged by Sam Fettig. Children,Pop. 37 pages. Sam Fettig #962100. Published by Sam Fettig (A0.1377507). https://www.samfettigmusic.com/BLUEY FOR BEGINNING BAND!The original Bluey Theme uses a 3-2 clave rhythm for the entire song. This two-measure pattern ends differently every other time, creating a four-measure pattern that occurs throughout and never changes! All students (except the shaker) play this pattern at the very beginning, establishing the basis for the entire arrangement.Only six notes are used. Students’ familiarity with the music will be an asset as they tackle a melody that may be a new challenge to them. With this in mind, the melody is always doubled or cued elsewhere; no section will ever have to play it alone. There are four opportunities for either a soloist or a soli of any combination! These occur at bars 21, 25, 49 and 53.  Have fun with these spots, giving everyone an opportunity. It will, of course, need to be mapped out for a performance. Students will shout the Bluey characters’ names just like the show’s theme. There is one spot to insert a name of your choosing - a student, teacher, administrator, family member, or pet! Alternatively, you can replace any of the character’s names to truly personalize the song. I hope you and your students enjoy learning and performing Bluey!

Flugelhorn,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1350163 By Will Savage. By Will Savage. Classical,Jazz. Score and individual part. 12 pages. Will Savage #934942. Published by Will Savage (A0.1350163). 'Turn of the Tide' - to reverse the general course of events.Turn of the Tide is about an on-going war in a land far away. One of the last remaining tribes in the human race is losing a great battle and they are slowly, but surely becoming extinct. In a sudden change of events, the opposing tribe dies of an unknown disease, and the music unusually lifts at this point, from C Minor to G major. The Tribe then discovers the damage that the world has been left in. We descend back to C Minor from a big climax as the once cheerful tribe all breathe their last breath. There is no more population on planet earth.Instrumentation:Solo Flugelhorn (Instrument in Bb)+ Piano Accompanimentsavagesmusic.com/turn-of-the-tide

Piano Solo - Level 1 - Digital Download SKU: A0.954348 Composed by R.Brown, JCBmusic. Contemporary. Score. 2 pages. Rachel Brown #3108007. Published by Rachel Brown (A0.954348). An easy piece for beginner pianists looking for a new piece of music to play. I originally wrote this in 2004 and have just dug it out! For enjoyment, and could of course be performed - this is a wonderful short piece for a school concert. .

Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score.  The vocal score is available for sale.  The parts are available on rental from the publisher.