Concert Band - Level 3 - Digital Download SKU: A0.1232122 Composed by Helmut Kogler. 21st Century,Classical,Contemporary,Instructional,Standards. 91 pages. Pentharmonics #827801. Published by Pentharmonics (A0.1232122). Fanfare & Theme - Grade 2.5 - Duration 2:30 min.This piece was commissioned by one graduating class of the course in ensemble and wind band conducting at the Upper Austrian Music School. The piece is dedicated to the teacher who instructed the class all the 4 years until their graduation.One of the first exercises in the education of a designated conductor is the so called conducting chain, which is a seamless sequence of seven bars with individual lengths of 1 to 7 quarter notes in ascending order. The conducting chain represents one of the basic skills necessary for conducting an ensemble or wind band. For this reason exactly these conducting chain is incorporated in the middle part of the piece.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com

Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.587509 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and parts. 7 pages. David McKeown #4354117. Published by David McKeown (A0.587509). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This full version is arranged as a duet for Clarinet and Violin and the performance time is around 6 minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Follow the links above to hear a short sample or watch a complete performance on youtube. The samples are from the clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both parts enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with detailed articulation and dynamics. There are many more top quality arrangements and compositions by David McKeown for you to browse.

Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.587507 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and parts. 7 pages. David McKeown #4354113. Published by David McKeown (A0.587507). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This full version is arranged as a duet for Clarinet and Alto Saxophone and the performance time is around 6 minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Follow the links above to hear a short sample or watch a complete performance on youtube. The samples are from the clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both parts enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with detailed articulation and dynamics. There are many more top quality arrangements and compositions by David McKeown for you to browse.

Bassoon,Clarinet,Piano - Level 3 - Digital Download SKU: A0.1426548 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007248. Published by ACORDO Sheet Music (A0.1426548). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Clarinets.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Level 3 - Digital Download SKU: A0.1426547 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007247. Published by ACORDO Sheet Music (A0.1426547). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for flute and clarinet.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Bassoon,Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426546 Composed by Johann Sebastian Bach. Arranged by Kamada,Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007246. Published by ACORDO Sheet Music (A0.1426546). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and clarinet.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.760813 Composed by Raymond Fenech. Arranged by Raymond Fenech. 20th Century,Children,Contemporary,Easter,Holiday. 11 pages. Raymond Fenech #6690293. Published by Raymond Fenech (A0.760813). Raymond Fenech (6 February 1958 -    ) is a Maltese/Australian composer.  He was born in Mtarfa (Malta). He was a trumpet player who was taught by his father Joseph and also Paul Schembri. His father was also a famous trumpet player.  Raymond studied music theory, harmony, history, fugue and composition under the tuition of Mro Carmelo Pace. In 1976 Raymond joined the Maltese Army Band (AFM) and in 1982 immigrated to Australia where he was offered a scholarship in N.S.W. University.  During this time at the University he studied to become a music teacher and afterwards further his studies with modern music composition and conducting courses. Early Morning is a quartet for four Bb Clarinets. The title predicts the serenity of a normal day, hence the nice and calm melodic piece.

Recorder Solo - Level 3 - Digital Download SKU: A0.1486930 Composed by Robin Nelson. 21st Century,Classical. Individual part. 20 pages. Forsyth Brothers Ltd #1064004. Published by Forsyth Brothers Ltd (A0.1486930). A fresh and fun addition to the recorder repertoire by Robin Nelson, with three dance themed movements suitable for players of intermediate ability. Amiable Allemande Soulful Sarabande Jocular Gigue Born in 1943, Robin Nelson was educated at Calday Grange Grammar School and Cambridge University, where he read music. A long career in teaching followed, including a 21 year period as Director of Music at Marlborough College, Wiltshire.In addition he has been an Associated Board examiner, lecturer and adjudicator. Robin now runs courses in music appreciation from his home in Avebury, Wiltshire. Works include a long list of carols and anthems, two large scale cantatas and several shorter choral works.

Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1417698 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #999237. Published by ACORDO Sheet Music (A0.1417698). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The cello part is the same as the piano's left hand and is optional.

Bassoon,Flute,Oboe,Piano - Level 3 - Digital Download SKU: A0.1422054 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1003395. Published by ACORDO Sheet Music (A0.1422054). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and flute.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

English Horn,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426549 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007249. Published by ACORDO Sheet Music (A0.1426549). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Oboe and Cor Anglais.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977353 By Various Artists. By Airto G Moreira, Gottfried Engels, and Ramon Zenker. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438145. Published by Des Press (A0.977353). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome!  These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM

Small Ensemble Cello,Piano,Violin,Voice - Level 3 - Digital Download SKU: A0.1021264 Composed by Morris-Scott. Arranged by Morris-Scott. 20th Century,Celtic,Folk. Score and parts. 6 pages. Lite Days Music (BMI) #5889553. Published by Lite Days Music (BMI) (A0.1021264). Coplandesque song on the state of mass media and public discourse.

Instrumental Duet Instrumental Duet,Trumpet,Vibraphone - Level 5 - Digital Download SKU: A0.533575 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 6 pages. Musik Fabrik Music Publishing #3024989. Published by Musik Fabrik Music Publishing (A0.533575). Where All the Ladders Start (2008) for trumpet and vibraphone was written for and is dedicated toLouis Ranger. The work is an energetic dialogue, in which a darkly lyrical discourse is coloredthrough the interaction of the two instruments. The title is taken from a line of W. B. Yeats.

Piano Solo - Level 4 - Digital Download SKU: A0.775947 Composed by Carson Cooman. Contemporary,Spiritual,Standards. Score. 6 pages. Musik Fabrik Music Publishing #2033573. Published by Musik Fabrik Music Publishing (A0.775947). But darkness is Light, That doesn’t know it’s Light yet. - Stuart Saunders Smith Cantus II (Into Unknowing Light) (2011) for piano was written for and is dedicated to Julia Scott Carey, in memory of her mother, Harriet Stolmeier Carey (1951–2011). The work is marked tranquil, yet passionate. It is a memory space in which a gentle tolling texture pushes the discourse to an enormous climax, before dying away in peace and light.