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Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.1131836 Composed by Traditional French Carol Words: n/a. Arranged by Cathy Stamegna. Christian,Christmas,Holiday,Praise & Worship,Traditional. 10 pages. Cathy Stamegna #732069. Published by Cathy Stamegna (A0.1131836). This joyful Christmas hymn is arranged as an unaccompanied instrumental duet. A short transition invites a key change of a Perfect fourth, melodic embellishment, and a slightly slower tempo. Each instrument has an opportunity to carry the melody. Appropriate for any Christmas prelude, worship, concert, recital, or holiday setting. Score and set of Parts included. Graded above intermediate for articulations and sixteenth notes. Performance Time: approx. 2:37.
Angels We Have Heard on High (Bassoon Duet)
2 Bassons (duo)

$4.99 4.26 € 2 Bassons (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549147 Composed by W. A. MOZART (1756 - 1791). Arranged by James M. Guthrie, ASCAP. Classical,Easter,Standards. Score and parts. 7 pages. Jmsgu3 #3454725. Published by jmsgu3 (A0.549147). Mozart: Ave verum corpus K. 618. Duration: 2:30 Score: 4 pg, Solo part: 1 pg, Piano part: 2 pg. This is an amazing masterpiece of music written by one of the greatest composers in our history. This popular piece by Mozart was composed only 6 months before his untimely death in 1791. Mozart wrote this on commission while working on the Magic Flute. Program this for Lent or Easter meditations, or any Christian communion service. Also, this would be a strong recital encore showing mastery of phrasing, tone quality, and dynamics.
Mozart: Ave Verum Corpus for Bassoon & Piano
2 Bassons (duo)

$32.95 28.15 € 2 Bassons (duo) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1270343 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862753. Published by jmsgu3 (A0.1270343). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Bassoon Trio
3 Bassons

$24.95 21.31 € 3 Bassons PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3494213. Published by jmsgu3 (A0.549433). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic c control. Suitable for recitals, church meditations, or school programs. Dvořák Background Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.  
DvoÅ™ák: Largo from the New World Symphony for Bassoon & Piano
2 Bassons (duo)

$32.95 28.15 € 2 Bassons (duo) PDF SheetMusicPlus






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