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Guitar Ensemble Guitar - Level 2 - Digital Download

SKU: A0.797856

Composed by Bruce Welch, Hank Brian Marvin, and Hank Marvin. Arranged by Derek Hasted. Contemporary. Score and parts. 27 pages. Derek Hasted #6735337. Published by Derek Hasted (A0.797856).

ALL DAY - 4 GUITARS/LARGE ENSEMBLE - Score and Score+Tab
For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.

Derek Hasted writes This uplifting piece by The Shadows makes a really accessible guitar quartet for an early intermediate ensemble, and a foot-tapping crowd-pleaser for a school recital or as an contrasting item in an adult concert.

The arrangement is presented in score only and in score + TAB to open it up to classical, acoustic and electric guitarists. Each section is repeated, so the entire piece is surprisingly substantial, yet easy to learn and play.

The parts rise slightly in complexity from Guitar 4 to Guitar 1, but the arrangement is within the reach of even fairly inexperienced players.

I hope you enjoy performing this!
All Day

$4.99 4.79 € PDF SheetMusicPlus

Guitar - Level 2 - Digital Download

SKU: A0.1383550

By The Shadows. By Bruce Welch and Hank Marvin. Arranged by Derek Hasted. Pop,Rock. 23 pages. Derek Hasted #968000. Published by Derek Hasted (A0.1383550).

FOOT TAPPER (The Shadows) - 3 GUITARS or LARGE ENSEMBLE
For Classical Guitar - also suits Acoustic Guitar or Electric Guitar

Derek Hasted writes It’s a bit of a blast from the past, but this is a really “under-the-fingers” piece that lives up to its name.

My arrangement for 3 early intermediate guitars is devoid of the drum part, so a few extra notes have been added and a few empty bars removed, so that continuity is assured where the short drum breaks of the original took place.

That apart, the speed, the key and the structure of the original are all here.

Guitar 1 is the tune, and I’ve lifted it up an octave in the slow section so it’s easier to hear amongst the strummed chords, which can be quite heavy sounding on a classical guitar.

Guitar 2 is the rhythm guitar part - all the chords are named, so that a school ensemble teacher, for example, can suggest 3- or 4-string versions of the big chords here. And you may find the usual first position G chord is less tiring than the barré version here, though it will sound a little bass-heavy.

Either or both of the treble clef and bass clef versions of Guitar 3 can be played. In a large ensemble, having both will give a bigger sound.

This exudes foot tapping happiness…

I hope you enjoy playing this piece!

This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at
www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

Foot Tapper The Shadows
$4.99 4.79 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1202380

By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,Standards. Score. 2 pages. John Fries #801070. Published by John Fries (A0.1202380).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John.  He'll Have to Go is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a massive hit in both genres early in 1960. The song is about a man who's talking by telephone to the woman he loves, when he realizes that another man is with her. The recording features a small group of musicians: Floyd Cramer on piano, Marvin Hughes on the vibraphone, Bob Moore on bass, Buddy Harman on drums, Hank Garland on guitar, and the Anita Kerr Singers providing the background vocals. Country music historian Bill Malone noted that He'll Have to Go in most respects represented a conventional country song, but its arrangement and the vocal chorus put this recording in the country pop vein. In addition, Malone lauded Reeves' vocal styling - lowered to its natural resonant level to project the caressing style that became famous - as being why many people refer to him as the singer with the velvet touch..

He'll Have To Go
Piano, Voix et Guitare
Jim Reeves
$4.99 4.79 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1200441

Composed by Edward Kleban and Marvin Hamlisch. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 2 pages. John Fries #799267. Published by John Fries (A0.1200441).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. What I Did for Love is a song from the musical A Chorus Line (music by Marvin Hamlisch, lyrics by Edward Kleban). It was quickly recognized for its show-business potential outside Broadway and was picked up by popular singers to include in their performances in their club and television appearances. Both female and male singers have made it an inclusion in their recorded albums to great effect.

What I Did For Love
Piano, Voix et Guitare

$4.99 4.79 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1201552

By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 2 pages. John Fries #800172. Published by John Fries (A0.1201552).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. The Way We Were is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. Its lyrics detail the melancholic relationship between the two main characters in the 1973 film of the same name. American composer and producer Marvin Hamlisch created the final melody for The Way We Were, which initially was a problem between himself and the singer. Streisand had asked Hamlisch to produce a composition in minor key, but he instead wrote it in major key due to his fear of the song's lyrics being revealed too quickly.

The Way We Were
Piano, Voix et Guitare
Barbra Streisand
$4.99 4.79 € Piano, Voix et Guitare PDF SheetMusicPlus

String Orchestra - Digital Download

SKU: A0.506022

By Diana Ross, Marvin Gaye & Tammi Terrell, and Michael McDonald. By Nickolas Ashford and Valerie Simpson. Arranged by Thomas Graf. Pop. Score and parts. 21 pages. Published by Thomas Graf - the-hit-factory.com (A0.506022).

Ain't No Mountain High Enough is an R&B/soul song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label; a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell; becoming a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross- first solo number-one hit on the Billboard Hot 100 chart and was nominated for a Grammy Award. A must for your repertoire! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass, Drums (opt.) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.

Ain't No Mountain High Enough
Orchestre ŕ Cordes
Diana Ross, Marvin Gaye & Tammi Terrell, and Michael McDonald
$50.00 48.02 € Orchestre ŕ Cordes PDF SheetMusicPlus

Alto Saxophone,Baritone Saxophone,Clarinet,Drum Set,Electric Bass Guitar,Flute,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download

SKU: A0.846312

By Marvin Gaye. By Al Cleveland, Marvin Gaye, and Renaldo Benson. Arranged by Mike Hyziak. R & B. 34 pages. MPH Holding #5008373. Published by MPH Holding (A0.846312).

MIXED JAZZ ENSEMBLE. A vocal feature accompanied by mixed jazz ensemble.

Hello, and thank you very much for your interest in my works! 

With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. 

Do you need an alternate part that is not in the score? One can be made for you, for a small fee. 

All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.com

Finally, I have many more works not yet listed here, available on my website:
http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.

What's Going On
Marvin Gaye
$34.00 32.65 € PDF SheetMusicPlus

Guitar Ensemble Guitar - Level 3 - Digital Download

SKU: A0.1036020

Composed by Brian Bennett, Bruce Welch, Hank Brian Marvin, and John Henry Rostill. Arranged by Derek Hasted. Blues,Pop,Rock. Score and parts. 21 pages. Derek Hasted #641118. Published by Derek Hasted (A0.1036020).

THE RISE and FALL of FLINGEL BUNT - 4 GUITARS/LARGE ENSEMBLE
For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.

Derek Hasted writes What a wonderful title - the story behind the title is explained succinctly on the Wikipedia website.

This bluesy piece by The Shadows makes a really accessible guitar quartet for an intermediate ensemble, and a foot-tapping crowd-pleaser for a school recital or as an contrasting item in an adult concert.

There are some x-headed notes - simply clap your hands together on the beat and I am sure the audience will join in - they used to when the Hampshire Guitar Orchestra played it - frequently failing to clap at the right time at all!

Guitars 2 and 3 are the easiest lines - perfect for the less-experienced players in a mixed ability group.
Guitar 4 has a fun and funky bass line.
Guitar 1 goes quite high, but I have presented the notes at pitch and also in 8va notation so that your reading of the “on-the-body-notes” is clear and error-free.

The soundfile on the publisher’s website is that of Hampshire Guitar Orchestra live in concert.

I hope you enjoy performing this!
Rise And Fall Of Flingel Bunt

$4.99 4.79 € PDF SheetMusicPlus

C Instrument - Level 3 - Digital Download

SKU: A0.518392

By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #129085. Published by John Fries (A0.518392).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  He'll Have to Go is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a massive hit in both genres early in 1960. The song is about a man who's talking by telephone to the woman he loves, when he realizes that another man is with her. The recording features a small group of musicians: Floyd Cramer on piano, Marvin Hughes on the vibraphone, Bob Moore on bass, Buddy Harman on drums, Hank Garland on guitar, and the Anita Kerr Singers providing the background vocals. Country music historian Bill Malone noted that He'll Have to Go in most respects represented a conventional country song, but its arrangement and the vocal chorus put this recording in the country pop vein. In addition, Malone lauded Reeves' vocal styling - lowered to its natural resonant level to project the caressing style that became famous - as being why many people refer to him as the singer with the velvet touch..

He'll Have To Go
Instruments en Do
Jim Reeves
$3.99 3.83 € Instruments en Do PDF SheetMusicPlus






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