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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download

SKU: A0.1024240

Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240).

Geometria is a serial composition*.

Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances.

There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12.

Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players.

*Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived.

Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.





Geometria
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$5.99 5.57 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

String Ensemble - Level 2 - Digital Download

SKU: A0.846558

Composed by Chris Gordon. Arranged by Chris Gordon. 20th Century,Contemporary,Standards. Score and parts. 10 pages. Cool Wind Music Digital #2945995. Published by Cool Wind Music Digital (A0.846558).

This is an arrangement for string sextet by Chris Gordon of his song, Presentiment, setting a short poem by Amercian poet, Emily Dickinson. The poem is about the feelings engendered by the lengthening shadows on a lawn at the close of a summer day.The song captures the languid, atmospheric nature of the poem, hinting at the underlying foreboding of the text.

The song is dedicated to world-famous soprano, Lisa Larsson who, in 2015, premiered Alban Berg's original 'Ten Early Songs' which include three songs orchestrated by Chris Gordon - An Leukon*, Die Sorglichen and Schliesse mir die Augen beide.

*An Leukon was performed by Renée Fleming with Alban Berg's 'Seven Early Songs' at a BBC Promenade Concert on 6 August 2007.


Presentiment - (Song for Soprano and String Sextet) Score and Full Set of Parts

$15.00 13.94 € PDF SheetMusicPlus

Clarinet,Piano - Digital Download

SKU: A0.962331

Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and part. 13 pages. Sergio Roberto de Oliveira #4609031. Published by Sergio Roberto de Oliveira (A0.962331).

Falls House Press has published his works  Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam).  The Spanish Magazine Sonograma has published 2 interviews with Sergio.

Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.

To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012.  More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).

His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.  

Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.

He died from pancreatic cancer in 2017.

Estudo sobre Alban Berg
Clarinette et Piano

$7.64 7.1 € Clarinette et Piano PDF SheetMusicPlus

Violin and orchestra - difficult - Digital Download

SKU: S9.Q20006

Composed by Joerg Widmann. This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Duration 27 minutes. Schott Music - Digital #Q20006. Published by Schott Music - Digital (S9.Q20006).

Jörg Widmann treats the violon at first as a vocal instrument, just in the tradition of the great violin concertos of the 19th century through to Alban Berg. But from the cantabile lines, often written 'sul tasto' and 'flautando', emerges again and again a virtuosity which is just as important to the genre and which, based on contemporary playing techniques, causes enticing problems for every player. As the orchestra is reduced to a demanding, yet rather accompanying function during the almost 30 minutes' duration, the piano reduction, already tried in Hamburg by the world premiere performer Christian Tetzlaff with Jörg Widmann on the piano, offers more than ever an opportunity for concert performances off the major stages.

2 (2. auch Picc.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 4 · 0 · 0 · 0 - P. S. (Glsp. · Crot. [2 zwei-oktavige Sets] · 3 Beck. [h./m./t.] · Tamt. [m.] · gr. Tr. · Vibraslap) (2 Spieler) - Hfe. · Cel. (auch 2. gr. Tr.) - Str. (14 · 12 · 10 · 8 · 6 [alle mit 5. Saite H]).

Violin Concerto
Violon et Piano

$47.99 44.61 € Violon et Piano PDF SheetMusicPlus

Baritone, flute and piano - difficult - Digital Download

SKU: S9.Q6943

Composed by Benjamin Schweitzer. This edition: score and parts. Downloadable, score and parts. Duration 3 minutes and 30 seconds. Schott Music - Digital #Q6943. Published by Schott Music - Digital (S9.Q6943).

German.

An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin’s late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This ‘riveness’ can be found in the work’s concentrated character, which combines fragile colours of piano and flute, an eruptive climax and exactly organized lines and motives. During the thorough revision of the score, 17 years after the composition of the primary version, I tried to preserve the character of the piece with its strong influences from Alban Berg’s expressionistic style, but to accentuate the musical ideas of the work more exactly and subtly at the same time. Benjamin Schweitzer.

An Zimmern
Flûte traversière et Piano

$11.99 11.15 € Flûte traversière et Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download

SKU: A0.1074352

Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352).

PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.

The City In the Sea: Choral Tone Poem
Chorale SATB

$5.60 5.21 € Chorale SATB PDF SheetMusicPlus

2 violins, viola, cello - difficult - Digital Download

SKU: S9.Q53159

String quartet based on Sonnets by William Shakespeare. Composed by Ludger Vollmer. This edition: score and parts. Downloadable, Score and parts. Duration 32 minutes. Schott Music - Digital #Q53159. Published by Schott Music - Digital (S9.Q53159).

My love is as a fever wurde von Sonetten William Shakespeares inspiriert. Das Werk entstand für das Faust Quartett mit dem Anspruch, bei neuer Kompositionstechnik, sowohl vom emotionalen Ausdruck als auch von den technischen Anforderungen her, ein Pendant zu Alban Bergs Lyrischer Suite zu schaffen. Es ist eine melodisch-rhythmische Komposition, deren Techniken aus der Transformation außereuropäischer Musik und der Musik, die in Europa vor tausend Jahren praktiziert wurde, bestehen.

My love is as a fever

$83.99 78.07 € PDF SheetMusicPlus






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