SKU: A0.972644

Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times.

        Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions:

1. A Breeze from Alabama originated as a march (in march-trio form) for military band.

2. The 1902 publication for piano solo by Scott Joplin is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction.

3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto.

This is the part for cornet in Bb (or trumpet). A performance also requires the piano duet score (also playable as a piano ensemble), and the full score if a conductor participates. The audio track posted here has the piano music only, and is for rehearsal by the cornet soloist. A cadenza for the cornet, composed by James Siddons, begins at measure 116 in the score and part, and at 2 mins, 44 secs in the audio recording. In the audio track, five seconds of silence begin at 2 mins, 44 secs. To practice the cadenza, press the pause button on your media player. To rehearse without playing the cadenza, simply wait out the brief silence. At 2 mins, 49 secs, the piano music resumes at measure 120 of the score or cornet part.

SKU: A0.972642

Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a  dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's  Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band  but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a  cornetist  as well as pianist, and had played cornet in bands like Lowery's many times.

        Drawing on this information, the  present arrangement by James Siddons (2017) is based on the following assumptions:

1. A Breeze from Alabama  originated as a march (in march-trio form) for military band.

2. The 1902 publication is a piano  reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction.

3. A setting for piano duet (or  ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome  tone colors of brass instruments to a degree that a solo piano cannot do. Thus this  arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with  soloist. It is collaborative music, akin to a concerto.

This piano duet part may be performed by two pianists at one piano, or two  pianists at two pianos, or four pianists at two pianos, or even six pianists at  three pianos, with or without a conductor. The cornet part may be played on trumpet. There are three score or part versions for sale:

1. The full score is for use by a conductor or instructor. An audio track (mp3, virtual sounds) is posted here.

2. The piano duet (or ensemble) score has the Primo and Secondo parts shown on facing left and right pages as is standard for piano duet music. (No audio recording.)

3. The cornet (or trumpet) part is sold separately and has a rehearsal recording posted, in which only the piano duet music is heard. This arrangement features a cadenza for cornet composed by James Siddons. The cadenza is found in measures 115-119 in the score and cornet part. In the rehearsal recording, there is five seconds of silence beginning 2 mins, 44 secs into the audio track. The music resumes at measure 120. To practice with the cadenza, press pause on your media player; to practice without the cadenza, simply wait the silence out.