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Full Orchestra - Level 3 - Digital Download

SKU: A0.976734

Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734).

CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.

It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.

PROGRAM NOTES:

2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.

For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.

Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.

Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020

I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.

Robert Myers
S.D.G.





CONJUNCTION: The Christmas Star of 2020 Orchestre

$95.00 87.61 € Orchestre PDF SheetMusicPlus

Vocal, Solo Solo Voice - Digital Download

SKU: H1.804DP

Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP).

By Various Writers.

140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.

Everything for the Church Soloist-Digital Download Various Writers

140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms
$79.95 73.73 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download

SKU: A0.837493

Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493).

Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire.

The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts.  One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured.

One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.

C.G. Jung

Making the Darkness Conscious Saxophone Tenor et Piano
the end of the piece, the soloist’s character is transformed into something more ruthless and tortured

One does not become enlightened by imagining figures of light, but by making the darkness conscious
$14.95 13.79 € Saxophone Tenor et Piano PDF SheetMusicPlus

Tenor and string quartet - Digital Download

SKU: S9.Q6385

Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385).

German • English.

This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by ”Kirchenmusik bei St. Anna Augsburg” to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : ”And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. ” Luk. 1/79 : ”To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. ” Joh.14/27 : ”Peace I leave with you, my peace I give unto you. ” ...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.

The Dove Quatuor ŕ cordes: 2 violons, alto, violoncelle

$22.99 21.2 € Quatuor ŕ cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download

SKU: A0.1201730

Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730).

Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:

We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.

Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.

General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.

Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.

But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.

“Yellow-Red” is described as “primordial, impetuous, robust,” to the point of eliciting “extreme excitement” which disturbs and enrages even animals!

“Yellow” is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.”

The color “Red-Blue” we are told is “something lively without gladness.”

“Blue” is steeped in darkness, a “contradiction between excitement and repose.” It gives one the “impression of cold.” and brings to mind melancholy.

The Emotional Lives of Colors (for trumpet, piano, and percussion)
$29.99 27.66 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1216480

By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. Amy Lewis #813057. Published by Amy Lewis (A0.1216480).

This is an enigmatic and rhapsodic piece for solo piano that is composed in Whole Tone C mode and is based on the Book of Revelation Chapter 8 Verses 1-5 in the New Testament Bible. 
Bar 1-18 is based on verses 1-3 and is sharp, spacey and minimal - the sound of silence and of the angels. The emphasis is the sound between the notes.
Verse 4 states: 'And the smoke of the incense, which came with the prayers of the Saints, ascended up before God out of the angel's hand.' This section changes tone and phrase. There is a beautiful ascending up the keyboard, which is delecate but with hesitance. It is the light before the darkness; the potential energy before the explosion; the calm before the storm. There must be tension.
Verse 5 states: 'And the angel took the censer, and filled it with fire of the altar and cast it into the Earth, and there were voices, and thunderings, and lightnings, and an earthquake.'
This section therefore is rather more dramatic, with a contrast of high and low pitched notes and chords. 
The final bars of the piece are suspension - sharp and repetative chords and ending on one sharp note - what happens next?

The pianist should pedal freely throughout the piece and add their own dramatic touch to this very illistrative score.

'The Seventh Seal' Piano seul
Amy Louise Lewis
$7.95 7.33 € Piano seul PDF SheetMusicPlus

Level 5 - Digital Download

SKU: A0.1420570

By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Heemrec #1002003. Published by Heemrec (A0.1420570).

Romance “Проводник (Conductor)” explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadows”, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...”, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.

Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.

Composer: Galina Vasilevskaya
Lyricist: Aleksandr Popov Mikhaylov 
Arranger/Orchestrator: Stefan Kristinkov 

Listen Here

The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only Dmitry Klevansky
$130.00 119.88 € PDF SheetMusicPlus

Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download

SKU: A0.1420568

By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1002001. Published by Heemrec (A0.1420568).

Romance “Проводник (Conductor)” explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadows”, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...”, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.

Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.

Composer: Galina Vasilevskaya
Lyricist: Aleksandr Popov Mikhaylov 
Arranger/Orchestrator: Stefan Kristinkov 

Listen Here

The Messenger (Romance for Voice And Orchestra) - Score And Parts Dmitry Klevansky
$140.00 129.1 € PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.747202

Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 101 pages. Christopher Brown #4725429. Published by Christopher Brown (A0.747202).

About the song: Satan has been decisively defeated. In every battle with the devil, 1 John 4:4 assures us that God is greater. When we feel trapped in sin, God is greater. When we are tempted to doubt, God is greater. When we face trials, God is  greater. When we experience great loss or disappointment, God is greater still. He is able to strengthen, help, comfort, and uphold our souls by His power and might regardless of the circumstances in which we find ourselves. This is reason for hope, joy, and praise even in the darkest valley.

Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.

Please Note:
You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.

Included in your Purchase:
Full Score
Choral Score (SATB with Solo)
Piano Accompaniment
Rhythm Chart
Drumset
Flute 1, 2
Oboe (opt. Soprano Sax doubles)
Clarinet 1, 2
Horn 1, 2 (opt. Alto Sax doubles)
Trumpet 1, 2
Trumpet 3
Trombone 1, 2 (opt. Tenor Sax doubles)
Trombone 3/ Tuba (opt. Bari Sax doubles)
Percussion 1, 2
Harp
Violin 1, 2
Viola
Cello
String Bass (opt. Bass Clarinet/ Bassoon doubles)

Lyrics:

Verse 1

When it seems there’s no way out,

He can make a way.

In the darkness of my doubt,

He’s the light of day.

Ev’ry trial that I face,

Comes with His mercy and His grace.


Pre-Chorus 1

Greater is He Who lives in me.

Stronger than the plans of ev’ry enemy.

From sin and death I’ve been set free.

He set me free!


Chorus 1

This is my hope when I’m walking through the valley of the shadow.

This is my joy in the sorrow and the pain.

This is the Truth when I’m caught up in the middle of the battle.

Greater is He that is in me.


Verse 2

When my world begins to shake,

He’s unshakable.

When my circumstances change,

He’s unchangeable.

In ev’ry storm and crashing wave,

My God is powerful to save.


Pre-Chorus 2

Greater is He Who lives in me.

Stronger than the plans of ev’ry enemy.

From sin and death I’ve been set free.

He set me free!


Chorus 2

This is my hope when I’m walking through the valley of the shadow.

This is my joy in the sorrow and the pain.

This is the Truth when I’m caught up in the middle of the battle.

Greater is He that is in me.


Bridge 1

There isn’t any other,

Who has the power, power.

The King of Kings, and Lord of Lords,

We lift Him higher, higher.


Bridge 2

We raise our voices louder,

Our God is stronger, stronger.

The King of Kings, and Lord of Lords,

We lift Him higher, higher.


Chorus 3

This is my hope when I’m walking through the valley of the shadow.

This is my joy in the sorrow and the pain.

This is the Truth when I’m caught up in the middle of the battle.

Greater is He,

Greater is He,

Greater is He that is in me.


Greater Is He (Anthem) - Orchestration Orchestre

$49.99 46.1 € Orchestre PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.747204

Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher Brown #4725447. Published by Christopher Brown (A0.747204).

About the song: Satan has been decisively defeated. In every battle with the devil, 1 John 4:4 assures us that God is greater. When we feel trapped in sin, God is greater. When we are tempted to doubt, God is greater. When we face trials, God is greater. When we experience great loss or disappointment, God is greater still. He is able to strengthen, help, comfort, and uphold our souls by His power and might regardless of the circumstances in which we find ourselves. This is reason for hope, joy, and praise even in the darkest valley.

Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.

Please Note:
You can purchase individual copies of the vocal part separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.

*Full orchestration and parts also available on Sheet Music Plus.

Included in your Purchase:
Piano Accompaniment

Lyrics:

Verse 1

When it seems there’s no way out,

He can make a way.

In the darkness of my doubt,

He’s the light of day.

Ev’ry trial that I face,

Comes with His mercy and His grace.


Pre-Chorus 1

Greater is He Who lives in me.

Stronger than the plans of ev’ry enemy.

From sin and death I’ve been set free.

He set me free!


Chorus 1

This is my hope when I’m walking through the valley of the shadow.

This is my joy in the sorrow and the pain.

This is the Truth when I’m caught up in the middle of the battle.

Greater is He that is in me.


Verse 2

When my world begins to shake,

He’s unshakable.

When my circumstances change,

He’s unchangeable.

In ev’ry storm and crashing wave,

My God is powerful to save.


Pre-Chorus 2

Greater is He Who lives in me.

Stronger than the plans of ev’ry enemy.

From sin and death I’ve been set free.

He set me free!


Chorus 2

This is my hope when I’m walking through the valley of the shadow.

This is my joy in the sorrow and the pain.

This is the Truth when I’m caught up in the middle of the battle.

Greater is He that is in me.


Bridge 1

There isn’t any other,

Who has the power, power.

The King of Kings, and Lord of Lords,

We lift Him higher, higher.


Bridge 2

We raise our voices louder,

Our God is stronger, stronger.

The King of Kings, and Lord of Lords,

We lift Him higher, higher.


Chorus 3

This is my hope when I’m walking through the valley of the shadow.

This is my joy in the sorrow and the pain.

This is the Truth when I’m caught up in the middle of the battle.

Greater is He,

Greater is He,

Greater is He that is in me.

Greater Is He (Anthem) - Piano Accompaniment Chorale SATB

$4.99 4.6 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Digital Download

SKU: A0.938197

Composed by John Bacchus Dykes. Arranged by April Rundquist. Christian,Sacred. Score. 8 pages. April Ann Rundquist #2033633. Published by April Ann Rundquist (A0.938197).

This has always been a very visual arrangement for me with a rough narrative. It starts with the trumpets at the end of the world, the sense of quiet expectation. Wind across a field. It drops off into the silence of outer space. The initial theme presented against that impersonal void, knowing that He's out there, somewhere. Some of this is very difficult for me to describe because this is really about the Triune God, the great creative power, the mover in harmony and cooperation with Himself. The second verse is more grand, the love, the sense of story. And then it gets very, very big, in the way that I AM is always in capitals. Who WAS and IS and evermore shall BE! And in my mind that word BE is light, and just explodes against the blackness into a billion sparkles. And we shrink down to the microcosm for a moment, the wonders of His creative power in the tiny worlds, and it fades to the black of space again. Holy, Holy, Holy, though the darkness hide Thee. The Light that we can't see that would outshine all the stars. More beauty, and then we tumble down the waterfall of Living Water from the Throne of God...in Heaven. The golden palaces and the wonder, the unearthliness, the richness of the life. For a moment it's more simple and I'm reminded of an old hymn being sung in a rustic church. Then a vision of the Cosmic Christ from Revelation giving a benediction, and we're plunged into the chorus of Heaven, the new song of the 144,000. (this part sounds really good on an acoustic piano because the sound physically builds on itself) And it ends as it began...

Holy Holy Holy (To Thee We Sing) Piano seul

$4.99 4.6 € Piano seul PDF SheetMusicPlus

SATB choir, children’s choir (SA), flute, strings, and percussion, or piano - Medium - Digital Download

SKU: MQ.8776-E

Composed by Gwyneth W. Walker. 23 pages. E. C. Schirmer Music Company - Digital #8776-E. Published by E. C. Schirmer Music Company - Digital (MQ.8776-E).

English.

Longfellow's poem, The Day is Done, speaks of evening as the time when poetry and music come
alive and soothe the cares of day. The musical setting presents the opening lyrics in the children’s voices: The day is done, and the darkness falls from the wings of night. These phrases, or slight variations thereof, return as refrains throughout the song. The verses alternate between the men’s and women’s voices, with the children interjecting refrains or offering commentary in the background. Finally, the children interrupt the SATB dialogue with exclamations of a song! a song! a song! These lead to the climax of the song, given to the children’s chorus, singing And the night shall be filled with music. All voices then join together in celebration: Our song shall fill the night. The accompaniment (originally composed for piano, later adapted for flute, strings, and percussion) delights in text-setting with sparkling arpeggios depicting the celestial harmonies, and filigree patterns for the star-filled night sky. Duration: 5:00.

The Day Is Done (Downloadable Choral Score) Chorale SATB

$3.20 2.95 € Chorale SATB PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download

SKU: A0.1210354

Composed by Thomas Newman. Arranged by Robert Luke Thompson. Classical,Contemporary,Film/TV. Brass Band. 33 pages. Monkspath Music #808128. Published by Monkspath Music (A0.1210354).

The Night Window is a hauntingly beautiful instrumental piece that features in Sam Mendes’ World War I film, 1917. Composed by Thomas Newman, the score is a masterpiece of orchestration that captures the emotional intensity of war.

This arrangment for Brass Band will work perfectly in any film music concert, or even a Remembrance related event.
 
The Night Window is featured in a pivotal scene where the film's protagonist, Lance Corporal Schofield, takes refuge in an abandoned house during a tense night-time sequence.
 
As Schofield takes a moment to rest and recover from his harrowing journey, he notices a window covered in beautiful stained glass that casts an ethereal glow over the room. The haunting melody of The Night Window begins to play as Schofield reflects on his experiences and contemplates the task ahead of him – saving the lives of sixteen-hundred men.
 
As the title suggests, the music conveys the image of a night scene. The piece begins softly, with a gentle motif that evokes the stillness of the night. As the piece progresses, the music gradually builds in intensity and texture, whilst the camera slowly zooms in on the window, highlighting its beauty and fragility. The piece reaches its climax as Schofield gazes out of the window, and the camera pulls back to reveal the ruins of a once-beautiful town, now ravaged by war.
 
The Night Window perfectly captures the sense of loss and devastation that war brings, while also conveying a glimmer of hope and beauty amid the darkness. A powerful piece of music that perfectly captures the emotions and themes of 1917. Its haunting beauty and evocative melodies make it a standout track in the film's score, and a piece that will linger in the listener's mind long after the credits have rolled.

For further pieces, view the Monkspath Music catalogue and click here!

The Night Window
$39.99 36.88 € PDF SheetMusicPlus

Piano,Vocal,Voice - Digital Download

SKU: A0.992888

Composed by Sandy Sherman. Hanukkah. Score. 8 pages. In The Pink Music #3622113. Published by In The Pink Music (A0.992888).

There's Something About Those Candles is a Chanukah (Hanukkah) song focusing on more than just the story and celebration of the oil that lasted 8 nights.  It reminds us of the universal journey of all who are fighting for freedom, the need to repair this world, and the need to be a blessing to others.  Each candle has the power to connect us with God and to make us aware that just one spark is all it takes to eliminate the darkness.  When these candles are all aglow, it's not just something that happens outside of us, but it can be a glowing transformation within.

It is appropriate for all adult and youth choirs, and in order to facilitate learning each part, recordings of each individual voice and piano accompaniment are available at no additional cost by contacting  inthepinkmusic@hotmail.com

Duration:   2:45

There's Something About Those Candles SATB Piano, Voix

$2.25 2.07 € Piano, Voix PDF SheetMusicPlus






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