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Concert Band - Digital Download SKU: A0.891091 Composed by Modest Petrovich Mussorgsky. Arranged by Diana L. Appler. 20th Century,Classical,Romantic Period. Score and parts. 176 pages. Diana L. Appler #6245511. Published by Diana L. Appler (A0.891091). The last two musical scenes from Mussorgsky's Pictures At An Exhibition are colorful depictions of a large Russian clock and a great gate that was envisioned to be built in Kiev. Originally a piano piece, Pictures At An Exhibition was a tribute to his personal friend the artist Victor Hartmann. It has been orchestrated many times for orchestra and even occasionally for winds. This powerful orchestration will leave both the audience and performers exhilarated and uplifted as one can feel the enormous size as you approach and pass through The Great Gate of Kiev.  This completes a 4 set compilation.  Parts only, oversize score sold separately.  
Pictures At An Exhibition Pictures 9 & 10
Orchestre d'harmonie

$60.00 51.57 € Orchestre d'harmonie PDF SheetMusicPlus

Traditionnel : Tzur Chassidi
Violoncelle
Téléchargez la partition Violoncelle Tzur Chassidi de Traditionnel. Partitio…
2.99 € Violoncelle PDF Tomplay

String Quartet - difficult - Digital Download SKU: S9.Q6173 2nd string quartet. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 16 minutes. Schott Music - Digital #Q6173. Published by Schott Music - Digital (S9.Q6173). My 2nd string quartet is one single slow movement. The piece does not directly reflect Joseph Haydn's Seven Last Words but I would not have been able to write it without knowing that work. The movements in Haydn's quartets (except the final earthquake) are slow movements of shocking forcefulness. What makes the work even more unsettling for me is the relaxed and cheerful acceptance of death (the 'smile' of the A major pizzicato thirds!). When I made myself familiar with the subject matter of crucifixion I discovered that terms like 'walking' and 'the last walk' were most important to me. My piece starts at the final stage of this experience. It contains a number of lost sounds, phrases of futility which come from nowhere and lead to nowhere. The horrifying rubbing and sanding of skin and wood become the 'theme’ of the piece which is combined with tonal, choral-like melodies. I am interested in how to make noises no longer symbolize desolation and tonal phrases no longer represent confidence. - Jörg Widmann.
Choral Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$35.99 30.94 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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