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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1332103 Composed by Maria Theresia von Paradis (1759-1824). Arranged by Stephen Levintow. Chamber,Classical. 6 pages. Cypress Publishing #918882. Published by Cypress Publishing (A0.1332103). A lovely, gentle short piece by the blind pianist and composer Maria Theresia von Paradis (1759-1824), to whom Mozart's piano concerto K. 456 was dedicated. The piece is notable for its poignant shifts between major and minor. An alternate viola part is included for use as a string trio.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate jobs, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, as well as some standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, but unnecessary technical complexity is avoided. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
Sicilienne
Quatuor à cordes: 2 violons, alto, violoncelle

$3.00 2.57 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1204368 By Kathleen Ryan. By Kathleen Ryan. Classical,New Age. Score. 8 pages. Indigo Mesa Music LLC #802848. Published by Indigo Mesa Music LLC (A0.1204368). As composed and recorded by Kathleen Ryan on her CD Under the Greenwood Tree.Kathleen's composer notes: A story song that began with a simple Western waltz that came to me while we were driving into town one day. (I have a way of notating a melody very quickly so that I don’t lose music in such situations.) Until I sat down to do the first recording of this music, Water in a Dry Land was still just the little waltz. But while the music expressed all the longing for water that we here in the dry land feel, it didn’t actually have any water in it, and as soon as I started recording I wanted some watery music to be there. So I made up the middle section, which seems to me to be quite watery, and practiced it and thought I was done. Then the next time we recorded it, on listening to the playback, all of a sudden I wanted to hear the dry land! That was the genesis of the opening chords, which repeat after the middle (water) section. I was still refining (that is, re-writing) this music up to the very day I recorded it!Advanced: a challenging piece that offers many contrasts of mood and style. Architectural in its structure, with sections depicting the sandstone cliffs of New Mexico, the earth’s longing for water, and the welcome blessing of gentle rains.
Water in a Dry Land
Piano seul
Kathleen Ryan
$5.25 4.5 € Piano seul PDF SheetMusicPlus






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