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String Orchestra - Digital Download

SKU: A0.933524

Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524).

The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.

Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger.

During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31).

The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.
The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.

Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.

The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.











Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
Orchestre à Cordes

$29.00 27.41 € Orchestre à Cordes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.1410323

Composed by Peter Warlock (1894 - 1930). Arranged by Pat Spence. 20th Century,Chamber,Early Music. 70 pages. Piper Publications #992739. Published by Piper Publications (A0.1410323).

The original Suite for string orchestra has been arranged for flute, oboe, clarinet in Bb, horn in F and Bassoon. The six movements, Basse Dance, Pavane, Tordion, Bransles, Pieds en l'air and Mattachins - Sword Dance, have their origins round about the 15th and 16th centuries and were all music for dancing.

Players of good intermediate standard should enjoy the challenge of the contrasting styles of the dances.

WARLOCK: CAPRIOL SUITE FOR WOODWIND QUINTET
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$28.00 26.46 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Horn,Organ,Timpani,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.973262

Composed by Welsh hymn tune, Lynn L. Petersen. Arranged by Lynn L. Petersen. Christian,Praise & Worship,Religious,Sacred. 58 pages. Lynn L. Petersen #6794187. Published by Lynn L. Petersen (A0.973262).

A festive setting of ST. DENIO for Congregation, SATB Choir, Brass Quintet, Timpani, and Organ, suitable for General Worship and Praise.  Flexible instrumentation and alternate parts make it useful for a variety of ensemble resources.  Congregation sings stanzas 1, 3 and 4.  Choir sings stanza 2 in a different key; a cappella section optional.  Soprano descant on stanza 4.  Brass ensemble plays on introduction, interludes, and stanzas 1, 3, and 4.  Full transposed score, all instrumental parts including alternates, reproducible choir plus organ part, and reproducible page with words for congregation.  Parts for brass quintet include 2 B-flat (or C) Trumpets, Horn in F (E-flat Alto Saxophone), Trombone (Baritone T.C., Horn in F), Tuba (Trombone). This title is available separately scored with brass quartet.

Immortal, Invisible, God Only Wise (with brass quintet)
$24.99 23.62 € PDF SheetMusicPlus

1(pic).1(ca).1.bcl.2(2.cbsn)-2.2(1.Dtpt).1.1-timp.2perc(mar, vib, cym, s.d, b.d, chimes, wind machine, lion's roar, flex, large hammer, white dinner plates, telephone, jackboots, gun)-pno(cel)-str(1.1.1.1.1) - Digital Download

SKU: S9.Q19064

Opera in 3 acts based on the text by Oscar Wilde. Composed by Gerald Barry. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 90 minutes. Schott Music - Digital #Q19064. Published by Schott Music - Digital (S9.Q19064).

English.

When asked what the theme of his play was, Wilde answered “That we should treat all trivial things in life very seriously, and all serious things in life with a sincere and studied triviality. Gerald Barry’s fifth opera based on the play is genuine comic with a dark heart. The previous four have remarkable libretti, but The Importance of Being Earnest, written in 1894, is all but perfect in its construction, and Barry’s audacious approach triumphantly confounds all expectations. As Barry describes it: The play’s bones are unshatterable. My version is an X-ray of it. The musical references range from Beethoven to Schoenberg, all treated with a reckless panache and impish wit, by turns dazzling, startling and charming the audience.

The Importance of Being Earnest

$53.99 51.03 € PDF SheetMusicPlus






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