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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4607 Composed by C.A. White. Portraits, Death, Biblical references, Heaven, Memorial works. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4607). Twas the Master That Knocked at the Door. Song and Chorus. Words by George R. Jackson. Music by C.A. White. Published 1877 by White, Smith & Comp'y, 516 Washington Street in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Death, Biblical references, Heaven, Memorial works. First line reads Enwrapp'd in the mantle of night, death waits at the bridge for his prey.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
'Twas the Master That Knocked at the Door. Song and Chorus
Chorale SATB

$5.99 5.12 € Chorale SATB PDF SheetMusicPlus

Flute Ensemble - Intermediate-Advanced - Digital Download SKU: F2.FM229 Composed by Christian Natta. Score and Parts. 80 pages. Forton Music - Digital #FM229. Published by Forton Music - Digital (F2.FM229). ISBN 9790570481286.Flute Ensemble - Piccolo, 3 Flutes, 3 Alto Flutes, 2 Bass Flutes, Optional Contrabass Flute. Written for a very large flute choir in a modern style, this is an interesting piece to work on and listen to. The first and third sections use the instruments to form harmonically rich block chords that shift chromatically up and down the ranges of the instruments. The middle section uses the lower instruments to create a driving ostinato, over the top of which the themes from the first section appear in more imitative forms. Finally, both ideas combine for the final short section before ending on a strange, ethereal chord. Suitable for more advanced groups, this work was inspired by the composer's childhood, watching people working the land and the folk music they listened to.
Late Regards

$24.95 21.33 € PDF SheetMusicPlus






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