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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download

SKU: A0.590129

Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168391. Published by David McKeown (A0.590129).

He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.

He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.

He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal.

 There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

He's Got The Whole World in His Hands, Gospel Song for Trumpet and Tenor Horn Duet

$3.99 3.79 € PDF SheetMusicPlus

3 violins and basso continuo or string orchestra - intermediate - Digital Download

SKU: S9.Q24135

Composed by Johann Pachelbel. This edition: set of parts soloistically. Concertino. Downloadable, Set of parts. Duration 3 minutes. Schott Music - Digital #Q24135. Published by Schott Music - Digital (S9.Q24135).

Key: D major.

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The three violin parts form an extensive canon with entries of two bars distance. To this, a ground bass (basso ostinato) has been added repeating its two-bar tone formula 28 times. The technical mastery of the piece can be ad-mired just as much as its effect lies in the melodic and sensuous power of its string tones. The modest technical demands on the musicians are diametrically opposed to the compositional -level: They do not go beyond the third position.

Canon D Major
Orchestre à Cordes

$17.99 17.09 € Orchestre à Cordes PDF SheetMusicPlus






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