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Trombone Solo - Level 5 - Digital Download SKU: A0.792691 Composed by Elizabeth Raum. 20th Century,Contemporary,Romantic Period. Individual part. 5 pages. Gordon Cherry #5770275. Published by Gordon Cherry (A0.792691). IDIOM was originally written at the request of Philip Myers who was a friend and colleague of the composer when they both performed with the Atlantic Symphony Orchestra in Halifax, Nova Scotia. The name, IDIOM comes from the style of writing which reflects the typical use of the French horn in Romantic composition. There are the hunting calls, the hand stopped stings, the long melodic lines, and the waltz...all taken from the customary uses of the instrument and developed into the original work for solo horn. The composer's husband, Richard Raum, who plays trombone requested this transcription.
IDIOM for solo Trombone
Trombone

$15.00 12.87 € Trombone PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro típico, then Chôro típico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros (Villa-Lobos 1972, 210).The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced. 
Choros No 1
Violon

$7.99 6.86 € Violon PDF SheetMusicPlus

Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.1444749 By Ernie Field's Orchestra. By Joe Garland. Arranged by SaxExpress. Blues,Jazz,Ragtime. Individual part. 6 pages. SaxExpress #1024624. Published by SaxExpress (A0.1444749). 'In The Mood' by the Glen Miller Orchestra    This is an arrangement of Glen Miller's ‘In The Mood’ for saxophone using the revolutionary Presto System. The system is a short cut to being able to easily play songs on the saxophone using a combination of music notation and Presto. It is by far the simplest way to master songs on the saxophone. Within a very short period of time songs become incredibly easy to play. For more information on the 'Presto' system visit SaxExpress.com.
In The Mood
Saxophone Tenor
Ernie Field's Orchestra
$4.99 4.28 € Saxophone Tenor PDF SheetMusicPlus






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