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Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download

SKU: A0.747086

By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086).

An arrangement of the classic King of the Road for Wind Dectet.

King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records.

The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.

The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.

King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.

The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky BobbyBrokeback MountainInto the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.

Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.

A send-up version by English entertainer Billy Howard was a British chart hit in 1976.

A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.



King Of The Road
Randy Travis
$16.99 15.77 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download

SKU: A0.1474111

Composed by Kris Bowers and Michael Dean Parsons. Arranged by RIS. Chamber,Classical,Contemporary,Film/TV,Romantic Period. Score. 2 pages. RISsounds #1041416. Published by RISsounds (A0.1474111).

? Bridgerton Main Theme Song Lead Sheet Music - Perfect for Beginners and Advanced Players! ?

We're excited to share the lead sheet music for the beautiful Bridgerton Main Theme Song, now available for you to download and play. This lead sheet is designed to cater to both beginners and more advanced players, making it a versatile addition to your piano repertoire.

Why You'll Love This Lead Sheet:
? Beginner-Friendly: The right-hand melody is clearly written out on the staff, making it easy to follow and play along.
? Advanced Flexibility: The left hand is open for improvisation, allowing more experienced players to add their own flair and creativity.
? Versatile Practice: Whether you're just starting out or looking to expand your skills, this lead sheet offers a perfect blend of guidance and freedom.

How to Use Our Lead Sheet:

  • For Beginners: Focus on playing the right-hand melody as written. The clear notation will help you develop your sight-reading skills and build confidence.
  • For Advanced Players: Use the right-hand melody as a foundation and improvise with your left hand. Experiment with different chords and rhythms to create a unique rendition.
? Download Now and start playing the enchanting Bridgerton Main Theme Song today!



Tag Us in Your Performances: We'd love to see your renditions! Use the hashtag #EasyPianoTutorials and share your performances with our community.

Happy playing! ?.

Bridgerton Main Title
Piano, Voix et Guitare

$4.99 4.63 € Piano, Voix et Guitare PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.533698

Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698).

Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicated
to Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.
The work was premiered by James Sommerville, horn with Sarah Kapustin and Francesca
Anderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.
The basic musical material for the work is a set of intervals which is gradually “expanded
outward” – moving from close dissonance to luminous consonance. This could be seen to
represent a sense of freedom, growth, and a bright future.
The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higher
strings. The cello presents the work’s basic pitch material in dramatic gestures. The horn
then enters: first abortively and then affirmatively – changing the texture to focus on itself.
The horn continues lyrical melodic development while the strings react, dissipating their
initial energy. Nervous tremolos in the strings start to build back energy again, leading to a
wild climax. The music then relaxes into the next section marked “Slow, suspended.” The
horn and strings interact melodically, supported by luminous harmonies. The nervous
tremolos return, regaining energy towards the coda. The work ends with the ecstatic ringing
of the opening – but,this time, the harmonic material is open and bright.
The second movement, I Am the Vine, is serene and expressive – consisting of a series of
canons which develop, break-off, and start again. The canons are almost always in two
voices – representing two lives intertwining.
The third movement, Chasing Windflower, returns to the energy of the opening movement.
However, the harmonic language begins this time with the open sonorities. Darker colors
(from the first movement) continue to interject, but are always overwhelmed by a sense of
free-wheeling excitement. The work presses on to an ecstatic coda – with a sense of
unfettered joy.

Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Orchestre de chambre

$38.95 36.16 € Orchestre de chambre PDF SheetMusicPlus






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