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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
Saxophone Alto et Piano

$16.95 16.18 € Saxophone Alto et Piano PDF SheetMusicPlus

Organ - Level 4 - Digital Download SKU: A0.1366923 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 16 pages. John Burkett #951258. Published by John Burkett (A0.1366923). My Variations on St. Christopher (Beneath the Cross of Jesus) require a wide range of technical prowess from relatively easy (Variation II) to advanced (Variation VII).  The Theme presents the unadorned hymn tune with an original 4-part harmonization.  Variation I is another 4-part setting but with a more rhythmically active acompaniment in the lower voices.  Variation II, a duo for the hands alone, is in the dominant key where the tune is accompanied by an unrelenting stream of triplets.  Variation III is a 3-voice canon in which the tenor and pedal bass imitate the soprano, though with a certain amount of intervallic freedom.  Variation IV is a trio in which the middle voice presents an ornamented version of the hymn tune.  Variation V is a brief fughetta, while Variation VI presents the tune in the pedals against quietly undulating triplets in the hands.  The final variation (entitled Introduction and Fugal Fantasy) is by far the most challenging and employs considerable chromaticism toward the end.  I have provided a full-length recording to aid the prospective buyer in the decision-making process.  I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangememts of mine, some for organ and others for piano.
Variations on St. Christopher ('Beneath the Cross of Jesus')
Orgue

$19.00 18.13 € Orgue PDF SheetMusicPlus






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