By Selena Gomez and Selena Gomez and the Scene. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital

Concert Band - Level 3 - Digital Download

SKU: A0.1149127

Composed by John Barry and Leslie Bricusse. Arranged by Keith Terrett. Film/TV,Historic,Standards. 37 pages. Keith Terrett #749257. Published by Keith Terrett (A0.1149127).

An arrangement for Concert/Wind Band of the classic Bond tune ''You Only Live Twice''. I made this chart back in the 1980's when I was studying orchestration & Arranging under the late and great Lt. Col. Trevor Sharpe. The soundtrack was the fourth of the series to be composed by John Barry. He tried to incorporate the elegance of the Oriental sound with Japanese music-inspired tracks. The theme song, You Only Live Twice, was composed by Barry and lyricist Leslie Bricusse, and sung by Nancy Sinatra after her father Frank Sinatra passed on the opportunity. Nancy Sinatra was reported to be very nervous while recording – first she wanted to leave the studio; then she claimed to sometimes sound like Minnie Mouse.[36] Barry declared that the final song uses 25 different takes. There are two versions of the song You Only Live Twice, sung by Nancy Sinatra, one directly from the movie soundtrack, and a second one for record release arranged by Billy Strange.[citation needed] The movie soundtrack song is widely recognised for its striking opening bars and oriental flavour, and was far more popular on radio. The record release reached No. 44 on the Billboard charts in the US, and No. 11 in the UK. Both versions of the title song are available on CD. A different title song was originally recorded by Julie Rogers, but eventually discarded. Only two lines from that version were kept in the final lyrics, and the orchestral part was changed to fit Sinatra's vocal range. Rogers' version only appeared in a James Bond 30th Anniversary CD, with no singer credit. In the 1990s, an alternative example of a possible theme song (also called You Only Live Twice and sung by Lorraine Chandler) was discovered in the vaults of RCA Records. It became a very popular track with followers of the Northern soul scene (Chandler was well known for her high-quality soul output on RCA) and can be found on several RCA soul compilations.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download

SKU: A0.1180367

Composed by Neille Williams. Classical,Contemporary,New Age,Romantic Period. 49 pages. Neille Williams #780265. Published by Neille Williams (A0.1180367).

For wind quintet (flute/piccolo, oboe, clarinet, horn, bassoon). By Australian composer Neille Williams. 

Birdland draws upon scenes of Australia’s beautiful native birds - those ever-present flocks of fluttering, squawking feathered creatures that descend on mass to take over someone’s gum tree, balcony or back garden. Like these lovely birds, Birdland is restless, colourful, lively and pretty. 

This piece moves and breathes as one colourful flock, then quickly breaks apart to enquire, explore and discover. The scene quickly shifts to a spectacular soaring flock, searching for a new place to rest, perhaps another garden bed or front lawn of freshly cut green grass.

Digital Download

SKU: S9.Q25917

Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917).

German • French.

An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina Urchueguía have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)

3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str.
Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1126313

Composed by Philip Le Bas. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 8 pages. Philip Le Bas #727017. Published by Philip Le Bas (A0.1126313).

A new Christmas carol by Philip Le Bas for unison voices (with occasional divisi) and piano, setting the words of William Blake's poem A Cradle Song from his collection entitled Songs of Innocence. The very title of Blake's poem calls out for it to be set to music. Indeed the poem is a straightforward lullaby for the first few stanzas, sung softly by a mother over her sleeping baby, as she marvels at the wonder of this beautiful infant and expresses her love for the child. Her own anxieties and weeping for the child remind her of the Christ-child who also wept as a vulnerable baby. But as God incarnate he wept for me, for thee, for all, and brought peace to heaven and earth. (Blake uses the word beguile perhaps to indicate the paradoxical nature of a weeping God bringing redemption to a suffering world by becoming a vulnerable human baby himself.) The composition aims to avoid unnecessary complexity in the vocal parts, so that it can be sung easily particularly by a parish choir. However, it also attempts to capture some of the beauty, drama and mystery of the scene expressed by Blake. The piece begins and ends in stillness, and there are gentle climaxes here and there, reflecting some of the rise and fall of the poem's lyrics. It could be sung by a mixed or single-voice choir, but note should always be taken of the predominantly quiet dynamics of the piece, especially in the first half. https://www.sheetmusicdirect.com/en-US/se/ID_No/1216185/Product.aspx https://plbmusic.blogspot.com A Cradle Song from Songs of Innocence by William Blake (1757-1827) Sweet dreams, form a shade O'er my lovely infant's head! Sweet dreams of pleasant streams By happy, silent, moony beams! Sweet Sleep, with soft down Weave thy brows an infant crown! Sweet Sleep, angel mild, Hover o'er my happy child! Sweet smiles, in the night Hover over my delight! Sweet smiles, mother's smiles, All the livelong night beguiles. Sweet moans, dovelike sighs, Chase not slumber from thy eyes! Sweet moans, sweeter smiles, All the dovelike moans beguiles. Sleep, sleep, happy child! All creation slept and smiled. Sleep, sleep, happy sleep, While o'er thee thy mother weep. Sweet babe, in thy face Holy image I can trace; Sweet babe, once like thee Thy Maker lay, and wept for me: Wept for me, for thee, for all, When He was an infant small. Thou His image ever see, Heavenly face that smiles on thee! Smiles on thee, on me, on all, Who became an infant small; Infant smiles are His own smiles; Heaven and earth to peace beguiles.

Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing

Piano - intermediate - Digital Download (White Scenery (Winter)). Composed by Peteris Vasks (1946-). This edition: single sheet. Downloadable. Duration 7 minutes. Schott Music - Digital #Q12485. Published by Schott Music - Digital

Piano Solo - Level 2 - Digital Download

SKU: A0.1425863

By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Folk,Multicultural,Rock,Singer/Songwriter,World. Score. 3 pages. Jhavilah #1006628. Published by Jhavilah (A0.1425863).

Mr. Tambourine Man by Bob Dylan is a timeless classic that transcends generations with its poetic lyrics and mesmerizing melody. Released in 1965 as the opening track of Dylan's fifth studio album, Bringing It All Back Home, the song quickly became an anthem of the 1960s counterculture movement and remains a staple in Dylan's extensive repertoire.

At its core, Mr. Tambourine Man is a surreal journey through the mind, filled with vivid imagery and dreamlike scenes. Dylan's lyrics evoke a sense of wanderlust and yearning for escape, as he addresses a mysterious figure - the Tambourine Man - who holds the key to unlocking a world of imagination and freedom.

The tambourine, often associated with folk music and mysticism, serves as a symbol of the transformative power of music and creativity. Dylan's poetic verses invite listeners to join him on a transcendental voyage, where the boundaries between reality and fantasy blur, and the promise of liberation beckons.

Musically, Mr. Tambourine Man captivates with its simple yet enchanting melody, driven by Dylan's distinctive vocal delivery and accompanied by acoustic guitar. The song's gentle rhythm and ethereal atmosphere create a sense of ethereal longing, perfectly complementing the introspective nature of the lyrics.

Over the years, Mr. Tambourine Man has been covered by numerous artists, further cementing its status as a folk-rock classic. From The Byrds' iconic jangly rendition to interpretations by artists spanning various genres, the song's enduring appeal lies in its universal themes of escapism, inspiration, and the transformative power of music.

In essence, Mr. Tambourine Man stands as a testament to Bob Dylan's unparalleled ability to craft songs that resonate deeply with audiences across generations. Its poetic lyricism and timeless melody continue to captivate listeners, making it a cornerstone of not only Dylan's illustrious career but also the broader landscape of popular music.

Piano Solo - Level 2 - Digital Download

SKU: A0.1425872

By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Folk,Multicultural,Rock,Singer/Songwriter,World. Score. 3 pages. Jhavilah #1006638. Published by Jhavilah (A0.1425872).

Mr. Tambourine Man by Bob Dylan is a timeless classic that transcends generations with its poetic lyrics and mesmerizing melody. Released in 1965 as the opening track of Dylan's fifth studio album, Bringing It All Back Home, the song quickly became an anthem of the 1960s counterculture movement and remains a staple in Dylan's extensive repertoire.

At its core, Mr. Tambourine Man is a surreal journey through the mind, filled with vivid imagery and dreamlike scenes. Dylan's lyrics evoke a sense of wanderlust and yearning for escape, as he addresses a mysterious figure - the Tambourine Man - who holds the key to unlocking a world of imagination and freedom.

The tambourine, often associated with folk music and mysticism, serves as a symbol of the transformative power of music and creativity. Dylan's poetic verses invite listeners to join him on a transcendental voyage, where the boundaries between reality and fantasy blur, and the promise of liberation beckons.

Musically, Mr. Tambourine Man captivates with its simple yet enchanting melody, driven by Dylan's distinctive vocal delivery and accompanied by acoustic guitar. The song's gentle rhythm and ethereal atmosphere create a sense of ethereal longing, perfectly complementing the introspective nature of the lyrics.

Over the years, Mr. Tambourine Man has been covered by numerous artists, further cementing its status as a folk-rock classic. From The Byrds' iconic jangly rendition to interpretations by artists spanning various genres, the song's enduring appeal lies in its universal themes of escapism, inspiration, and the transformative power of music.

In essence, Mr. Tambourine Man stands as a testament to Bob Dylan's unparalleled ability to craft songs that resonate deeply with audiences across generations. Its poetic lyricism and timeless melody continue to captivate listeners, making it a cornerstone of not only Dylan's illustrious career but also the broader landscape of popular music.

Piano Solo - Level 2 - Digital Download

SKU: A0.1425868

By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. Folk,Multicultural,Rock,Singer/Songwriter,Standards,World. Score. 3 pages. Jhavilah #1006634. Published by Jhavilah (A0.1425868).

Mr. Tambourine Man by Bob Dylan is a timeless classic that transcends generations with its poetic lyrics and mesmerizing melody. Released in 1965 as the opening track of Dylan's fifth studio album, Bringing It All Back Home, the song quickly became an anthem of the 1960s counterculture movement and remains a staple in Dylan's extensive repertoire.

At its core, Mr. Tambourine Man is a surreal journey through the mind, filled with vivid imagery and dreamlike scenes. Dylan's lyrics evoke a sense of wanderlust and yearning for escape, as he addresses a mysterious figure - the Tambourine Man - who holds the key to unlocking a world of imagination and freedom.

The tambourine, often associated with folk music and mysticism, serves as a symbol of the transformative power of music and creativity. Dylan's poetic verses invite listeners to join him on a transcendental voyage, where the boundaries between reality and fantasy blur, and the promise of liberation beckons.

Musically, Mr. Tambourine Man captivates with its simple yet enchanting melody, driven by Dylan's distinctive vocal delivery and accompanied by acoustic guitar. The song's gentle rhythm and ethereal atmosphere create a sense of ethereal longing, perfectly complementing the introspective nature of the lyrics.

Over the years, Mr. Tambourine Man has been covered by numerous artists, further cementing its status as a folk-rock classic. From The Byrds' iconic jangly rendition to interpretations by artists spanning various genres, the song's enduring appeal lies in its universal themes of escapism, inspiration, and the transformative power of music.

In essence, Mr. Tambourine Man stands as a testament to Bob Dylan's unparalleled ability to craft songs that resonate deeply with audiences across generations. Its poetic lyricism and timeless melody continue to captivate listeners, making it a cornerstone of not only Dylan's illustrious career but also the broader landscape of popular music.

Piano Solo - Level 2 - Digital Download

SKU: A0.1425859

By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Country,Film/TV,Folk,Singer/Songwriter. Score. 3 pages. Jhavilah #1006624. Published by Jhavilah (A0.1425859).

Mr. Tambourine Man by Bob Dylan is a timeless classic that transcends generations with its poetic lyrics and mesmerizing melody. Released in 1965 as the opening track of Dylan's fifth studio album, Bringing It All Back Home, the song quickly became an anthem of the 1960s counterculture movement and remains a staple in Dylan's extensive repertoire.

At its core, Mr. Tambourine Man is a surreal journey through the mind, filled with vivid imagery and dreamlike scenes. Dylan's lyrics evoke a sense of wanderlust and yearning for escape, as he addresses a mysterious figure - the Tambourine Man - who holds the key to unlocking a world of imagination and freedom.

The tambourine, often associated with folk music and mysticism, serves as a symbol of the transformative power of music and creativity. Dylan's poetic verses invite listeners to join him on a transcendental voyage, where the boundaries between reality and fantasy blur, and the promise of liberation beckons.

Musically, Mr. Tambourine Man captivates with its simple yet enchanting melody, driven by Dylan's distinctive vocal delivery and accompanied by acoustic guitar. The song's gentle rhythm and ethereal atmosphere create a sense of ethereal longing, perfectly complementing the introspective nature of the lyrics.

Over the years, Mr. Tambourine Man has been covered by numerous artists, further cementing its status as a folk-rock classic. From The Byrds' iconic jangly rendition to interpretations by artists spanning various genres, the song's enduring appeal lies in its universal themes of escapism, inspiration, and the transformative power of music.

In essence, Mr. Tambourine Man stands as a testament to Bob Dylan's unparalleled ability to craft songs that resonate deeply with audiences across generations. Its poetic lyricism and timeless melody continue to captivate listeners, making it a cornerstone of not only Dylan's illustrious career but also the broader landscape of popular music.

Piano Solo - Level 2 - Digital Download

SKU: A0.1425856

By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Contest,Country,Festival,Folk,Rock. Score. 3 pages. Jhavilah #1006621. Published by Jhavilah (A0.1425856).

Mr. Tambourine Man by Bob Dylan is a timeless classic that transcends generations with its poetic lyrics and mesmerizing melody. Released in 1965 as the opening track of Dylan's fifth studio album, Bringing It All Back Home, the song quickly became an anthem of the 1960s counterculture movement and remains a staple in Dylan's extensive repertoire.

At its core, Mr. Tambourine Man is a surreal journey through the mind, filled with vivid imagery and dreamlike scenes. Dylan's lyrics evoke a sense of wanderlust and yearning for escape, as he addresses a mysterious figure - the Tambourine Man - who holds the key to unlocking a world of imagination and freedom.

The tambourine, often associated with folk music and mysticism, serves as a symbol of the transformative power of music and creativity. Dylan's poetic verses invite listeners to join him on a transcendental voyage, where the boundaries between reality and fantasy blur, and the promise of liberation beckons.

Musically, Mr. Tambourine Man captivates with its simple yet enchanting melody, driven by Dylan's distinctive vocal delivery and accompanied by acoustic guitar. The song's gentle rhythm and ethereal atmosphere create a sense of ethereal longing, perfectly complementing the introspective nature of the lyrics.

Over the years, Mr. Tambourine Man has been covered by numerous artists, further cementing its status as a folk-rock classic. From The Byrds' iconic jangly rendition to interpretations by artists spanning various genres, the song's enduring appeal lies in its universal themes of escapism, inspiration, and the transformative power of music.

In essence, Mr. Tambourine Man stands as a testament to Bob Dylan's unparalleled ability to craft songs that resonate deeply with audiences across generations. Its poetic lyricism and timeless melody continue to captivate listeners, making it a cornerstone of not only Dylan's illustrious career but also the broader landscape of popular music.

Piano,Tenor Trombone - Level 4 - Digital Download

SKU: A0.1502105

Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105).

THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then.

Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.

The whole work consists of three pieces. They were written based on my impression of each place when I visited them.

1. Kamakura: In the Hydrangea Temple

I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea.

2. Nara: Consecration of the Great Buddda

Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.
I imagined the solemn scene of the Consecration Mass of Great Buddha.

3. Kyoto: The Golden Pavilion in the Sunset

It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.

It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting.

Performance Time: 12’00”

PROFILE: Keiko Takashima

Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.
She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.

Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).

Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.

*The YouTube sample is a performance of oboe d'amore for reference of the music.

Wind Orch - Advanced - Digital Download

SKU: F2.FM640

Composed by Keiron Anderson. Full Wind Orchestra. Score and parts. 240 pages. Forton Music - Digital #FM640. Published by Forton Music - Digital (F2.FM640).

ISBN 9790570485390.

This music begins with Alice and he sister relaxing in an English summer garden in the sunshine. As we hear Alice's theme a white rabbit appears and runs past in a hurry. The compound time chase sequence leads to a descending chromatic sequence which lands Alice in a pool of tears as her music adjusts to the strange environment. The Cheshire Cat and other creatures appear in her journey through Wonderland until she joins the Mad Hatter for tea. His slightly chromatic theme dodges from key to key until Alice encounters the military march of the Queen of Hearts and her army. There is a reflective theme as Alice's music tries to cheer up the sad Mock Turtle followed by a lively Lobster Quadrille The trial scene is a musical interaction between two themes often played across one another until a fanfare declares Off with her head! As Alice grows and rises to the garden her music takes her home safely. Was it a dream? Like Alice herself, this intricate work is curious, slightly mad, and will lead you on an exhilarating journey through wonderland. Its designed to be enjoyed by players and audience alike and is a sparkling addition to any programme. Approx. 11'30''.

Guitar,Piano,Vocal,Voice - Digital Download

SKU: A0.774759

By Keith Urban. By Keith Urban. Arranged by Sandra Milliken. Country. Score. 11 pages. Sandra Milliken #5324939. Published by Sandra Milliken (A0.774759).

God's Been Good to Me is a song by New Zealand-Australian singer-songwriter Keith Urban. Keith was born in New Zealand in 1967 and later moved, with his parents, to live in Queensland, Australia. There he took guitar lessons and entered local talent competitions. In 1983 he was a contestant on the Australian TV talent show New Faces. A few years later, he began making inroads into the Australian country music scene.

In 1990, Urban signed with record label EMI in Australia and released his first self-titled album. Then in 1992 he moved to Nashville, Tennessee, in the hope of furthering his career and seven years later released a self-titled American debut album. A single from this album, Your Everything, made him the first male Australian performer to reach the Top 10 on the US country charts. Several more successful albums followed.

Whilst living in Nashville, Keith often used cocaine, but after reaching a low point in 1998, he became determined to stop using the drug. In January 2005 Keith met Australian actress Nicole Kidman. They began dating six months later and married in 2006.

God's Been Good to Me is a reflection of the dark times that Keith encountered in Nashville and his thankfulness that those times were now behind him.

This arrangement is available for SATB and SSA choirs as well as for High and Low solo voices. All versions feature piano, violin and guitar accompaniment.