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Concert Band - Digital Download SKU: AX.00-PC-0015873_BTX E-flat Baritone Saxophone. Composed by Howard Shore. Arranged by Michael Story. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015873_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015873_BTX). UPC: 038081460291.The spectacular music from this blockbuster Howard Shore film score is perfectly set for your developing band. Allowing the director a variety of programming options, the music is presented in suite format in four individual movements, which include The Adventure Begins, A Very Respectable Hobbit, Axe or Sword? A Good Omen, and Erebors. Scored especially for your junior high/middle school band, it's sure to be a favorite! (4:30).
The Hobbit: An Unexpected Journey, Selections from: E-flat Baritone Saxophone
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0015873_AX1 E-flat Alto Saxophone. Composed by Howard Shore. Arranged by Michael Story. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015873_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015873_AX1). UPC: 038081460291.The spectacular music from this blockbuster Howard Shore film score is perfectly set for your developing band. Allowing the director a variety of programming options, the music is presented in suite format in four individual movements, which include The Adventure Begins, A Very Respectable Hobbit, Axe or Sword? A Good Omen, and Erebors. Scored especially for your junior high/middle school band, it's sure to be a favorite! (4:30).
The Hobbit: An Unexpected Journey, Selections from: E-flat Alto Saxophone
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 4 - Digital Download SKU: A0.632980 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and parts. 3 pages. F & N Enterprise #3360709. Published by F & N Enterprise (A0.632980). Background Track for Promenade-Instrumental from my CD Sax Voyage for Alto-Sax. Plus Version at SMP: SO 119879 The version includes a Sax backed up by highly professional background music. What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USA
Background for "Promenade"-for Alto Sax
2 Saxophones (duo)

$2.99 2.56 € 2 Saxophones (duo) PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.1092502 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696526. Published by Regis Bookshar (A0.1092502). Kyrie - by Francesco Durante; Alto Saxophone Quartet – Intermediate – Digital Download. “Kyrie”, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for an Alto Saxophone Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrie”. In addition to this arrangement for an Alto Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie” will continue to entertain both performers and audiences alike for years to come.
Kyrie (Durante) (Alto Saxophone Quartet)
Quatuor de Saxophones: 4 saxophones

$10.00 8.55 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre

$9.99 8.54 € Orchestre PDF SheetMusicPlus

Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)

$9.99 8.54 € PDF SheetMusicPlus

Alto Saxophone,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1246350 Composed by Kyle Vanderburg. 21st Century,Chamber. Saxophone Duet. 32 pages. NoteForge #841098. Published by NoteForge (A0.1246350). Joyride is a saxophone duet that oscillates from being loud and raucous when it thinks you're not looking to well-behaved and almost polite when it catches you watching. The back-and-forth motive suggests either a lack of control by either player or a complete abdication of any responsibility. Sure, there are some nice chorale-sounding moments, but even those get a little out of hand when in the hands of these two. Seriously, don't trust them. Years later, they'll look back on this and say It seemed like a good idea at the time..
Joyride
2 Saxophones (duo)

$11.00 9.4 € 2 Saxophones (duo) PDF SheetMusicPlus

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.933817 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and part. 22 pages. William Pagan-Perez #3024439. Published by William Pagan-Perez (A0.933817). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San SerenĂ­ About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children.     Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class.  ------------------------------------------- Sobre la pieza: En muchas ocasiones, los grandes mĂşsicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intenciĂłn de expresar lirismo o tocar bellas lĂ­neas melĂłdicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la mĂşsica de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jĂłvenes estudiantes de mĂşsica, una buena oportunidad para comenzar a expresar lirismo o de tocar melodĂ­as expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de mĂşsica solista en escuelas. TambiĂ©n la pieza puede se ejecutada por mĂşsicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez.  Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizĂł texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salĂłn de clases. Note: The MP3 sound is the midi version for flute and piano.
Four Hispanic Children’s Songs for Alto Sax. in Eb and Piano
Saxophone Alto et Piano

$8.95 7.65 € Saxophone Alto et Piano PDF SheetMusicPlus






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