EUROPE
0 articles
USA
0 articles
DIGITAL
44 articles ( imprimer)
Partitions Digitales
Partitions à imprimer
44 partitions trouvées


Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download

SKU: A0.1366086

By Alicia Domínguez Arcos Sonay. By Alicia Domínguez Arcos. Arranged by Alicia Domínguez Arcos. A Cappella,Classical,Film/TV,Multicultural,Opera,World. 20 pages. Alicia Dominguez #950447. Published by Alicia Dominguez (A0.1366086).

Restaurador is a historical opera about the time in which it was restored (in the 19th century it would be called reconquistar, while in the 15th century it was called restoration), taking advantage of the strong internal crises of the Muslim world in the South of Spain. Alfonso de Arcos was part of the restoration of Jimena de la Frontera (Cádiz), the town of Estepona (Málaga), helping many situations in North Africa, Alcazarseguer (Morocco), being mayor of Tarifa and who treasured the idea of situation and who will take Gibraltar, being its first mayor. In his last years he settled in Seville in the Monastery of Santa Maria de las Cuevas in La Cartuja, where he died. In which everything received in this historical period testamentally, his inheritance, was not given to the family, but to all the needy people of Tarifa and Gibraltar, and whoever needed it via the Cartuja monastery itself. This was the case with his entire inheritance for 200 years. Of which the family is very proud.
Today Alicia Dominguez Arcos is from the Arcos family, the generational wave of Alfonso de Arcos. And today she is the first of this family branch who by chance was born in the area. Since the familiar roads are found in other Spanish cities.
This Restorer for “Ibero-America is sung in choir” with SATBB voices in Spanish and English, with moments and words in both Latin and medieval Castilian. They are fragments of the fourth act of the opera, in which Alfonso de Arcos is already in his last moments, already being mayor of Tarifa, and being the first mayor of Gibraltar, circumstances of the will, situations with the friars in the monastery of the Cartuja as with the trance of his death.
Being an important time in the southern area of Spain, specifically in the Campo of the Gibraltar.

Restaurador "Alfonso de Arcos alcayde de Tarifa y primer alcayde de Gibraltar"
Chorale SATB
Alicia Domínguez Arcos Sonay
$10.00 9.51 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1364649

By Alicia Domínguez Arcos Sonay. By Alicia Domínguez Arcos. Arranged by Alicia Domínguez Arcos. Classical,Contemporary,Film/TV,Medieval,Multicultural,World. 346 pages. Alicia Dominguez #948939. Published by Alicia Dominguez (A0.1364649).

Complete opera (Prelude and four acts) 346 pages in band/symphony orchestra and voices. About the history of the 15th century of Alfonso de Arcos mayor of Tarifa and first mayor of Gibraltar, in which he restored both Alcazarseguer, Estepona, Jimena de la Frontera, being mayor of Tarifa and then being the first mayor of Gibraltar. With all his achievements, in his last years he was the one who maintained La Cartuja de Sevilla with 100 needy people then who remained in La Cartuja. where he even attended King Henry IV as well as the King of Portugal. Then with the money earned from his achievements, La Cartuja was maintained for 200 years, helping needy people or captives from Gibraltar, Tarifa and North Africa. The sheet music is in English and Spanish. It has not yet been performed on stage.

Restaurador / Renovator "Alfonso of Arcos Mayor of Tarifa and Mayor of Gibraltar"
Orchestre
Alicia Domínguez Arcos Sonay
$25.00 23.78 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1364714

By Alicia Domínguez Arcos Sonay. By Alicia Domínguez Arcos. Arranged by Alicia Domínguez Arcos. Broadway,Children,Film/TV,Multicultural,Musical/Show,Opera,World. 90 pages. Alicia Dominguez #949009. Published by Alicia Dominguez (A0.1364714).

Complete Children's Opera Max and Moritz, a story of seven jokes. This highly witty and humorous tale, told entirely in rhymed couplets, was written and illustrated by Wilhelm Busch and published in 1865. Busch's classic tale of the terrible duo (now in the public domain) has become a proud part of culture in German-speaking countries. Even today, parents usually read these stories to their not-yet-literate children. To this day in Germany, Austria and Switzerland, a certain familiarity with the story and its rhymes is still presumed, as it is often referenced in mass communication. Let us never forget to compose for children, or for adults to set the stage or play for children.
Symphony with children's voices as choral voices.

Max und Moritz
Orchestre
Alicia Domínguez Arcos Sonay
$20.00 19.03 € Orchestre PDF SheetMusicPlus

Level 2 - Digital Download

SKU: A0.1372693

By Alicia Domínguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia Domínguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693).

In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum” (Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.
Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.
The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:
Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.
And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.
And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.
With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.
And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.
Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.
The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.
Instrumentation:
Flute
Guitar 1 (1st voice melody)
Guitar 2 (2nd voice melody)
Bass (accompaniment and chords)
Buzuki
Saz
Darbuka
Tombak
Voice 1st
2nd voice
SMATB Voices
1st violin
2nd violin
Viola
Cellos
Double basses.

Mediterraneo - Score Only
Alicia Domínguez Arcos Sonay
$9.00 8.56 € PDF SheetMusicPlus

Himno Real Club Náutico La Línea Alicia Domínguez Arcos Sonay
$9.00 8.56 € PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale