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1 16 31 ....61

Piano/Vocal/Chords - Digital Download

SKU: AX.00-PS-0015590

Hawaiian War Chant - (Ta-Hu-Wa-Hu-Wai). By Bob Wills and His Texas Playboys. By Johnny Noble and Leleiohaku. Pop/Rock. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015590. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015590).

ISBN 9780739094228. UPC: 038081455204. Ralph Freed.

Create a tropical soundscape by playing everybody's favorite Hawaiian traditional songs, island-themed standards, popular hits, and retro exotica novelties This practical songbook focuses on the songs and styles that today's audiences associate with Hawai'i, so they're guaranteed to entertain! The arrangements are for piano and voice, with basic chord fingering grids included for optional guitar accompaniment. Titles: 'Ama 'Ama (Israel Iz Kamakawiwo'ole) * 'Ulili E (Israel IZ Kamakawiwo'ole) * Aloha 'Oe (Farewell to Thee) (Elvis Presley) * Better Together (Jack Johnson) * Caravan (Arthur Lyman) * E Ku'u Morning Dew (Israel Iz Kamakawiwo'ole) * Hawai'i '78 (Israel Iz Kamakawiwo'ole) * A Hawaiian Like Me (Israel Iz Kamakawiwo'ole) * Hawaiian Roller Coaster Ride (Walt Disney's Lilo & Stitch) * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) (Bob Wills and His Texas Playboys) * The Hawaiian Wedding Song (Ke Kali Nei Au) (Elvis Presley, Andy Williams) * Henehene Kou 'Aka (Israel Iz Kamakawiwo'ole) * Ka Huila Wai (Israel Iz Kamakawiwo'ole) * Live a Little (Hawaiian Style) * Love Song of Kalua (The Brothers Cazimero) * Lovely Hula Hands (Don Ho) * Mele Kalikimaka (Bing Crosby) * Miserlou (Arthur Lyman) * My Little Grass Shack in Kealakekua, Hawai'i (Annette Funicello) * Over The Rainbow (Israel Iz Kamakawiwo'ole) * Panini Puakea (Israel Iz Kamakawiwo'ole) * Pearly Shells (Pupu A O 'Ewa) (Don Ho) * Pua Lane (Brother Noland) * Sweet Leilani (Bing Crosby) * Tiny Bubbles (Hua Li'i) (Don Ho) * What a Wonderful World (Israel Iz Kamakawiwo'ole) * White Sandy Beach (Israel Iz Kamakawiwo'ole).

Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai)
Piano, Voix et Guitare
Bob Wills and His Texas Playboys
$3.99 3.58 € Piano, Voix et Guitare PDF SheetMusicPlus

Fiddle - Intermediate - Digital Download

SKU: M0.97507MEB

39 Solos by America's Legendary Fiddler. Composed by Jeanine Orme. Arranged by Jeanine Orme. Solos, Duets & Ensembles. Old Time. E-book and online audio. Mel Bay Publications - Digital Sheet Music #97507MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.97507MEB).

ISBN 9781610656306. 8.75x11.75 inches.

Transcribed and edited by one of Herman Johnson's former students, this book offers 39 solos in the inimitable smooth, precise, and innovative Johnson style. Inspired in his youth by Bob Wills of the Texas Playboys, Johnson learned tunes by listening to records and the radio. At 16, he successfully auditioned to play in Wills' band, but was then too young to join the musicians union. Johnson went on to a distinguished career as a performer and contest fiddler, winning the National Fiddling Championship in Weiser, Idaho five times, the only player to reign undefeated each year he entered the contest. He also won the Grand Masters Championship in Nashville. Many of the intermediate to advanced-level selections in this collection were drawn from Johnson's 1993 recording, Simply Perfect.Ā  Includes access to online audio.Ā  Ā  Ā .

Herman Johnson Master Fiddler: 39 Solos-America's Legend Fiddler

$19.99 17.96 € PDF SheetMusicPlus

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1273084

By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084).

An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.

New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellingtonā€™s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as ā€œone of our more or less trite things.ā€

The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled ā€œJam Sessionā€ the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe ā€œTricky Samā€ Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.

ā€œC Jam Bluesā€ was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.

Co-composer Barney Bigard left Dukeā€™s band in June 1942, and after a period of freelancing joined Louis Armstrongā€™s All-Stars in August, 1947. ā€œC Jam Bluesā€ was one of his nightly features with Satchā€™s ensemble along with ā€œTea for Two.ā€ Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.

In the late-1950s very simple words were added (ā€œBaby, letā€™s go down to ā€˜Dukeā€™s Placeā€™,ā€ etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrongā€™s All-Stars when they recorded ā€œDukeā€™s Place,ā€ featuring Louis on the vocal, with Ellington in 1961.

The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.

It was also known as Dukeā€™s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.

The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Bandā€™s novelty song Intro Outro.

Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

C Jam Blues for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Keith Terrett
$12.99 11.67 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Trombone Ensemble Bass Trombone - Level 3 - Digital Download

SKU: A0.1271373

By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373).

C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.

As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.

A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.

It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.

Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ƙrsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

C Jam Blues for Trombone / Low Brass Quintet
Ensemble de Trombones
Duke Ellington
$11.99 10.77 € Ensemble de Trombones PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download

SKU: A0.1271384

By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384).

C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.

As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.

A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.

It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.

Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ƙrsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

C Jam Blues for Recorder Quintet
Quintette ą Vent: flūte, Hautbois, basson, clarinette, Cor
Duke Ellington
$14.99 13.46 € Quintette ą Vent: flūte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download

SKU: A0.1271389

By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389).

C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.

As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.

A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.

It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.

Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ƙrsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

C Jam Blues for String Orchestra
Orchestre ą Cordes
Duke Ellington
$12.99 11.67 € Orchestre ą Cordes PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download

SKU: A0.1271383

By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 21st Century,Jazz,Standards. 14 pages. Keith Terrett #863780. Published by Keith Terrett (A0.1271383).

C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Saxophone Quintet.

As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.

A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.

It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.

Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ƙrsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

C Jam Blues for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Duke Ellington
$12.99 11.67 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download

SKU: A0.1271363

By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363).

C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.

The Eb & Bb Clarinet 4 are optional.

As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.

A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.

It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.

Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ƙrsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

C Jam Blues for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Duke Ellington/Barney Bigard
$11.99 10.77 € Quintette de Clarinettes: 5 clarinettes PDF SheetMusicPlus

Piano/Vocal/Chords - Digital Download

SKU: AX.00-PS-0015596

By Israel IZ Kamakawiwo'ole. By Sam Alama. Folk. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015596. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015596).

ISBN 9780739094228. UPC: 038081455204.

Create a tropical soundscape by playing everybody's favorite Hawaiian traditional songs, island-themed standards, popular hits, and retro exotica novelties This practical songbook focuses on the songs and styles that today's audiences associate with Hawai'i, so they're guaranteed to entertain! The arrangements are for piano and voice, with basic chord fingering grids included for optional guitar accompaniment. Titles: 'Ama 'Ama (Israel Iz Kamakawiwo'ole) * 'Ulili E (Israel IZ Kamakawiwo'ole) * Aloha 'Oe (Farewell to Thee) (Elvis Presley) * Better Together (Jack Johnson) * Caravan (Arthur Lyman) * E Ku'u Morning Dew (Israel Iz Kamakawiwo'ole) * Hawai'i '78 (Israel Iz Kamakawiwo'ole) * A Hawaiian Like Me (Israel Iz Kamakawiwo'ole) * Hawaiian Roller Coaster Ride (Walt Disney's Lilo & Stitch) * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) (Bob Wills and His Texas Playboys) * The Hawaiian Wedding Song (Ke Kali Nei Au) (Elvis Presley, Andy Williams) * Henehene Kou 'Aka (Israel Iz Kamakawiwo'ole) * Ka Huila Wai (Israel Iz Kamakawiwo'ole) * Live a Little (Hawaiian Style) * Love Song of Kalua (The Brothers Cazimero) * Lovely Hula Hands (Don Ho) * Mele Kalikimaka (Bing Crosby) * Miserlou (Arthur Lyman) * My Little Grass Shack in Kealakekua, Hawai'i (Annette Funicello) * Over The Rainbow (Israel Iz Kamakawiwo'ole) * Panini Puakea (Israel Iz Kamakawiwo'ole) * Pearly Shells (Pupu A O 'Ewa) (Don Ho) * Pua Lane (Brother Noland) * Sweet Leilani (Bing Crosby) * Tiny Bubbles (Hua Li'i) (Don Ho) * What a Wonderful World (Israel Iz Kamakawiwo'ole) * White Sandy Beach (Israel Iz Kamakawiwo'ole).

‘Ama ‘Ama
Piano, Voix et Guitare
Israel IZ Kamakawiwo'ole
$3.99 3.58 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1309904

By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music: Jon Burr. Arranged by Jon Burr. Country,Folk,Traditional. Score. 17 pages. Cheryl Prazak #899036. Published by Cheryl Prazak (A0.1309904).

Cotton-Eyed Texas is a celebration of all good things Texan.
Lyrics by Cheryl Prazak, music by Jon Burr

Arranging, production and video by Jon Burr (arrangerforhire.com)

Lyric:
Let me tell you ā€˜bout a place thatā€™s stood the test of time
Once it was a country, but now a State of Mind
Texas is the place I know, itā€™s special and itā€™s real
let me share some things itā€™s got you oughtta see and feel

Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,
heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,

We belt it out with Jennings, echo through the hills,
rave with Buddy Holly, ā€œah-hahā€ with the great Bob Wills.
We croon with Kenny Rogers, George Strait and young Clint Black.
We dance the Texas two-step to Galveston and back

Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,
heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,

Texas has its mountains and plains, valleys and bayous.
We had cottonfields once where legendary pickers grew,
Like Lightninā€™ Hopkins, T-Bone, Blind Lemon, Stevie Ray played the blues
Buddy Holly, and Willie Nelson sang their stories too

Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,
heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,

Us Texans like to hunt and shoot, and what we shoot, we eat.
When you smell the bar-b-cue, bring a dish ā€˜n grab a seat.
Tex-Mex, tacos, fajitas, enchiladas and red wine!
Avocado guacamole suits a Texan just fine!

Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,
heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,

Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,
heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,

We have fought to live our way, and we can fight again.
When the need presents itself, we only fight to win.
We have fought to live our way, we can live no other.
If you feel like coming this way, donā€™t mess with Texas, brother!

Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,
heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,

Texas has its music, Texas has its food
Texas has its history to put you in the mood
The very best way to visit is to travel far and wide
one end to the other right through the countryside

Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,
heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,

Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,
heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe

Cotton-Eyed Texas Piano, Voix
Cheryl Prazak
$4.99 4.48 € Piano, Voix PDF SheetMusicPlus

Piano - Digital Download

SKU: AX.00-PS-0015602

By Arthur Lyman. By Nicolas Roubanis. Folk. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015602. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015602).

ISBN 9780739094228. UPC: 038081455204. S. K. Russell; Fred Wise; Milton Leeds.

Create a tropical soundscape by playing everybody's favorite Hawaiian traditional songs, island-themed standards, popular hits, and retro exotica novelties This practical songbook focuses on the songs and styles that today's audiences associate with Hawai'i, so they're guaranteed to entertain! The arrangements are for piano and voice, with basic chord fingering grids included for optional guitar accompaniment. Titles: 'Ama 'Ama (Israel Iz Kamakawiwo'ole) * 'Ulili E (Israel IZ Kamakawiwo'ole) * Aloha 'Oe (Farewell to Thee) (Elvis Presley) * Better Together (Jack Johnson) * Caravan (Arthur Lyman) * E Ku'u Morning Dew (Israel Iz Kamakawiwo'ole) * Hawai'i '78 (Israel Iz Kamakawiwo'ole) * A Hawaiian Like Me (Israel Iz Kamakawiwo'ole) * Hawaiian Roller Coaster Ride (Walt Disney's Lilo & Stitch) * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) (Bob Wills and His Texas Playboys) * The Hawaiian Wedding Song (Ke Kali Nei Au) (Elvis Presley, Andy Williams) * Henehene Kou 'Aka (Israel Iz Kamakawiwo'ole) * Ka Huila Wai (Israel Iz Kamakawiwo'ole) * Live a Little (Hawaiian Style) * Love Song of Kalua (The Brothers Cazimero) * Lovely Hula Hands (Don Ho) * Mele Kalikimaka (Bing Crosby) * Miserlou (Arthur Lyman) * My Little Grass Shack in Kealakekua, Hawai'i (Annette Funicello) * Over The Rainbow (Israel Iz Kamakawiwo'ole) * Panini Puakea (Israel Iz Kamakawiwo'ole) * Pearly Shells (Pupu A O 'Ewa) (Don Ho) * Pua Lane (Brother Noland) * Sweet Leilani (Bing Crosby) * Tiny Bubbles (Hua Li'i) (Don Ho) * What a Wonderful World (Israel Iz Kamakawiwo'ole) * White Sandy Beach (Israel Iz Kamakawiwo'ole).

Misirlou
Piano seul
Arthur Lyman
$3.99 3.58 € Piano seul PDF SheetMusicPlus


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