Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players.  It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging.  However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat  OR          Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon              OR          Part 10: Bass Clarinet in B-flat (low C instrument essential)   Optional add-ons:   Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon   Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull.  From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels.  The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day.  It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C Melville-Mason #6735339. Published by C Melville-Mason (A0.956663). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized saxophone orchestra.  It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging.  However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or in some cases opt for the appropriate ‘easier’ add-on part. Essential Parts: Part 1: Sopranino Saxophone Part 2: Soprano Saxophone Part 3: Alto Saxophone Part 4: Alto Saxophone Part 5: Alto Saxophone Part 6: Tenor Saxophone Part 7: Tenor Saxophone Part 8: Baritone Saxophone Part 9: Bass Saxophone   Optional Parts:   Easier Alto Saxophone Easier Tenor Saxophone Contrabass Saxophone   Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull.  From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels.  The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day.  It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This is an adaptation of an arrangement that was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.

Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.958051 Composed by Donald Thomson. Folk. 8 pages. MacMusic #6079795. Published by MacMusic (A0.958051). An original folk song for Soprano voice and piano accompaniment evoking the spirit of the Hebrides islands to the West of Scotland.

Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.984254 Composed by Karen E McAulay. Contemporary,Folk. 2 pages. Dr Karen E McAulay #3675597. Published by Dr Karen E McAulay (A0.984254). Folksong collector Alexander Campbell collected this tune in the Hebrides in 1815.  Now I've arranged it for saxophone trio for you - soprano, alto and tenor.  Short and sweet.

Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.984256 Composed by Karen E McAulay. Contemporary,Folk. 2 pages. Dr Karen E McAulay #3675603. Published by Dr Karen E McAulay (A0.984256). Alexander Campbell collected folksongs from the Hebrides in 1815. Staffa is a small island, not far from the Isle of Mull - it's where Fingal's Cave is.  Mrs Macdonald was the laird's wife, and someone dedicated this dance tune to her.  Since it's a reel, play it a couple of times, fast!  (The audio clip is straight through without repeats.).

Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.984253 Composed by Karen E McAulay. Contemporary,Folk. 2 pages. Dr Karen E McAulay #3675595. Published by Dr Karen E McAulay (A0.984253). Alexander Campbell collected this folk tune in the Hebrides in 1815. Little did he know I would arrange it for saxophone trio (soprano, alto and tenor) today. The sax wasn't even invented back then!  It's up to you as to how fast you play it.  It could be a fast show piece or a more contemplative lament.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1254006 Composed by Samantha Jellett. Advent,Christian,Christmas,Traditional. Octavo. 8 pages. Samantha Jellett #847595. Published by Samantha Jellett (A0.1254006). This is a beautiful, evocative setting of the words to the 19th Century Gaelic Christmas carol 'The Lullaby of our Saviour', which is traditionally sung at Midnight Mass in the Outer Hebrides, Scotland.  Featuring a new melody and harmonies but with a timeless feel, the piece begins gently but moves towards a powerful, uplifting final section.  It is suitable for both community and professional choirs, and features an optional flute obbligato which would also be effective on other melody line instruments.

Guitar - Digital Download SKU: A0.1024879 Composed by Richard Wagner. Arranged by Aedan McBride. Rock,Romantic Period,Wedding. Guitar Tab. 5 pages. Aedan McBride #4110933. Published by Aedan McBride (A0.1024879). This is a rocked-out version of Wagner's famous wedding tune, Here Comes the Bride (originally titled Treulich Geführt, from Lohengrin).

Flute,Piano - Level 3 - Digital Download SKU: A0.1376001 Composed by Richard Wagner. Arranged by Benzaiten Editions. 19th Century,Classical,Romantic Period,Traditional,Wedding. Score and part. 6 pages. Benzaiten Editions #960554. Published by Benzaiten Editions (A0.1376001). Hey there, fellow musician! Ready to master Richard Wagner's timeless Bridal Chorus (Here Comes the Bride)? Unlock the magic with our flute with piano accompaniment sheet music edition! 🎵Richard Wagner • Here Comes the Bride (Bridal Chorus) from Lohengrin | flute & piano sheet music w/ chords Benzaiten Editions' edition By purchasing our edition, You'll be able to download: Full score (flute and piano accompaniment) Flute part sheet music About the song Wagner's Bridal Chorus, famously known as Here Comes the Bride, has become an iconic staple in wedding ceremonies worldwide. Composed in the mid-19th century, its jubilant melody has gracefully accompanied countless brides down the aisle, symbolizing love, joy, and the beginning of a new chapter in life.