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Small Ensemble Euphonium,Koto - Level 2 - Digital Download SKU: A0.925406 By Fei Yu Qing. By Chen Yu Zhen and Xin Yi Chen. Arranged by Meng-Hsuan Gloria Lin. Contemporary. Score and parts. 4 pages. Meng-Hsuan Gloria Lin #5857413. Published by Meng-Hsuan Gloria Lin (A0.925406). Yi Jian Mei (Xue Hua Piao Piao) was a song sang by Taiwanese singer Fei Yu Qing. He was retired recently. But this song become super popular this year. This is an arrangement for euphonium solo with the accompaniment of two chinese instruments, erhu and koto. Maybe you can replaced the erhu and koto by violin and piano respectively, if you want to. But I suggest that these two instruments are very matching to the atmosphere of this song. And the warm sound of euphonium is super compatible for Yi Jian Mei.一剪梅是由å°ç£æ­Œæ‰‹è²»çŽ‰æ¸…æ‰€æ¼”å”±ã€‚è¿‘å¹´è²»çŽ‰æ¸…é€€ä¼‘äº†ï¼Œä¸éŽé€™é¦–æ­Œå»åœ¨ä»Šå¹´è®Šå¾—éžå¸¸ç†±é–€ã€‚這個編曲是給上低音號詮釋,傳統中國樂器二胡和å¤ç®ä¼´å¥ã€‚如果你想è¦ï¼Œå¯ä»¥åˆ†åˆ¥ç”±å°æç´å’Œé‹¼ç´å–代二胡和å¤ç®ã€‚ä¸éŽæˆ‘建議這兩個樂器和這首歌的氛åœéžå¸¸çš„åˆã€‚並且上低音號溫暖的è²ç·šéžå¸¸é©åˆæ¼”繹這首一剪梅。
Yi Jian Mei
Fei Yu Qing
$15.00 12.87 € PDF SheetMusicPlus

Cello Solo - Digital Download SKU: A0.961997 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Individual part. 17 pages. SpringAutumnmusic #2341883. Published by SpringAutumnmusic (A0.961997). ã€Šæ°´å¢¨ç•«ä¹‹å†¥æƒ³ã€‹ï¼ˆä¹æ”¯å¤§æç´å®¤å…§æ¨‚曲) 1994å¹´  ä½œæ›²è€…è‡ªå¹¼å–œæ„›ç¹ªç•«èˆ‡éŸ³æ¨‚ã€‚çˆ¾å¾Œï¼Œé›–ç„¶é¸æ“‡äº†éŸ³æ¨‚為終身志業,但å°ç¹ªç•«çš„興趣與狂熱,始終有增無減。在已完æˆçš„音樂作å“中,幾首å‡èˆ‡ç¹ªç•«æœ‰å¯†åˆ‡çš„關係。作曲者èªç‚ºï¼Œæ‰€æœ‰çš„è—術創作,雖然因其使用的素æä¸åŒæˆ–表ç¾çš„æŠ€æ³•相異,但最後所è¦å‘ˆç¾çš„è—è¡“æœ¬è³ªï¼Œæ‡‰æ˜¯æ®Šé€”åŒæ­¸ï¼ŒéŸ³æ¨‚與繪畫更是ä¸ä¾‹å¤–。   æœ¬æ›²å‰µä½œçš„動機,來自於傳統水墨畫中的「虛實相生ã€è§€å¿µã€‚å¤äººç¬ªé‡å…‰ã€Œç•«ç­Œã€äº‘ï¼šå¯¦è™•ä¹‹å¦™ï¼Œçš†å› è™›è™•è€Œç”Ÿï¼Œä¹Ÿå°±æ˜¯ç„¡è™›ä¸æ˜“顯實,無空ä¸èƒ½å­˜è™›ã€‚ç„¡ç–ä¸èƒ½æˆå¯†ï¼Œç„¡å¯†ä¸èƒ½è¦‹ç–,是以虛實相生,ç–密相用。作曲者試圖以此繪畫手法,呈ç¾åœ¨æ­¤é¦–æ¨‚æ›²çµæ§‹ä¸­ï¼Œå¦‚æ™‚é–“èˆ‡ç©ºé–“çš„å°æ¯”,織度與密度的互æ›ï¼Œå¯¦é«”與空éˆçš„轉變等,以求音畫之æ„境。 ※本曲由文建會委託創作,首演於1995å¹´11月25日於國家演å¥å»³ï¼Œç”±è²¡åœ˜æ³•人邱å†èˆˆæ–‡æ•™åŸºé‡‘會主辦之「春秋樂集95ç§‹ · 室內樂之夜ã€ã€‚由涂惠民擔任指æ®ï¼Œå¤§æç´æ¼”å¥å®¶ç‚ºå­«ç¬ç޲ã€é»ƒæ™ºç‘›ã€é„­ä½©çŽ²ã€æ›¾å²å¦ƒã€æ´ªå©‰å®¹ã€é»ƒéŸ»å®‡ã€åЉå§å«¥ã€è˜‡åƒèгã€çŽ‹ä½©ç‘œã€‚   《Meditation on Ink Painting》for Nine Cellos ï¼ˆ1994)     Music and painting are two beloved arts for Professor Ma since he was a kid. Even he finally decided devoted to music composing for his life, he always had the passion for painting. Several Professor Ma’s compositions were highly inspired from the concepts and techniques of painting. Professor Ma believed that all the arts, although they present differently on the usages of materials or techniques, the essence and highest acheivement of all arts must be the same, including both music and painting.     Meditation on Paintings in Ink was directly inspired by the techniques of Chinese traditional ink painting and the concept of the mutuality in virtuality and reality. The composer attempted to transform the philosophy that derive from the virtuality-reality relationship into the composition, presented it as the contrast between time and space, the alternation of texture and density, or, the changing of emptiness and fullness, etc., in order to establish an artistic atmosphere of musical painting.     Meditation on Paintings in Ink was commissioned by the Council for Cultural Affairs, premiered in the National Concert Hall, on 25th of November 1995. It was programed in the Euterpe: Spring and Autumn concert series Autumn 1995: A Night of Chamber Music, held by the Chew’s Culture Foundation. The world premiere was conducted by Hwei-Ming Twu and the nine cellists were Wan-Ling Sun, Jyh-Ing Huang, Pei-Ling Cheng (Yi-Chin Cheng) , Shih-Fei Tseng, Wan-Rong Hung, Yun-Yu Huang, Chu-Chuan Liu, Monica C.F. Su and Pei-Yu Wang.
Meditation on Ink Painting《水墨畫之冥想》
Violoncelle

$13.99 12 € Violoncelle PDF SheetMusicPlus






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