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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1485065 By Keith Terrett. By Cheng Maoyun. Arranged by Keith Terrett. 20th Century,Historic,Multicultural,Praise & Worship,Traditional,World. Score. 4 pages. Keith Terrett #1062146. Published by Keith Terrett (A0.1485065). The National Anthem of the Republic of China, also known by its incipit Three Principles of the People, is the national anthem of the Republic of China, commonly called Taiwan, as well as the party anthem of the Kuomintang. It was adopted in 1930 as the national anthem and was used as such in mainland China until 1949, when the Republic of China central government relocated to Taiwan following its defeat by the Chinese Communist Party in the Chinese Civil War. It replaced the Song to the Auspicious Cloud, which had been used as the Chinese national anthem before. The national anthem was adopted in Taiwan on October 25, 1945 after the surrender of Imperial Japan. Mainland China, being governed by the People's Republic of China today, discontinued this national anthem for March of the Volunteers.The national anthem's words are adapted from a 1924 speech by Sun Yat-sen in 1937. The lyrics relate to how the vision and hopes of a new nation and its people can be achieved and maintained. Informally, the song is sometimes known as San Min Chu-i from its opening line, which references the Three Principles of the People (????; s?nmn zh?y; san1-min2 chu3-i4), but this name is never used on formal or official occasions. During flag-raising ceremonies, the national anthem is played at the start prior to flag-raising followed by the National Flag Anthem of the Republic of China during actual flag-raising.
Republic of China Anthem (Taiwan) for Voice & Piano
Piano, Voix et Guitare
Keith Terrett
$8.99 7.71 € Piano, Voix et Guitare PDF SheetMusicPlus

Small Ensemble - Digital Download SKU: A0.961992 Composed by Ma Shui Long 馬水龍. Contemporary. Score and parts. 33 pages. SpringAutumnmusic #47109. Published by SpringAutumnmusic (A0.961992). 《尋》古箏與管弦樂   在傳統樂器系列中,箏、琴、琵琶…等,其起源發展均有上千年以上悠久的歷史與豐富的彈奏技法,如吟、猱、按、放、走吟、壓吟、飛吟、點頓等等各具獨特的表現風格與韻味,為西方樂器所不能及,作曲者多年來意圖從這些不同特性的傳統樂器中,以不同的形式與美學思維,探尋另一層面的音樂意涵。本曲應古箏演奏家黃好吟委託之作品,先以獨奏曲型態呈現,完成於2005年4月中旬,並由黃好吟於「亞洲作曲家聯盟第25屆會議」在泰國曼谷全球首演。之後作曲者再以古箏與管弦樂合奏方式,尋求東、西方樂器不同的音色特質,在主、從兩者交錯中,融合與對話。 ※古箏與管弦樂初稿完成於2006年10月間、美國波士頓Acton寓所。2007年12月中旬由指揮家邱君強指揮國立台灣交響樂團及古箏演奏家黃好吟分別於台中國立台灣交響樂團演奏廳、高雄市文化中心至德堂及台北國家音樂廳舉行世界首演。 Searching - for Cheng and Orchestra The history of some Chinese traditional musical instruments, such as Cheng, Qin, Pipa, etc., has seen their performing techniques evolved over a thousand years. Many of them have developed their unique stylistic expression and zest with sorts of articulation, which are not to be completed by those of many Western instruments. The composer has long been delving into the characteristics of these traditional instruments, attempting to ferret out further musical meanings from different formal and aesthetic angles. Searching for Cheng and Orchestra, commissioned by the Cheng player Hao-Yin Huang, was originally a solo Cheng piece. It was completed in mid-April, 2005, and was premiered in the same year at the 25th meeting of the Asia Composers’ League held in Bangkok, Thailand. The composer later expanded it into an ensemble piece for Cheng and orchestra, trying to integrate different timbral characters of the Eastern and Western instruments within their dominant-subordinate interactions and dialogues in the piece.
《尋》古箏與管弦樂 Searching - for Cheng and Orchestra

$29.99 25.7 € PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
Orchestre d'harmonie

$5.99 5.13 € Orchestre d'harmonie PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
Orchestre

$4.99 4.28 € Orchestre PDF SheetMusicPlus

Small Ensemble - Level 5 - Digital Download SKU: A0.961988 Composed by Ma, Shui-Long. Contemporary. Score and parts. 12 pages. SpringAutumnmusic #2020311. Published by SpringAutumnmusic (A0.961988). Among traditional instruments such as zheng, qin, pipa, etc., their origin and history datedback to over thousands of years and playing technique such as yin (chanting), rou (vibrato),an (stopping), fan (releasing), zhouyin (walking chanting), yayin (pressed chanting), feiyin(flying chanting), diandun (staccato), etc. are unique expression and charm, not found in Westernmusical instruments. For years, the composer has been searching a new dimension of musicalexpression by utilizing the characteristics and concepts of these traditional musical instruments. ※The present composition, completed in mid-April of 2005, was commissioned by guzhengmaster Huang Haoyin, and first performed by Ms. Huang in August of the same year at the 25thAsian Composers League Conference held in Bangkok, Thailand.
Searching, for cheng Solo

$9.99 8.56 € PDF SheetMusicPlus

Cello Solo - Digital Download SKU: A0.961997 Composed by Ma Shui Long 馬水龍. 20th Century,Contemporary. Individual part. 17 pages. SpringAutumnmusic #2341883. Published by SpringAutumnmusic (A0.961997). 《水墨畫之冥想》(九支大提琴室內樂曲) 1994年  作曲者自幼喜愛繪畫與音樂。爾後,雖然選擇了音樂為終身志業,但對繪畫的興趣與狂熱,始終有增無減。在已完成的音樂作品中,幾首均與繪畫有密切的關係。作曲者認為,所有的藝術創作,雖然因其使用的素材不同或表現的技法相異,但最後所要呈現的藝術本質,應是殊途同歸,音樂與繪畫更是不例外。   本曲創作的動機,來自於傳統水墨畫中的「虛實相生」觀念。古人笪重光「畫筌」云:實處之妙,皆因虛處而生,也就是無虛不易顯實,無空不能存虛。無疏不能成密,無密不能見疏,是以虛實相生,疏密相用。作曲者試圖以此繪畫手法,呈現在此首樂曲結構中,如時間與空間的對比,織度與密度的互換,實體與空靈的轉變等,以求音畫之意境。 ※本曲由文建會委託創作,首演於1995年11月25日於國家演奏廳,由財團法人邱再興文教基金會主辦之「春秋樂集95秋 · 室內樂之夜」。由涂惠民擔任指揮,大提琴演奏家為孫琬玲、黃智瑛、鄭佩玲、曾史妃、洪婉容、黃韻宇、劉姝嫥、蘇千芳、王佩瑜。   《Meditation on Ink Painting》for Nine Cellos (1994)     Music and painting are two beloved arts for Professor Ma since he was a kid. Even he finally decided devoted to music composing for his life, he always had the passion for painting. Several Professor Ma’s compositions were highly inspired from the concepts and techniques of painting. Professor Ma believed that all the arts, although they present differently on the usages of materials or techniques, the essence and highest acheivement of all arts must be the same, including both music and painting.     Meditation on Paintings in Ink was directly inspired by the techniques of Chinese traditional ink painting and the concept of the mutuality in virtuality and reality. The composer attempted to transform the philosophy that derive from the virtuality-reality relationship into the composition, presented it as the contrast between time and space, the alternation of texture and density, or, the changing of emptiness and fullness, etc., in order to establish an artistic atmosphere of musical painting.     Meditation on Paintings in Ink was commissioned by the Council for Cultural Affairs, premiered in the National Concert Hall, on 25th of November 1995. It was programed in the Euterpe: Spring and Autumn concert series Autumn 1995: A Night of Chamber Music, held by the Chew’s Culture Foundation. The world premiere was conducted by Hwei-Ming Twu and the nine cellists were Wan-Ling Sun, Jyh-Ing Huang, Pei-Ling Cheng (Yi-Chin Cheng) , Shih-Fei Tseng, Wan-Rong Hung, Yun-Yu Huang, Chu-Chuan Liu, Monica C.F. Su and Pei-Yu Wang.
Meditation on Ink Painting《水墨畫之冥想》
Violoncelle

$13.99 11.99 € Violoncelle PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
His Memory
Violon et Piano

$24.00 20.57 € Violon et Piano PDF SheetMusicPlus


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