Composed by Clarence Williams and Spencer Williams. Arranged by Lovell Ives. Folk, Jazz, Ragtime, Traditional. Score and parts. 72 pages. Encore Music LLC #6258701. Published by Encore Music LLC

Piano,Trumpet - Level 5 - Digital Download

SKU: A0.1001403

By Bobby Hackett. By Clarence Williams, Lillian Hardin Armstrong, and Louis Armstrong. Arranged by Paul Denegri. Contemporary. Score and part. 20 pages. Paul Denegri - Pandon Ltd #6353487. Published by Paul Denegri - Pandon Ltd (A0.1001403).

A superbly crafted arrangement of the Louis Armstrong, Joe Oliver and Clarence Williams favourite Satchel Mouth Swing, arranged by the experienced and highly regarded brass arranger and professional trumpet player; Paul Denegri.

www.pauldenegripandon.com

This work is a notated jazz standard for trumpet and piano accompaniment ideal for the concert platform and a proven favourite with audiences and performers.
Ideal for accomplished trumpet players and students of Associated Board School of Music or Trinity grade 7 and 8 level and above.
Also included is additional biographical information on the artists including Louis Armstrong and Clarence Williams which is ideal for programme notes.

Trumpet range is G below middle C to Bb above the treble clef stave.

Piano,Trumpet - Level 5 - Digital Download

SKU: A0.1001401

Composed by Clarence Williams and Joe Oliver. Arranged by Paul Denegri. Contemporary. Score and part. 16 pages. Paul Denegri - Pandon Ltd #6353479. Published by Paul Denegri - Pandon Ltd (A0.1001401).

A superbly crafted arrangement of the Louis Armstrong, Joe Oliver and Clarence Williams favourite West End Blues, arranged by the experienced and highly regarded brass arranger and professional trumpet player; Paul Denegri.

www.pauldenegripandon.com

This work is a notated jazz standard for trumpet and piano accompaniment ideal for the concert platform and a proven favourite with audiences and performers.
Ideal for accomplished trumpet players and students of Associated Board School of Music or Trinity grade 7 and 8 level and above.
Also included is additional biographical information on the artists including Louis Armstrong and Clarence Williams which is ideal for programme notes.

Trumpet range is G below middle C to Bb above the treble clef stave.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download

SKU: A0.1314054

By Clarence Williams & His Washboard Band. By Alexander Hill, Clarence Williams, and J. Timm Brymn. Arranged by Brad Esbensen. Jazz,Standards. 87 pages. Brad Esbensen Music Services #902785. Published by Brad Esbensen Music Services (A0.1314054).

Written as a vocal feature and in the style of Sing, Sing, Sing, this number, originally reocrded in  June  1930 by the Lazy Levee Loungers with jazz legend Clarence Williams, is sure to get toes tapping. The brass section require plunger mutes and Trumpet 1 gets up to F6, although these sections could be played down the octave. Solo space is provided for Trumpet 2 and Drums, and there is a rousing shout chorus for the ensemble.I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download

SKU: A0.1453561

By Hank Williams. By Clarence Williams. Arranged by John Hoesly. Blues,Jazz,Pop. 62 pages. PRS&B #1032785. Published by PRS&B (A0.1453561).

MY BUCKET’S GOT A HOLE IN IT- Great old blues tune presented in the style of Count Basie. Rich, thick harmonies. Arrangement for Little Big Band/ Jazz Ensemble. My Bucket's Got a Hole in It has been recorded by various artists, but it's perhaps most famously associated with Country & Western legend, Hank Williams. The song was written by Clarence Williams, and it was recorded by Williams in 1949. Difficulty: Intermediate. 

Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).

Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.

Brass Quintet - Level 2 - Digital Download

SKU: A0.775174

Composed by Spencer Williams, Clarence Williams. Arranged by Bill Wilson. Jazz. 17 pages. Alexander Wilson #3637823. Published by Alexander Wilson (A0.775174).

Vaudeville pianist/singer/songwriters Spencer Williams and Clarence Williams wrote the heavily syncopated I Ain't Gonna Give Nobody None O' This Jellyroll. Our arrangement splits melodic responsibilities primarily between first trumpet and French horn, with the trombone taking on a countermelodic role. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:05. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

Brass Quintet - Level 3 - Digital Download

SKU: A0.775330

Composed by Spencer William, Clarence Williams. Arranged by Bill Wilson. Blues. 14 pages. Alexander Wilson #6639035. Published by Alexander Wilson (A0.775330).

Yama Yama Blues, by Spencer Williams and Clarence Williams, is a moderate-tempoed blues masterpiece. Arranged for brass quintet (two Bb trumpets, French horn, trombone, tuba) and optional drum set. Contact us at https://www.tootsuitebrasspublishing.com/about-us about the availability of additional transpositions. Performance time is approximately 3:12. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download

SKU: A0.1493246

Composed by Clarence Williams and Spencer Williams. Arranged by L.C. Harnsberger. Blues,Chamber,Historic,Jazz,Standards. 26 pages. LCH Music #1069899. Published by LCH Music (A0.1493246).

“Royal Garden Blues” was written by Clarence and Spencer Williams in 1919, and first became a hit in 1921 when it was recorded by The Original Dixieland Jazz Band. It is considered the first popular song to be based on a riff (a repetitive short rhythmic phrase) and is now a jazz standard.

This timeless blues song has since been performed by bands led by Louis Armstrong, Count Basie, Tommy Dorsey, Duke Ellington, Benny Goodman, and Al Hirt; blues artists Mamie Smith, Ethel Waters, and Ella Fitzgerald; legendary performers Bix Beiderbecke, Sidney Bechet, Pete Fountain, Django Reinhardt, Art Tatum; and more recently by Chet Atkins, Herb Ellis, Branford Marsalis, and the Canadian Brass. 

This woodwind quintet arrangement is based on the upbeat recording by pianist Cliff Jackson, giving it an unmistakable 1940s stride feel with relentless rhythm and colorful harmonies. Each player has interesting parts, making it enjoyable for both performers and the audience. This fun and exhilarating piece is perfect for any concert.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1084134

Composed by Charles Warfield and Clarence Williams. Arranged by David Lee Gingras and John E. Dosher. Blues,Broadway,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #688336. Published by DAVID LEE GINGRAS (A0.1084134).

Baby, Won't You Please Come Home, a blues song written by Charles Warfield and Clarence Williams in 1919. The song has been covered by many musicians and has become a jazz standard. The first hit version was Bessie Smith's 1923 recording, which stayed on the charts for four weeks peaking at No. 6. This version features a root-based chord blocking that John and I have used in many of our arrangements and we added a few left-hand fills to keep that smooth rhythm flowing!

Piano,Trumpet - Level 4 - Digital Download

SKU: A0.1446408

By Louis Armstrong. By Clarence Williams, Joe Oliver, Lillian Hardin Armstrong, and Ralph Matthews. Arranged by Paul Denegri. 20th Century,Jazz. Score and part. 40 pages. Paul Denegri - Pandon Ltd #1026060. Published by Paul Denegri - Pandon Ltd (A0.1446408).

A superbly crafted suite of Louis Armstrong classics: West End Blues, Tomorrow Night and Satchel Mouth Swing, by composers Joe Oliver, Clarence Williams, Lillian Hardin Armstrong and Ralph Matthews, arranged by the experienced and highly regarded brass arranger and professional trumpet player: Paul Denegri.

www.pauldenegripandon.com

This work is a notated jazz standard for trumpet and piano accompaniment ideal for the concert platform and a proven favourite with audiences and performers.
Ideal for accomplished trumpet players and students of Associated Board School of Music or Trinity grade 7 and 8 level and above.
Also included is additional biographical information on Louis Armstrong and the composers which is ideal for programme notes.

Trumpet range is G below middle C to Bb above the treble clef stave.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download

SKU: A0.837241

Composed by Clarence Williams. Arranged by Daniel S. Augustine. Jazz. Score and parts. 45 pages. Daniel S. Augustine #5802283. Published by Daniel S. Augustine (A0.837241).

This is a classic jazz song recorded in 1924 by Clarence Williams and his Red Onion Jazz Babies, featuring Louis Armstrong and Sidney Bechet. It is scored for Dixieland band instrumentation in Turk Murphy Jazz Band style, with solos for tuba and cornet. The original Louis Armstrong solo has been transcribed as cues if desired. Playing time is about 3’45.

Brass Quintet - Level 2 - Digital Download

SKU: A0.775329

Composed by Lucy Fletcher, Clarence Williams. Arranged by Bill Wilson. Blues. 13 pages. Alexander Wilson #6639033. Published by Alexander Wilson (A0.775329).

Sugar Blues, by Lucy Fletcher and Clarence Williams, is a classic New Orleans Dixieland Blues chart. Arranged for brass quintet (two Bb trumpets, French horn, trombone, tuba) and optional drum set. Contact us at https://www.tootsuitebrasspublishing.com/about-us about the availability of additional transpositions. Performance time is approximately 2:00. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1184729

By Frank Sinatra. By Clarence Williams, Charles Warfield. Arranged by Dave Gingras and John E. Dosher. Blues,Broadway,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #784412. Published by DAVID LEE GINGRAS (A0.1184729).

Baby, Won't You Please Come Home, a blues song written by Charles Warfield and Clarence Williams in 1919. The song has been covered by many musicians and has become a jazz standard. The first hit version was Bessie Smith's 1923 recording, which stayed on the charts for four weeks peaking at No. 6. This version features a root-based chord blocking that John and I have used in many of our arrangements and we added a few left-hand fills to keep that smooth rhythm flowing!

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download

SKU: A0.1130066

By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066).

Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!

Brass Quintet - Level 2 - Digital Download

SKU: A0.775189

Composed by Clarence Williams, T. A. Hammed. Arranged by Bill Wilson. Blues. 26 pages. Alexander Wilson #3859459. Published by Alexander Wilson (A0.775189).

Tin Pan Alley composer Clarence Williams teamed up with composer T. A. Hammed and lyricist Mercedes Gilbert to write Decatur Street Blues, a slow, grinding piece.   Our arrangement of this gem shares melodic responsibilities between the top four parts.   The trumpets may add a little authenticity and excitement to this piece by liberal application of a plunger mute. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Includes world parts (horn in Eb, trombone in Bb TC, tuba in Eb TC, and tuba in Bb TC). Performance time is approximately 4:39. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.