Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download

SKU: A0.1438084

Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Chamber,Classical. 11 pages. RayThompsonMusic #1018160. Published by RayThompsonMusic (A0.1438084).

Arranged wind quintet

This music was originally attributed to Giovanni Pergolesi, as they were so described in a Mr R. Bremner's original 1780 London publication. They were also arranged later by Hugo Riemann, and were again wrongly attributed to Giovanni Pergolesi.

It is actually the 1st movement of Domenico Gallo's 1st Trio Sonata in G.

It was used by Igor Stravinsky as a basis of the first movement (Sinfonia) of his Neo Classical Ballet Pulcinella.

The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. 

This is the original music he used as the basis of the Sinfonia.

But even though Stravinsky used Gallo's (Pergolesi's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.

My arrangement is of the the original Gallo piece:

The only change I have made is to move the bar lines so that my piece starts, as does Stravinsky's, with a quaver pickup, rather than Gallo's half bar and a quaver pickup.

My arrangement is entirely in 4/4 using Gallo's classical/baroque harmonies.

It does not sound too dissimilar to Stravinsky's which sadly will be in copyright for many years.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download

SKU: A0.1457421

Composed by Domenico Gallo/Giovanni Pergolesi. Arranged by Ray Thpmpson. Baroque. 8 pages. RayThompsonMusic #1036444. Published by RayThompsonMusic (A0.1457421).

Arranged wind quintet

The original baroque music used by Igor Stravinsky for his ballet Pulcinella was originally attributed to Giovanni Pergolesi, as they were so described in a Mr R. Bremner's original 1780 London publication. They were also arranged later by Hugo Riemann, and were again wrongly attributed to Giovanni Pergolesi.

However Most of the original music is by Domenico Gallo (including the Finale of the suite), one or two are by Giovanni Pergolesi (including the Menuetto)

The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. 

This is the original music he used as the basis of the Minuetto/Finale.

But even though Stravinsky used Gallo's and Pergolesi's melodies and bass lines with little change in the earler movements of the Suite he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.

However in the Menuetto and Finale he changes things considerably, with more dischordant harmonies and rhythm changes.

My arrangement is of the the original two pieces:


My arrangement  uses Gallo's/Pergolesi's classical/baroque harmonies.


Check out my other arrangements of other music used by Stravinsky in his Pulcinella Suite.

Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 3 - Digital Download

SKU: A0.811803

Composed by Domenico Gallo (1730 - c. 1768). Arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 20 pages. Piper Publications #6365173. Published by Piper Publications (A0.811803).

The second of a set of twelve trio sonatas by Domenico Gallo which were long mis-attributed to Pergolesi and made famous by Igor Stravinsky who arranged some of the movements in his Pulcinella Suite. The three movements, Presto, Adagio & Presto are well contrasted and provide an excellent concert item for players of intermediate standard and above.

Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 3 - Digital Download

SKU: A0.811800

Composed by Domenico Gallo (1730 - 1768). Arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 26 pages. Piper Publications #6357259. Published by Piper Publications (A0.811800).

This is the first of a set of twelve trio sonatas by Domenico Gallo which were mistakenly attributed to Pergolesi. The first movement was made famous by Igor Stravinski in his Pulcinella Suite. The three movements (Moderato, Andantino & Presto), have been edited and arranged for flute, clarinet in A and bassoon or cello. Players of intermediate standard and above will enjoy the three well contrasted movements.

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.811801

Composed by Domenico Gallo (1730 - 1768). Arranged by Pat Spence. Baroque,Concert,Standards,Wedding. Score and parts. 24 pages. Piper Publications #6358133. Published by Piper Publications (A0.811801).

The first of twelve trio sonatas by Domenico Gallo previously attributed to Pergolesi and made famous by Igor Stravinski in his Pulcinella Suite, this three movement gem has been edited and arranged for violin, viola and cello. Players of intermediate standard and above will enjoy the well contrasted movements, Moderato, Andante and Presto.

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download

SKU: A0.811805

Composed by Domenico Gallo (1730 - c. 1768). Arranged by Pat Spence. Concert,Graduation,Standards. 24 pages. Piper Publications #6366131. Published by Piper Publications (A0.811805).

This is the seventh of a set of twelve trio sonatas by Domenico Gallo which were long mis-attributed to Pergolesi and some movements  were made famous by Igor Stravinsky in his Pulcinella Suite. The three movements, Adagio, Andante and Allegro, are well contrasted and the independent parts are suitable for three equal players of intermediate standard and above.

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download

SKU: A0.811802

Composed by Domenico Gallo (1730 - c. 1768). Arranged by Pat Spence. Baroque,Concert,Graduation,Standards. 24 pages. Piper Publications #6364181. Published by Piper Publications (A0.811802).

This is the second of twelve trio sonatas by Domenico Gallo which were long mis-attributed to Pergolesi  and made famous by Igor Stravinsky in his Pulcinella Suite. The three movements, Presto, Adagio & Presto, are well contrasted for three equal players of intermediate standard. .

Woodwind Ensemble Bassoon,Double Reed Trio,English Horn,Oboe - Level 3 - Digital Download

SKU: A0.553795

By Igor Steavinsky. By Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday,Wedding. 14 pages. RayThompsonMusic #4621431. Published by RayThompsonMusic (A0.553795).

This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi.

It is actually made up of 3 different pieces: Gallo's 2nd Trio Sonata in Bb. Mvts I and III, and Trio Sonata No 8 in Eb

All 3 Gallo mvts were used by Igor Stravinsky in the 3rd mvt. Scherzinoof his Neo Classical Pulcinella Suite.

The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts.

But even though Stravinsky used Pergolesi's(which were in this case Gallo's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.

These are transcriptions of the original pieces,
They are interesting to play and  do not sound too dissimilar to Stravinsky's final work.

Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 5 - Digital Download

SKU: A0.553769

Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday,Wedding. 11 pages. RayThompsonMusic #4283761. Published by RayThompsonMusic (A0.553769).

This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi.

It is actually made up of 3 different pieces: Gallo's 2nd Trio Sonata in Bb. Mvts I and III, and Trio Sonata No 8 in Eb.

All 3 Gallo mvts were used by Igor Stravinsky in the 3rd mvt. Scherzinoof his Neo Classical Pulcinella Suite.
There is few bars joining the 3 mvts...one is Stravinsky's own, one is from a Pergolesi Opera.

The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts.

But even though Stravinsky used Pergolesi's(which were in this case Gallo's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.

I have used transcriptions of the original pieces, but have transposed them into the keys used by Stravinsky. I have included the original Pergolesi Aria as the first link, and a scale passage of my own for the second.

My arrangement is in the same format as Stravinsky's so is a complete work.

I have another upload with the 3 separate movts in their original keys.

This arrangement is interesting to play and  do not sound too dissimilar to Stravinsky's final work.

It is arranged for clarinet trio (2 Bb and bass)


https://youtu.be/PMC-84MmuYw

String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download

SKU: A0.553762

Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday. Score and parts. 16 pages. RayThompsonMusic #4267155. Published by RayThompsonMusic (A0.553762).

This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi.

It is actually made up of 3 different pieces: Gallo's 2nd Trio Sonata in Bb. Mvts I and III, and Trio Sonata No 8 in Eb

All 3 Gallo mvts were used by Igor Stravinsky in the 3rd mvt. Scherzinoof his Neo Classical Pulcinella Suite. 

The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. 

But even though Stravinsky used Pergolesi's(which were in this case Gallo's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.

These are transcriptions of the original pieces, in their original keys.

They are interesting to play and  do not sound too dissimilar to Stravinsky's final work.


Arranged string trio with alternative violin 2 for viola.