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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina Urchueguía have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
Tannhäuser und der Sängerkrieg auf Wartburg

$53.99 46.73 € PDF SheetMusicPlus

2 flutes and piano - intermediate to advanced - Digital Download SKU: S9.Q764901 For 2 flutes and piano. Downloadable, Score and parts. Musikverlag Zimmermann - Digital #Q764901. Published by Musikverlag Zimmermann - Digital (S9.Q764901). Throughout music history, the repertoire of music for two flutes has been vast. In this volume, editors Elisabeth Weinzierl and Edmund Wächter have compiled original compositions and arrangements from three centuries for two flutes and piano, which they themselves like to play as encores or on other occasions, but which can also be played in lessons and at school concerts. The selection ranges from Johann Sebastian Bach to Mendelssohn Bartholdy to the contemporary Robert Delanoff.Throughout music history, the repertoire of music for two flutes has been vast. In this volume, editors Elisabeth Weinzierl and Edmund Wächter have compiled original compositions and arrangements from three centuries for two flutes and piano, which they themselves like to play as encores or on other occasions.
Encore and more

$18.99 16.44 € PDF SheetMusicPlus

Female choir (SSAA) a cappella - intermediate - Digital Download SKU: S9.Q25991 Two settings of the Lord's Prayer (Old High German/Latin). Composed by Pascal Martine. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q25991. Published by Schott Music - Digital (S9.Q25991). Middle High German.Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our new composer Pascal Martiné – personally recommended by the editors of your choral department!Über dem zentralen Gebet des Christentums entwickelt Pater noster mit dichten Klängen und atmosphärischen Farben eine Stimmung tiefgründiger Ehrfurcht und Stärke. Fater unser spielt mit minnesängerischen Harmonien und verzaubert auf mittelalterliche Weise.
Pater noster
Chorale SSAA

$3.99 3.45 € Chorale SSAA PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1078024 Composed by Liz Carroll. Arranged by Calum Wood. Celtic,Folk,Irish,Traditional. Guitar Tab. 1 pages. Calum Wood #682228. Published by Calum Wood (A0.1078024). Calling all guitar players! Are you a fan of traditional Irish music and looking to add a beautiful and timeless tune to your repertoire? Look no further than The Air Tune by Liz Carroll, now available in both TAB and music notation.Written and performed by the legendary Irish-American fiddler Liz Carroll, The Air Tune is a hauntingly beautiful piece of music that captures the essence of traditional Irish music. Our guitar score captures every note of this timeless melody, providing you with a comprehensive and accurate representation of the tune.But what makes our score truly unique is its attention to detail. Our team of expert musicians and music editors have poured over every note, ensuring that our guitar score is the most precise and faithful representation of the tune available.Whether you're a beginner or an experienced player, our score is sure to take your performance of The Air Tune to the next level. The TAB notation makes it easy to follow along, while the music notation provides a deeper understanding of the tune's structure and melody.But don't just take our word for it. Experience the rich and beautiful sound of The Air Tune on your own guitar, and be transported to the rolling green hills of Ireland.Order now and start playing The Air Tune today. With our high-quality guitar score, you'll be playing like a true Irish musician in no time. This is the perfect piece to add to your repertoire, whether you're looking to perform for an audience or simply enjoy the beauty of traditional Irish music in your own home.Don't miss out on this opportunity to learn one of the most beloved and timeless tunes in the traditional Irish music tradition. Order your copy of The Air Tune guitar score today and let the music transport you to a place of timeless beauty and tradition.
Air Tune
Guitare notes et tablatures

$4.99 4.32 € Guitare notes et tablatures PDF SheetMusicPlus

B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four” Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing” first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.”Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.” — 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king” at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today” (published as “Hymn for Easter-Day” in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani

$25.00 21.64 € PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1147587 Composed by Traditional. Arranged by Joseph Pugh. Christian,Religious,Sacred,Traditional. 7 pages. Joseph Pugh #747826. Published by Joseph Pugh (A0.1147587). In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial person entry is used to reflect that fact. Obviously, the hymns attributed to Author Unknown Unknown or Anonymous could have been written by many people over a span of many centuries.-Hymnity.org This is Joseph Pugh's Saxaphone Quintet arrangement of the iconic Hymn.
Just A Closer Walk With Thee
Quintette de Saxophone: 5 saxophones

$11.99 10.38 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus


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