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String Orchestra - Level 5 - Digital Download

SKU: A0.942953

Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953).

Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgeraldā€™s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgeraldā€™s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the shipā€™s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, Weā€™re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Andersonā€™s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (Weā€™re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethovenā€™s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre ą Cordes

$9.99 9.49 € Orchestre ą Cordes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download

SKU: A0.1209582

Composed by Gustav Holst. Arranged by Ray Thompson. Christmas. 9 pages. RayThompsonMusic #807733. Published by RayThompsonMusic (A0.1209582).

This is my arrangement of Gustav Holst's arrangement.
It is arranged for wind quintet

The French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.

The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredansealong with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.

In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.

The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear)

Ā Gustav Holst incorporated the carol into his work Three Carols H133 (1916ā€“17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.

You can check out my arrangemet of this and other
Marin Marais compositions here.

Holst: Masters in this Hall (3 Carols H.133) - wind quintet Quintette ą Vent: flūte, Hautbois, basson, clarinette, Cor

$14.95 14.2 € Quintette ą Vent: flūte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Piano Trio,String Ensemble - Level 3 - Digital Download

SKU: A0.868106

Composed by Edmund H. Sears. Arranged by Phoebe Chen. Christian,Christmas,Contemporary. Score and parts. 8 pages. Phoebe Chen #3679951. Published by Phoebe Chen (A0.868106).

From 1150-1350 A.C. carols were popular as dance songs and gradually became songs people sang during festivals.
people also used carols to accompany religious mystery plays. carol singing declined after the protestant reformation,
because Calvinists dislike what they considered nonessential practices connected with Roman Catholicism.
When Edmund Sears wrote the Angel's song in 1849, carols were just beginning a nineteenth century revival as famous composers began to write new and contemporary versions of their ancient forms. and It came upon the midnight clear was one of the first of these new carols.

It Came Upon the Midnight Clear (trio for violin/ cello / piano)

$5.99 5.69 € PDF SheetMusicPlus

Instrumental Duet Bassoon,Flute,Instrumental Duet - Level 3 - Digital Download

SKU: A0.1135544

Composed by Edmund H. Sears and Felix Bartholdy Mendelssohn. Arranged by Cathy Stamegna. Christian,Christmas,Holiday,Praise & Worship,Traditional. Score and parts. 12 pages. Cathy Stamegna #735598. Published by Cathy Stamegna (A0.1135544).

This tranquil Christmas hymn is arranged as an unaccompanied instrumental duet. A short transition invites a meter change (from 6/8 to 4/4) where Part 1 states phrases of ā€œHark! The Herald Angels Singā€ while Part 2 continues with ā€œIt Came Upon the Midnight Clearā€ (in 4/4). The first section returns to 6/8, a whole step higher, with some embellishments. Appropriate for any Christmas prelude, worship, concert, recital, or holiday setting. Score and set of Parts included. Performance Time: 3:29.

It Came Upon the Midnight Clear (Flute/Bassoon Duet)
Flūte, Basson (duo)

$4.99 4.74 € Flūte, Basson (duo) PDF SheetMusicPlus

Trumpet Duet Trumpet - Level 3 - Digital Download

SKU: A0.1135573

Composed by Edmund H. Sears and Felix Bartholdy Mendelssohn. Arranged by Cathy Stamegna. Christian,Christmas,Holiday,Praise & Worship,Traditional. Score. 12 pages. Cathy Stamegna #735629. Published by Cathy Stamegna (A0.1135573).

This tranquil Christmas hymn is arranged as an unaccompanied instrumental duet. A short transition invites a meter change (from 6/8 to 4/4) where Part 1 states phrases of ā€œHark! The Herald Angels Singā€ while Part 2 continues with ā€œIt Came Upon the Midnight Clearā€ (in 4/4). The first section returns to 6/8, a whole step higher, with some embellishments. Appropriate for any Christmas prelude, worship, concert, recital, or holiday setting. Score and set of Parts included. Performance Time: 3:29.

It Came Upon the Midnight Clear (Bb Trumpet Duet)
2 Trompettes (duo)

$4.99 4.74 € 2 Trompettes (duo) PDF SheetMusicPlus


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