Piano Solo - Level 3 - Digital Download SKU: A0.1243517 By BTS. By Bang Si-Hyuk, Bok An, Dae Wook Jung, Hilda Stenmalm, Min Yoon-gi, Seu Bin Kim, Su Bin Kim, Subin Kim, and Tom Wiklund. Arranged by poon. Pop. Score. 3 pages. Poon #838483. Published by poon (A0.1243517). Filter-BTS-JIMIN [지민] - For Piano Solo.

String Ensemble,String Quintet Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1005005 By BTS. By Bang Si-Hyuk, Bok An, Bok Jin An, Chang Seo Yun, Chang Yun, Dae Chung, Dae Wook Jung, Hee Joo Lee, Hilda Stenmalm, Min Yoon, Min Yoon-gi, Min Young Yoon, Seu Ran Lee, Su Bin Kim, Tom Wiklund, Wu Hyun Park, Wuhyun Park, Yea Kim, Yea Seol Kim, and etc. Arranged by Marissa Buelow. Pop. Score and parts. 27 pages. MBViolin #6295955. Published by MBViolin (A0.1005005). An accurate transcription of Jimin of BTS' solo track Filter, artfully arranged for 2 violins, viola, and 2 cellos or cello/bass. Includes full score and all individual parts.

Piano Solo - Level 4 - Digital Download SKU: A0.1100307 Composed by Jenny Walker. Chamber,Christian,New Age. Score. 8 pages. J Walker #704184. Published by J Walker (A0.1100307). This is the third piece in the Sea Moods for Piano collection, a set of twelve atmospheric pieces for late intermediate solo pianists. This piece Contemplative with a high-low pitch contrast and a minimalist feel. Very slow..

Piano Solo - Intermediate - Digital Download By BTS. Arranged by Jinnie J. Sheet Music Single. 4 pages. Published by Jinnie J

C Instrument - Level 4 - Digital Download SKU: A0.1451103 By Various HardBop. By Var. Arranged by Buddy Blanco. Jazz. Lead Sheet / Fake Book. 48 pages. Brian White #1030557. Published by Brian White (A0.1451103). Arranged for TrumpetFrom the original trumpet linesOptimised for Forscore on iPadArranged for Trumpet from the original Trumpet lines, or Trumpet friendly lines. Optimised forForscore on iPad.This book is a collection of Hard Bop tunes written in a lead sheet format. Designed for practice withthe original recording.IndexBill HardmanPolitely, from the Art Blakey and the Jazz messengers album The Big BeatCedar WaltonUgetsu, from The Art Blakey Album UgetsuDonald ByrdThe Cat Walk, from his album “The Cat Walk”Eddie HigginsExpoobident, from the Lee Morgan Album “Expoobident”Freddie HubbardBlues Function, from the Jackie Mclean album “Bluesnik”Hank MobleyHigh Voltage, from the album “High Voltage”High and Flighty, from his album “Peckin’ Time”A Baptist Beat, from his album “Roll Call“Chain Reaction, from his album “Straight No Filter”The Feelin's Good, from his album “Straight No Filter”Third Time Around, from his album “Straight No Filter”Soft Impressions,, from his album “Straight No Filter”Horace SilverDoodlin’, from the album “Horace Silver & the Jazz messengersHorace Scope, from his album “Horace Scope”Jackie McLeanBluesnik, from his album “Bluesnik”Torchin’, from his album “Bluesnik”Kenny DorhamHigh Seas, from the Art Taylor Album A.T.'s DelightKenny DrewFunk-Cosity, from his album “Undercurrent”Lee MorganThese Are Soulful Days, from his album “lee-Ways”Venus Di Mildew, from Hank Mobley’s album “A Caddy for Daddy”Sneaky Pete, from his album “Sonic Boom”Sonny ClarkSomethin' Special, from his album Leapin & LopinBlue Minor, from his album “Cool Struttin’“Cool Struttin’, from his album “Cool Struttin’”Melody For C, from his album Leapin & LopinBlues Blue, from his album “My Conception“Junka, from his album “My Conception“Voodoo, from his album Leapin & LopinStanley TurrentineMinor ChantStolen Sweets, from his album Comin your Way”.

Bass Guitar - Level 2 - Digital Download SKU: A0.1120691 By Filter. By Richard Patrick. Arranged by The Bass Diaries. Pop,Rock. Score. 5 pages. The Bass Diaries #721940. Published by The Bass Diaries (A0.1120691). Song: Hey Man, Nice Shot Artist: Filter Album: Short Bus Tab Information: This bass tab has been arranged by Pearce Hamblin from The Bass Diaries to provide you with the most accurate representation of the bass line from this song. For more information, please visit https://www.thebassdiaries.com A note about the author: Pearce started The Bass Diaries back in 2013 and has been transcribing bass lines to popular songs since 2015; currently in the top 100 highest rated tabbers over on Ultimate Guitar for the quality tabs posted to their website over the years.

Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.876023 By Five for Fighting. By John Ondrasik. Arranged by Kerry Marsh. Pop. Vocal Jazz Ensemble. 23 pages. Kerry Marsh #5034039. Published by Kerry Marsh (A0.876023). Lv 4, SSATBaB with fully-notated piano, fully-notated bass and drums. The pop hit from Five For Fighting gets a the vocal jazz treatment here, with varying grooves, reharmonization, and solos for both male and female singers. The arrangement builds energy throughout before making a soft landing in the last few bars. This title is part of the Vault Collection at KerryMarsh.com, where you can hear the full-length demo, preview the full score and supplement your SheetMusicPlus order with Vocal Part Tracks and the Rhythm Track for this arrangement. While visiting KerryMarsh.com, you can browse (with helpful filters and search options) over 300 charts featured in the main catalog, comprised of the newest sheet music from Kerry Marsh as well as arrangements by Kelly Kunz (for Groove For Thought), Simon Akesson (for Accent), David von Kampen and other excellent vocal arrangers. Demos, score previews and supplemental rehearsal tracks are available for all main catalog charts.

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1394423 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,Festival. 4 pages. Jay Dougherty #977907. Published by Jay Dougherty (A0.1394423). Despondency by Jay Dougherty explores the depths of human emotion, expressing profound feelings of pain, anguish, and desolation. Through the utilization of the overtone series, “Despondency� portrays a haunting soundscape that gradually builds into a solemn tone cluster, evoking a sense of emptiness and sadness. The overtone series serves as the foundation upon which the composition unfolds, weaving together a tapestry of natural harmonies that resonate with an ethereal quality. Despite the simplicity of its text, consisting of only four sung words – Nothing. Aching. Empty. Broken. – these words reflect the raw and unfiltered experience of despair and sorrow. “Despondency� is movement 3 of Jay Dougherty’s Phoenix Cantata, which is a six-movement vocal and piano work that explores the themes of resilience and the transformative power of change. The music and lyrics are the creative work of Dr. Jay Dougherty, with a piano accompaniment by Justin La. Drawing inspiration from the mythical symbolism of the phoenix, this cantata narrates the journey through life's challenges and tribulations and explores how we can learn to comprehend, embrace, and grow from them. Although the Phoenix is not explicitly mentioned, the underlying message resonates with the tale of the phoenix: after facing adversity or transformation, we emerge stronger and more beautiful. Each of the 6 movements centers on a flower garden, the gardener's affection for the garden, the looming storm that could devastate it, and the gardener's eventual realization that, even after the storm, the garden remains beautiful and precious. Movement 3, Despondency, is performed a cappella and makes use of the overtone series and chord clusters to convey the gardener's torment and heartbreak as the garden has lost its innocence after a torrential storm. It is a heartbreaking lament that portrays the gardener's profound sorrow.About the ComposerDr. Jay Dougherty is the Performing Arts Department Chair and Director of Choral Activities at Drury University in Springfield, MO.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.comPlease purchase one copy for each performer.

Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.876028 By Demensions. By Victor Young. Arranged by Kerry Marsh. Contemporary. Vocal Jazz Ensemble. 45 pages. Kerry Marsh #5204105. Published by Kerry Marsh (A0.876028). L4, SSATB with notated and chord chart piano, notated bass (with chords), drums. The chart is based on Kurt Elling's version of the standard (arranged by Laurence Hobgood, his pianist and collaborator, as well), with the inserted Moth poem by Rabia, an 8th century mystic from Basra, Iraq. No lyric or improvised soloists are featured in this arrangement, as the ensemble takes center stage, along with the artfully constructed rhythm section role. This title is part of the Vault Collection at KerryMarsh.com, where you can hear the full-length demo, preview the full score and supplement your SheetMusicPlus order with Part Tracks (played on piano) and the Rhythm Track for this arrangement. While visiting KerryMarsh.com, you can browse (with helpful filters and search options) over 300 charts featured in the main catalog, comprised of the newest sheet music from Kerry Marsh as well as arrangements by Kelly Kunz (for Groove For Thought), Simon Akesson (for Accent), David von Kampen and other excellent vocal arrangers. Demos, score previews and supplemental rehearsal tracks are available for all main catalog charts.

String Orchestra - Level 3 - Digital Download SKU: A0.1247669 Composed by Donald J. Young. Contemporary,Contest,Festival. 74 pages. T.U.X. People's Music #842223. Published by T.U.X. People's Music (A0.1247669). Donald J. Young shows the ever-changing nature of rivers in his musical depiction of Root River. The melodic themes and textures are filtered through many changes, just as rivers flow and change across the land and over time.

Piano,Vocal,Voice - Digital Download SKU: A0.1180858 Composed by Julián De La Chica. 20th Century,Classical,Opera. Score. 62 pages. Vagabundo Music Publishing #780716. Published by Vagabundo Music Publishing (A0.1180858). MUSIC NOTES:Poemas de Bar is at the same time a cycle of deceptive simplicity. Each song suggests the bare outlines of a complex scenario of relationships, layers of memory filtered through the straightforward poetry. Musically, De La Chica knows how to use space and the weight of silence to load the most commonplace chords with aching resonance. Preconceived musical entities like “dissonance� or a jazz riff become sealed in a kind of sonic amber—objects in themselves. — Thomas May.

Piano Solo - Level 4 - Digital Download SKU: A0.950913 Composed by Terrence Niska. 20th Century,Contemporary. Score. 4 pages. Niska Music Publishing #6361449. Published by Niska Music Publishing (A0.950913). There is a definite pastoral feel to this prelude: an air of sunlight filtered through leaves falling in the mild, autumn breeze as you walk beside a gently flowing stream. Then, the clouds begin to roll in, covering the sun. There is a sudden gust of wind that fills the air with swirling red and yellow leaves momentarily blocking the path. It passes. The sun returns and you continue on feeling peaceful and contented once again.

C Instrument,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1444317 Composed by Will Eakin. 21st Century,Classical,Contemporary,Video Game. Score and individual part. 7 pages. Eakin Music #1024232. Published by Eakin Music (A0.1444317). Nocturne of the Forest is a serene and evocative musical composition that transports listeners to the heart of a tranquil woodland under the soft embrace of night. Inspired by the quiet beauty and mysterious allure of a nighttime walk through the woods, this piece captures the essence of nature's nocturnal serenity. Gentle melodies weave through lush harmonies, mirroring rustling leaves and soft whispers of the wind, while the music ebbs and flows like a gentle stream winding its way through the forest.The interplay of delicate instrumentation evokes the subtle sounds of nocturnal creatures, adding layers of depth and wonder to the serene landscape. With its calming yet evocative motifs, Nocturne of the Forest invites listeners to close their eyes and imagine moonlight filtering through the canopy, casting dappled shadows on the forest floor. It offers a musical journey of peace and introspection, connecting deeply with the natural world’s nocturnal splendor.Keywords: nocturne, forest music, tranquil composition, nature-inspired music, nighttime walk, serene woodland, calming melodies, peaceful music, evocative harmonies, nocturnal serenity.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future� is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C� as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.� At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.

Solo piano - Digital Download SKU: OX.9780193202993 Composed by Anthony Powers. Score. 22 pages. Oxford University Press Digital #9780193202993. Published by Oxford University Press Digital (OX.9780193202993). ISBN 9780193202993.For solo piano. Vista is the first in a planned sequence of pieces, all to include piano. The sequence will form a musical reflection or interpretation of aspects of Italian renaissance and baroque gardens, typically derived from mythology as filtered through Ovid in his Metamorphoses.