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Digital Download SKU: HX.445156 By Anna Kendrick. Disney,Film/TV,Musical/Show. E-Z Play Today. 8 pages. Published by Hal Leonard - Digital (HX.445156). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
On The Steps Of The Palace (Film Version) (from Into the Woods)
Piano grosses notes
Anna Kendrick Disney,Film/TV,Musical/Show
$2.99 2.57 € Piano grosses notes PDF SheetMusicPlus

String Ensemble,String Trio Cello,Violin - Level 2 - Digital Download SKU: A0.565640 By Sharon Wilson. By Peter C. Lutkin and Sidney Lanier. Arranged by Sharon Wilson. Easter,Folk,Praise & Worship,Sacred. Score and parts. 12 pages. Sharon Wilson #5038367. Published by Sharon Wilson (A0.565640). The inspiring poem by Sidney Lanier titled Into the Woods My Master Went has been set to a variety of tunes. This string trio arrangement (for 2 Violins and 1 Cello) uses the hymn tune by Peter C. Lutkin. Set in a minor key, the solemn, reflective melody matches the deeply thought-provoking lyrics (see below). Though the lyrics may seem archaic at first, by reading through the words and meditating on the meaning, the beauty of the message becomes clear. This song is especially suited for a prelude or offertory during the season of Lent and Easter.Verse 1 Into the woods my Master went, Clean forspent, forspent, Into the woods my Master came, Forspent with love and shame. But the olives they were not blind to Him. The little grey leaves were kind to Him, The thorn tree had a mind to Him, When into the woods He came. Verse 2 Out of the woods my Master came And he was well content; Out of the woods my Master came, Content with death and shame. When death and shame would woo Him last, From under the trees they drew Him last, ’Twas on a tree they slew Him-last When out of the woods He came.Two unique verses are included interspersed with flowing and melodious interludes. VIOLIN 2 begins with the melody and then the VIOLIN 1 picks up the melody for the remainder of verse 1. The VIOLIN 1 and VIOLIN 2 alternate leading with the melody for verse 2. All notes for both VIOLIN parts and the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. Being in a minor key, several D#’s are scattered throughout the VIOLIN 1 and 2 parts which may require planning alternate fingering for smooth note transitioning.The purchase price includes a 5-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN 1, VIOLIN 2, and CELLO (2 pages each).This arrangement is one of the 10 songs in the collection titled Easy String Trios: Easter Hymns (A Collection of 10 Easy Trios for 2 Violins and 1 Cello). Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
Into the Woods My Master Went (for String Trio – 2 Violins and 1 Cello)
Trio à Cordes: 2 violons, violoncelle
Sharon Wilson
$5.99 5.14 € Trio à Cordes: 2 violons, violoncelle PDF SheetMusicPlus

High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
Ice! from Songs from the High Sierra
Voix haute

$7.25 6.22 € Voix haute PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.565638 By Sharon Wilson. By Peter C. Lutkin. Arranged by Sharon Wilson. Children,Easter,Folk,Praise & Worship,Sacred. Score and parts. 9 pages. Sharon Wilson #5038361. Published by Sharon Wilson (A0.565638). The inspiring poem by Sidney Lanier titled Into the Woods My Master Went has been set to a variety of tunes. This string duet arrangement (for VIOLIN and CELLO) uses the hymn tune by Peter C. Lutkin. Set in a minor key, the solemn, reflective melody matches the deeply thought-provoking lyrics (see below). Though the lyrics may seem archaic at first, by reading through the words and meditating on the meaning, the beauty of the message becomes clear. This song is especially suited for a prelude or offertory during the season of Lent and Easter.Verse 1 Into the woods my Master went, Clean forspent, forspent, Into the woods my Master came, Forspent with love and shame. But the olives they were not blind to Him. The little grey leaves were kind to Him, The thorn tree had a mind to Him, When into the woods He came. Verse 2 Out of the woods my Master came And he was well content; Out of the woods my Master came, Content with death and shame. When death and shame would woo Him last, From under the trees they drew Him last, ’Twas on a tree they slew Him-last When out of the woods He came.Two unique verses are included interspersed with flowing and melodious interludes. The VIOLIN carries the melody for both verses. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. Being in a minor key, a few D#’s are scattered throughout the VIOLIN part which may require planning alternate fingering for smooth note transitioning.The purchase price includes a 4-page combined score with both parts on each page plus separate 1-staff scores for the VIOLIN and CELLO (2 pages each).This arrangement is one of the 10 songs in the collection titled Easy String Duets: Easter Hymns (A Collection of 10 Easy Violin and Cello Duets). Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
Into the Woods My Master Went (for String Duet – Violin and Cello)
Violon, Violoncelle (duo)
Sharon Wilson
$4.99 4.28 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company.   At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc.   At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process.   The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral.   In the premiere, the Robinson Ballet will dance in the orchestral movements.  The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man.   It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor.   God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre

$9.99 8.58 € Orchestre PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water.   The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
The Daedalus and Icarus Journey

$8.99 7.72 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893858 Composed by David Kai. Christian,Gospel,Pop. Score. 4 pages. David Kai #5986435. Published by David Kai (A0.893858). This song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone and later by the Sellwoods gospel group. Both versions can be found on Youtube.The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife, he’s the great healer, and he can mend a broken life  And though your hurts be too much to bear, he can heal your wounds with loving care  And give you a new life that will never die  So if you feel that you’ve lost all your reason to live, good and bad look the same And you’re walking around more dead than alive, life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored  Chorus: I’ve had a heart transplant with a bit of a difference...
The Great Healer (lead sheet)
Piano, Voix et Guitare

$2.00 1.72 € Piano, Voix et Guitare PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1076837 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680952. Published by Woods Only, Arrangements (A0.1076837). This easy arrangement for baritone sax and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
A Mighty Fortress is Our God by Luther for Baritone Sax and Piano
Saxophone Baryton, Piano

$1.99 1.71 € Saxophone Baryton, Piano PDF SheetMusicPlus

Instrumental Duet,Viola,Violin - Level 1 - Digital Download SKU: A0.1136032 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Religious,Renaissance,Sacred. 4 pages. Woods Only, Arrangements #736057. Published by Woods Only, Arrangements (A0.1136032). This easy arrangement for violin and viola duet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
Mighty Fortress is Our God by Luther for Violin and Viola
Violon, Alto (duo)

$3.99 3.42 € Violon, Alto (duo) PDF SheetMusicPlus

Piano,Violin - Level 1 - Digital Download SKU: A0.1136202 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Religious,Renaissance,Sacred. 6 pages. Woods Only, Arrangements #736225. Published by Woods Only, Arrangements (A0.1136202). This easy arrangement for violin and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
Mighty Fortress is Our God by Luther for Violin and Piano
Violon et Piano

$1.99 1.71 € Violon et Piano PDF SheetMusicPlus

String Trio - Level 1 - Digital Download SKU: A0.1135318 Composed by Martin Luther. Arranged by Ander. Baroque,Christmas,Religious,Renaissance,Sacred. 5 pages. Woods Only, Arrangements #735363. Published by Woods Only, Arrangements (A0.1135318). This easy arrangement for string trio has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
A Mighty Fortress is Our God by Luther for String Trio

$5.99 5.14 € PDF SheetMusicPlus


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