SKU: A0.1251225

SKU: A0.1202380

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John.  He'll Have to Go is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a massive hit in both genres early in 1960. The song is about a man who's talking by telephone to the woman he loves, when he realizes that another man is with her. The recording features a small group of musicians: Floyd Cramer on piano, Marvin Hughes on the vibraphone, Bob Moore on bass, Buddy Harman on drums, Hank Garland on guitar, and the Anita Kerr Singers providing the background vocals. Country music historian Bill Malone noted that He'll Have to Go in most respects represented a conventional country song, but its arrangement and the vocal chorus put this recording in the country pop vein. In addition, Malone lauded Reeves' vocal styling - lowered to its natural resonant level to project the caressing style that became famous - as being why many people refer to him as the singer with the velvet touch..

SKU: A0.1200441

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. What I Did for Love is a song from the musical A Chorus Line (music by Marvin Hamlisch, lyrics by Edward Kleban). It was quickly recognized for its show-business potential outside Broadway and was picked up by popular singers to include in their performances in their club and television appearances. Both female and male singers have made it an inclusion in their recorded albums to great effect.

SKU: A0.1201552

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. The Way We Were is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. Its lyrics detail the melancholic relationship between the two main characters in the 1973 film of the same name. American composer and producer Marvin Hamlisch created the final melody for The Way We Were, which initially was a problem between himself and the singer. Streisand had asked Hamlisch to produce a composition in minor key, but he instead wrote it in major key due to his fear of the song's lyrics being revealed too quickly.

SKU: A0.846312

MIXED JAZZ ENSEMBLE. A vocal feature accompanied by mixed jazz ensemble.

Hello, and thank you very much for your interest in my works! 

With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. 

Do you need an alternate part that is not in the score? One can be made for you, for a small fee. 

All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.com

Finally, I have many more works not yet listed here, available on my website:
http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.

SKU: A0.506022

Ain't No Mountain High Enough is an R&B/soul song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label; a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell; becoming a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross- first solo number-one hit on the Billboard Hot 100 chart and was nominated for a Grammy Award. A must for your repertoire! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass, Drums (opt.) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.

SKU: A0.1276466

TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thank you, John.  When Sunny Gets Blue is a song written by Marvin Fisher (music) and Jack Segal (lyrics), which has become a jazz standard. The song was originally recorded by Johnny Mathis and Ray Conniff and his Orchestra in 1956 as the reverse side of their hit Wonderful! Wonderful!. The song has subsequently been recorded by many artists.

SKU: A0.518392

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  He'll Have to Go is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a massive hit in both genres early in 1960. The song is about a man who's talking by telephone to the woman he loves, when he realizes that another man is with her. The recording features a small group of musicians: Floyd Cramer on piano, Marvin Hughes on the vibraphone, Bob Moore on bass, Buddy Harman on drums, Hank Garland on guitar, and the Anita Kerr Singers providing the background vocals. Country music historian Bill Malone noted that He'll Have to Go in most respects represented a conventional country song, but its arrangement and the vocal chorus put this recording in the country pop vein. In addition, Malone lauded Reeves' vocal styling - lowered to its natural resonant level to project the caressing style that became famous - as being why many people refer to him as the singer with the velvet touch..