Piano Solo - Level 5 - Digital Download

SKU: A0.1021416

Composed by Sam Hartley. Concert,Contemporary. Score. 8 pages. Sam Hartley #5988177. Published by Sam Hartley (A0.1021416).

Contemporary classical piano solo piece in A minor. Relentless semiquaver and quaver triplet passages evoke the sounds of a passing storm. 

Duration: 3 minutes

For more information on composer, see https://samhartleymusic.com.

Piano Solo - Level 5 - Digital Download

SKU: A0.1021417

Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 11 pages. Sam Hartley #5995297. Published by Sam Hartley (A0.1021417).

Contemporary classical piano solo piece in E minor. Gradual transition from the stillness of quiet opening passages to dramatic cascading chords and demisemiquaver runs intended to evoke a process of unfolding chaos. 

Duration: 4 minutes

For more information on composer, see https://samhartleymusic.com .

Piano Solo - Level 4 - Digital Download

SKU: A0.1021420

Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 3 pages. Sam Hartley #5995331. Published by Sam Hartley (A0.1021420).

Contemporary classical piano solo piece in C minor. A searching, questioning series of chords at the opening give way to gathering sense of nervous momentum as the piece unfolds. 

Duration: 2 minutes

For more information on composer, see https://samhartleymusic.com      .

Piano Solo - Level 5 - Digital Download

SKU: A0.1021421

Composed by Sam Hartley. Concert,Contemporary,Instructional,Standards. Score. 8 pages. Sam Hartley #5996045. Published by Sam Hartley (A0.1021421).

Contemporary classical piano solo piece in B major. Rippling arpeggiated passages and semiquaver broken chords evoke the sounds of a billowing alpine brook. 

Duration: 3 minutes

For more information on composer, see https://samhartleymusic.com   .

Piano Solo - Level 5 - Digital Download

SKU: A0.1021422

Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 7 pages. Sam Hartley #5996077. Published by Sam Hartley (A0.1021422).

Contemporary classical piano solo piece in E minor. Repetitive inner voice acts as a driving force in the work, juxtaposed with a (at times mysterious) conversation between the two outer voices. 

Duration: 3 minutes

For more information on composer, see https://samhartleymusic.com   .

Piano Solo - Level 5 - Digital Download

SKU: A0.1021413

Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 10 pages. Sam Hartley #5986869. Published by Sam Hartley (A0.1021413).

Contemporary classical piano solo piece in E flat minor. Gradual transition from stillness to rapid cascading arpeggiated passages and repeated chordal patterns intended to evoke a tranquil autumnal scene interrupted by increasingly powerful gusts of wind.

Duration: 4 minutes

For more information on composer, see https://samhartleymusic.com.

Piano Solo - Level 5 - Digital Download

SKU: A0.1021424

Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 11 pages. Sam Hartley #5996711. Published by Sam Hartley (A0.1021424).

Contemporary piano solo piece in D minor.

Duration: 4 minutes

For more information on composer, see https://samhartleymusic.com.

Piano Solo - Level 4 - Digital Download

SKU: A0.1021423

Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 2 pages. Sam Hartley #5996063. Published by Sam Hartley (A0.1021423).

Contemporary classical piano solo piece in C sharp minor. Doleful, repeated opening motif juxtaposed with bursts of energy and vitality suggestive of a brief, finite glimpse of happiness. 

Duration: 2 minutes

For more information on composer, see https://samhartleymusic.com   .

Piano Solo - Level 5 - Digital Download

SKU: A0.1021426

Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 5 pages. Sam Hartley #5996713. Published by Sam Hartley (A0.1021426).

Contemporary classical piano solo piece in E minor.

Duration: 3 minutes

For more information on composer, see https://samhartleymusic.com.

Piano Solo - Level 3 - Digital Download

SKU: A0.1021419

Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 4 pages. Sam Hartley #5995339. Published by Sam Hartley (A0.1021419).

Contemporary classical piano solo piece in E minor. Disconcerting chordal shifts foster an unsettling sense of anticipation throughout the work.

Duration: 2 minutes

For more information on composer, see https://samhartleymusic.com  .

Piano Solo - Level 5 - Digital Download

SKU: A0.1021425

Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 10 pages. Sam Hartley #5996687. Published by Sam Hartley (A0.1021425).

Contemporary classical piano solo piece in F minor. 

Duration: 4 minutes

For more information on composer, see https://samhartleymusic.com.

Piano - Digital Download

SKU: LV.9461

Composed by Joseph Hart. Ballroom dancing, Couples, Light fixtures, Windows, Moonlight, Dance parties, Courtship. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9461).

Harts Set of Elegant Gallopades and Waltzes. Composed by Joseph Hart, London. Published [n.d.] by John Ashton, 197 Washington St. in Boston. Composition of three da capo dances with piano instrumentation. Subject headings for this piece include Ballroom dancing, Couples, Light fixtures, Windows, Moonlight, Dance parties, Courtship.

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano - Digital Download

SKU: LV.9288

Composed by Joseph Hart. Ballroom dancing, Couples, Light fixtures, Windows, Moonlight, Dance parties, Courtship. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9288).

Harts Set of Elegant Gallopades and Waltzes. [includes dance figures]. (1) Fitz James; (2) Columbus; (3) The Cauliflower; (4) The Circassian; (5) The Sociable; (6) The Campbells Are Comin. Composed by Joseph Hart, London. Published [n.d.] by John Ashton, 197 Washington St. in Boston. Composition of six da capo dances with piano instrumentation. Subject headings for this piece include Ballroom dancing, Couples, Light fixtures, Windows, Moonlight, Dance parties, Courtship.

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

A Clarinet Solo,B-Flat Clarinet Solo - Digital Download

SKU: A0.1309185

Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 18 pages. AMA Editions #898359. Published by AMA Editions (A0.1309185).

This is the newly updated 3rd Edition of the most comprehensive fingering chart for clarinet. The 2nd Edition became widely popular and used by clarinetists around the world, and this new 3rd Edition adds 127 fingerings for a total offering of over 300 fingerings through four and a half octaves in quarter-tones for clarinet, from written E3 to A7.

Author's Notes:

Ten years have passed since releasing the 2nd Edition of my Bass Clarinet Quarter-Tone Fingering Charts, which coincided with the first release of a chart for soprano clarinet. I’m now already on the 3rd Edition of both the clarinet and bass clarinet charts, which are being released simultaneously, following the recent release of a compilation of three separate charts for Leblanc, Selmer, and Eppelsheim contrabass clarinets.

The first obvious change in the 3rd Edition is to the title. I have added Altissimo to better reflect that these charts are not only useful for their quarter-tones, but also for their stratospheric range. The charts have also had a formatting revision and are now being published through AMA Editions, available in print as well as digital forms.

The next big change is the addition of 127 quarter-tone and altissimo fingerings, and some corrections and revisions to the existing ones. With these revisions come some new notations of the diagrams. One of these is the use of grey-colored keys, first used in the contrabass clarinet charts, to indicate keys which may be added to help tuning, response, and/or resonance. Rather than creating a new diagram for every possible combination, I thought it would be more effective to show the fundamental fingering in black, with the grey keys as possible additions dependent on what works best for a player and their instrument.

Bass Clarinet,Instrumental Solo - Digital Download

SKU: A0.1309189

Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 51 pages. AMA Editions #898361. Published by AMA Editions (A0.1309189).

The most comprehensive fingering chart for contrabass clarinet, with separate charts for Leblanc, Selmer & Eppelsheim extended range contrabass clarinets. It contains over 150 fingerings for each model over a five-and-a-half octave range in quarter-tones from written C3 to Bâ™­8.

Author's Notes:

Following the success of my clarinet and, in particular, bass clarinet quarter-tone and altissimo fingering charts, I have produced new charts for contrabass clarinet. The focus of these has been the extended range low C models produced by Leblanc, Selmer, and Eppelsheim. Due to the non-standardized design and keywork functionality of these instruments, completely separate charts are required for each model. Players with low Eâ™­ models such as those by Vito and Leblanc may also find these as a useful starting point to discover necessary fingerings, however, they have not been tested on these instruments.

One striking difference of the contrabass clarinet fingering charts to those previously for clarinet and bass clarinet is the lack of quarter-tone fingerings in the chalumeau and clarion registers. The reason for this is that suitable fingerings are just not available in this range. Fingering changes can result in timbral and microtonal changes, but in the contrabass register the pitches are too far away from each for effective true quarter-tone fingerings. If quarter-tones are needed in this range, a combination of fingering, embouchure, and voicing adjustments need to be made. As this introduces far too many personal variables, it is ineffectual to create fingerings for them. The upper register is far more flexible, however, so the quarter-tones begin there.