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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download

SKU: A0.1458050

Composed by Domenico Gallo, Giovanni Pergolesi. Arranged by Ray Thompson. Baroque. 39 pages. RayThompsonMusic #1037022. Published by RayThompsonMusic (A0.1458050).

Arranged wind quintet

The original baroque music used by Igor Stravinsky for his ballet Pulcinella was originally attributed to Giovanni Pergolesi, as they were so described in a Mr R. Bremner's original 1780 London publication. They were also arranged later by Hugo Riemann, and were again wrongly attributed to Giovanni Pergolesi.

However most of the original music is by Domenico Gallo (including the Finale of the suite), one or two are by Giovanni Pergolesi (including the Menuetto)

The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. 

This is the original music he used as the basis of the Sinfonia, Scherzino, Gavotte and Variations and the Minuetto/Finale in the Suite.

But even though Stravinsky used Gallo's and Pergolesi's melodies and bass lines with little change in the earler movements of the Suite he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.

However in the Menuetto and Finale he changes things considerably, with more dischordant harmonies and rhythm changes.

My arrangement is of the the original pieces and uses Gallo's/Pergolesi's classical/baroque harmonies.

Check out my other arrangements of other music used by Stravinsky in his Pulcinella Suite..

A Selection of Baroque Pieces (used by Stravinsky in his Pulcinella Suite) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$24.95 23.96 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1374158

Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158).

This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.

I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only Orchestre

$60.00 57.63 € Orchestre PDF SheetMusicPlus


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