Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.892001 Composed by Traditional Welsh. Arranged by C. Burdzinski. Baroque,Children,Classical,Folk,Renaissance. 9 pages. Carrie Burdzinski #3478621. Published by Carrie Burdzinski (A0.892001). This cheerful arrangement of the Welsh folk song The Ash Grove features two rounds of melody, followed by a transition to a minor key, with the song ending in the traditional melody accompanied by a descant. Each instrumentalist has an opportunity to play both melody and harmony. The arrangement is suitable for intermediate level players. Please note this arrangement is for four C-instruments (for example, four soprano recorders or four flutes). Run time is approximately 1:55.Sheet music includes conductor's score plus the four individual parts.2018 Chamber Music Contest Entry

Instrumental Duet Flute,Instrumental Duet,Recorder - Level 1 - Digital Download SKU: A0.717043 Composed by Traditional. Arranged by Tim Curd. Children,Classical,Folk,Romantic Period. Score and parts. 16 pages. Tim Curd #5729341. Published by Tim Curd (A0.717043). These duets have been written for pre-grade 1 players progressing to grade 1 standard.These duets can be played with your teacher or fellow students and they make excellent repertoire pieces to help prepare for grade 1. They can also help bridge the gap between grades and can be used for sight reading practice, concert items or just for fun! The tunes are;1. This Old Man 2. London Bridge 3. Aura Lee 4. Polly Wolly Doodle 5. Old Macdonald 6. Little Brown Jug 7. The Muffin Man 8. Yankee Doodle 9. Camptown Ladies 10. Ode to Joy 11. She’ll be Coming Round the Mountain 12. The Old Grand Duke of York 13. Troika 14. Sand DanceCheck out my other duets!14 Easy Duets (Grades 0 to 2) 14 Fun Duets (Grades 2 to 4) 9 Spirituals (Grades 1 to 4) 8 Christmas Duets (1 to 4) 14 Easy Flexible Duets for multiple instruments!There are also some trios and quartets too.

Level 4 - Digital Download SKU: A0.1136043 By Budapest Scoring. By Joseph Barnby. Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 228. David Warin Solomons #736069. Published by David Warin Solomons (A0.1136043). This instrumental arrangement of Joseph Barnby's Easter hymn begins with the original and, as the top melody is taken over by other instruments there are various countermelodies, and eventually a twittering of birds. The original words of the hymn (by Christopher Wordsworth) begin: 1 Alleluia! Alleluia! Hearts and voices heavenward raise: Sing to God a hymn of gladness, Sing to God a hymn of praise: He, Who on the cross a victim, For the world's salvation bled, Jesus Christ, the King of glory, Now is risen from the dead. 2 Now the iron bars are broken, Christ from death to life is born, Glorious life, and life immortal, On this holy Easter morn: Christ has triumphed, and we conquer By His mighty enterprise, We with Him to life eternal By His resurrection rise. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.

Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Christmas. Score, Set of Parts. 125 pages. Published by Colin Kirkpatrick Publications

Woodwind Ensemble,Woodwind Quartet - Digital Download SKU: A0.798344 Composed by Paull Hemmer. Contemporary. 8 pages. PJMS MUSIC #6022083. Published by PJMS MUSIC (A0.798344). The Chase (based on Bach Invention #1) features oboe, flute, clarinet & bassoon. Each instrument has a primary role in the short composition which is designed to stimulate blending instruments and precise counting. Instrumentalist will discover it fun to perform.

Concert Band - Digital Download SKU: A0.739420 Composed by Cesar Auguste Franck. Arranged by David Catherwood. Romantic Period,Wedding. Score and parts. 26 pages. Opus 3 Music #3421517. Published by Opus 3 Music (A0.739420).  Panis angelicus This arrangement of Franck's famous vocal solo is intended originally for Trombone and Orchestra but will work equally well with other suitable instruments in the solo role ('cello, bassoon, euphonium, violin , clarinet etc) and if necessary just a quartet accompaniment.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe 1, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 2 in F (Horn in F)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)Panis angelicus (Latin for Bread of Angels or Angelic Bread)Panis angelicus     (May the Bread of Angels)fit panis hominum;   (Become bread for mankind;)Of course the instrumental parts could also be used to accompany the original vocal part.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.851128 Composed by George Frideric Handel. Arranged by Sophia Johanna. 20th Century,Christian,Christmas,Classical,World. Score. 18 pages. Sophia Transistor #6139725. Published by Sophia Transistor (A0.851128). German traditional Christmas Song Tochter Zion, freue dich = Daughter Zion, rejoice by Georg Friedrich Händel arranged for family band or every random band with multiple various and variable instruments in every color and key.Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. This arrangement of the traditional chistmas song Tochter Zion (Daughter Zion) offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in german and english) choir Arrangement- solo instruments in C (violin, flute,etc.) quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumset ;-)YouTube Play Along: https://youtu.be/Pfo_Mu-8Z-sGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... Dieses Arrangement des Weihnachtsklassikers JTochter Zion beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Deutsch und auf Englisch.Folgende Musikinstrumente werden durch diese Noten abgedeckt: - Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf deutsch und englisch); 3 Strophen, 4-stimmig- Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - Schlagwerk / Schlagzeug / Schelleninstrument ;-)Viel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.traditional german christmas children song by James Lord Pierpontarranged by Sophia Johannafor family bandPublic Domain InstrumentalLiedtext1. Tochter Zion, freue dich!Jauchze, laut, Jerusalem!Sieh, dein König kommt zu dir!Ja er kommt, der Friedenfürst.Tochter Zion, freue dich!Jauchze, laut, Jerusalem!2. Hosianna, Davids Sohn,Sei gesegnet deinem Volk!Gründe nun dein ewig' Reich,Hosianna in der Höh'!Hosianna, Davids Sohn,Sei gesegnet deinem Volk!3. Hosianna, Davids Sohn,Sei gegrüßet, König mild!Ewig steht dein Friedensthron,Du, des ew'gen Vaters Kind.Hosianna, Davids Sohn,Sei gegrüßet, König mild! Hashtags:#TochterZion#smppressmusic#Weihnachtslieder#sheetmusicplus

Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288655. Published by Slide Ride (A0.784332). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Brass Ensemble Euphonium,Trombone,Trumpet - Digital Download SKU: A0.636888 Composed by Traditional. Arranged by Ivan R. Brand. Sacred,Spiritual,Standards,Traditional. Score and parts. 20 pages. Ivan Brand #245968. Published by Ivan Brand (A0.636888). This medley is the first in a series of Spiritual Medleys. In each medley, three or more familiar spirituals are nicely reconfigured and linked together in medley format. In this medley, the spirituals include Deep River, Swing Low Sweet Chariot, and Do Lord. The music progresses from a beginning feeling of thoughtful longing in Deep River, and grows continuously to an exuberant final section with Do Lord which celebrates the text I've Got a home in Gloryland! Tambourine and Piccolo (flute) add wonderfully to this joyfuf ending. Your instrumentalists and audiences will very much enjoy this piece. Separate parts are provided for alternate instruments - alto sax (for trombone), and bass guitar (for euphonium). A great alternative configuation for the standard brass quartet consists of 2 trumpets, tenor sax, and bass guitar.

Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Horn,Oboe,Piano Accompaniment,Tenor Saxophone - Level 2 - Digital Download SKU: A0.750919 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 24 pages. BJE Music #4840219. Published by BJE Music (A0.750919). Swing Low, Sweet Chariot is an American Negro (African American) spiritual. It has been arranged here as a 4 -part flexible Woodwind Ensemble (with an optional piano part). You could just use a minimum of four instruments as a woodwind quartet (Flutes, Oboes, Clarinets, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoon, and two F Horn parts) or use a Part 1 instrument with the Piano accompaniment as an instrumental solo.Grade = 3 Duration = 2:30 mins.The MP3 was recorded with NotePerformer 3.

Concert Band - Level 2 - Digital Download SKU: A0.739438 Composed by SS Wesley. Arranged by David Catherwood. Sacred. Score and parts. 16 pages. Opus 3 Music #3664595. Published by Opus 3 Music (A0.739438). Composed by Samuel S. Wesley  AURELIA (meaning golden) was published as a setting for Jerusalem the Golden in Selection of Psalms and Hymns, which was compiled in 1864. The tune has remained extremely popular ever since being used for a number of hymns in 7 6 7 6 metre including The Church's one Foundation and O Jesus I have promised, amongst others.This is a simple arrangement of the tune with a short introduction and a coda which will work well to accompany the singing of the hymn or as an instrumental pice for a processional or offertory situation. The generous set of parts makes it ideal for School Orchestra, Church Orchestra, Concert Band, Brass Band or any instrumental quartet.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe 1, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)Percussion

Cello,Flute,Piano,Violin - Digital Download SKU: A0.1303067 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 86 pages. Mastery for Strings Press #892654. Published by Mastery for Strings Press (A0.1303067). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. His early Vienna concertos were scored for full orchestra, but conceived as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836. The accompanying ensemble in these arrangements consists not of strings alone but flute, violin, and cello. The participation of the instruments is in fact optional, as the orchestral tuttis are incorporated into the piano part so that a single piano soloist can perform the entire work. Hummel also considerably altered the solo keyboard parts to increase their range and brilliance.The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this beautiful work in the absence of a full orchestra, and 2) that pianists might use this version to get Mozart’s original solo part in their fingers with a minimum of alteration, for such occasions when they are called upon to perform it.

Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1302391 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 114 pages. Mastery for Strings Press #892006. Published by Mastery for Strings Press (A0.1302391). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. His early Vienna concertos were scored for full orchestra, but conceived as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836. The accompanying ensemble in these arrangements consists not of strings alone but flute, violin, and cello. The participation of the instruments is in fact optional, as the orchestral tuttis are incorporated into the piano part so that a single piano soloist can perform the entire work. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this beautiful work in the absence of a full orchestra, and 2) that pianists might use this version to get Mozart’s original solo part in their fingers with a minimum of alteration, for such occasions when they are called upon to perform it.

Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1343361 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 101 pages. Mastery for Strings Press #928889. Published by Mastery for Strings Press (A0.1343361). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. When the composer moved from his native Salzburg to Vienna in 1782, three piano concertos (K. 413, 414 and 415) were among his first compositions produced in the latter city. They were scored for full orchestra, but advertised when published as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that, perhaps out of a desire for increased sales and more hearings of these works, Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836, though the last of them appeared in print only several years after Hummel’s death in 1837. The accompanying ensemble in these arrangements consists of flute, violin, and cello.  Hummel, who had studied with Mozart as a boy, materially altered and elaborated the solo part in these versions, taking advantage of the increased range of nineteenth-century pianos. He imposed his own tastes in ornamentation and decoration, which strongly influenced the piano writing of Chopin, on melodic passages. This is especially true in the slow movements, resulting in a stylistic hybrid that bridges the Classical and Romantic eras. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this work in the absence of a full orchestra, and 2) that pianists might use this version to learn Mozart’s original solo part with a minimum of alteration for such occasions when they are called upon to perform it in its original setting.

Small Ensemble,Strings Bass Clarinet,Bassoon,Flute,Horn - Level 4 - Digital Download SKU: A0.828654 Composed by Bill Conti. Arranged by Ted Samuels. Contemporary. Score and parts. 12 pages. Theodore A. Samuels #5361465. Published by Theodore A. Samuels (A0.828654). 2020 SMP Press Composition Contest Entry for the Popular instrumental ensemble category:  This is a flexible string/wind arrangement of the incidental music for the closing credits of Sylvester Stallone's first ROCKY movie. (According to Wikipedia: The film, made on a budget of just over $1 million, was a sleeper hit; it earned $225 million in global box office receipts, becoming the highest-grossing film of 1976... Among other accolades, it went on to receive ten Academy Award nominations, winning three, including Best Picture.)Originally, this arranger had envisioned and created this as an arrangement for wind quartet (flute, clarinet, horn and bassoon or bass clarinet). But after it was completed and shared, requests were received for a similar arrangement for string quartet (i.e., the original instrumentation used in the movie).  And so, this flexible package was created, in which the violin part is mirrored by the flute part (same key and page), the viola is mirrored by a clarinet, the cello is mirrored by a horn, and the string bass is mirrored by a bassoon/bass clarinet/euphonium.  So, virtually any combination of these instruments may be used to form a quartet, or even a double quartet!  The duration is approximately 2.5 minutes. NOTE: The YouTube link leads to a wind quartet rendition.