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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 9.6 € Orchestre à Cordes PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.628978 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Easter,Praise & Worship,Sacred. Score and parts. 24 pages. Exultet Music #6252837. Published by Exultet Music (A0.628978). This hymn text, written by James Russell Lowell (1819-1891), which was written as a protest against the Mexican War, and has been a staple in Methodist hymnals, has now been freshly arranged for a Brass Quartet (Bb-Trumpet (2), French Horn, Trombone) with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
Once To Every Soul And Nation (Brass Quartet and Piano)
Quatuor de Cuivres: 2 trompettes, Cor, trombone

$12.99 12.48 € Quatuor de Cuivres: 2 trompettes, Cor, trombone PDF SheetMusicPlus

Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.628977 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 18 pages. Exultet Music #6252763. Published by Exultet Music (A0.628977). This hymn text, written by James Russell Lowell (1819-1891), which was written as a protest against the Mexican War, and has been a staple in Methodist hymnals, has now been freshly arranged as a duet for a Soprano and an Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
Once To Every Soul And Nation (Duet for Soprano and Alto Saxophone)
Saxophone Soprano et Piano

$4.99 4.79 € Saxophone Soprano et Piano PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.628974 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 17 pages. Exultet Music #6252743. Published by Exultet Music (A0.628974). This hymn text, written by James Russell Lowell (1819-1891), which was written as a protest against the Mexican War, and has been a staple in Methodist hymnals, has now been freshly arranged as a duet for a Soprano and Tenor Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
Once To Every Soul And Nation (Duet for Soprano and Tenor Saxophone)
2 Saxophones (duo)

$4.99 4.79 € 2 Saxophones (duo) PDF SheetMusicPlus






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