By The Singers Unlimited with the Oscar Peterson Trio. Arranged by Gene Puerling. Set of Parts. 27 pages. Published by University of North Texas - Gene Puerling Collection

Piano and Keyboard,Vocal,Voice - Digital Download SKU: HX.1311779 By Jazz Arts Trio and Oscar Peterson. Arranged by Frederick Moyer. This edition: scorch. Jazz. Score. 10 pages. Hal Leonard - Digital #489185. Published by Hal Leonard - Digital (HX.1311779).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1461546 By Oscar Peterson Trio. By Duke Ellington and Paul Francis Webster. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1040292. Published by DAVID LEE GINGRAS (A0.1461546). I Got It Bad (and That Ain't Good) is a pop and jazz standard with music by Duke Ellington and lyrics by Paul Francis Webster published in 1941. It was introduced in the musical revue Jump for Joy by Ivie Anderson, who also provided the vocals for Duke Ellington and His Orchestra on the single Victor 27531. Recordings to reach the Billboard charts in 1941/42 were by Duke Ellington (#13) and by Benny Goodman (vocal by Peggy Lee) (#25). This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Jazz Combo - Level 3 - Digital Download SKU: A0.1011222 Composed by Jean-Charles Demichel. Jazz,Latin. Score and parts. 2 pages. Jean-Charles De Michel #3409073. Published by Jean-Charles De Michel (A0.1011222). Jean-Charles Demichel, a Jazz pianist and composer from Lyon in France, a well known at the Jazz Hot Club cave in Lyon, has forged a solid reputation in the last 40 years alongside the world best Jazzmans such as Canadian Oscar Peterson or American jazz greats such as trumpet players Bill Coleman and Sonny Gray, tenors Johnny Griffin or Nathan Davis, drummers Kenny Clark and Art Taylor. He has played regularly as a trio or quartet at the Hot Club de Lyon since 1958, a club he chaired for many years and helped to receive well the best world Jazzmans coming in Lyon and Paris. Jean-Charles also plays in various quartets with various styles and inspirations of the old jazz from Duke Ellington to Bill Evans or to the best pianists such as the late Oscar Peterson's playing with Ray Brown. JC Demichel repertoire is large, with a strong French bebop dominance mixed with bossa nova rhythms as it is herein into the Ballade of Adcha created by JC Demichel. The scores contains the thematic template with chords written under as the typical Jazz scores for Jazz pianists ready to improvise around. Herein included an mp3 recording of the JC Demichel's trio playing his composition.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1291958 By Sesame Street. By Bruce Hart, Joe Raposo, and Jon Stone. Arranged by Popnroll '76. 20th Century,Children,Film/TV,Jazz. Score. 18 pages. Popnroll 1976 #882569. Published by Popnroll 1976 (A0.1291958). Sesame Street Theme - Oscar Peterson & The Singers Unlimited (Vocals/Piano ＆ Bass/Parts/Lyrics Card)This is a complete transcription of Sesame Street Theme performed by The Singers Unlimited, a jazz chorus group featuring jazz piano master Oscar Peterson's trio and four members in perfect harmony (parts and lyric cards are available). Please note that there is no drums sheet music.PDF format. 18 pages in total. Contents: 7 pages total score, 3 pages chorus score (alto, tenor, with chords), 4 pages piano, 3 pages bass, 1 page lyric card.Lyrics/Composition: Bruce Hart, Joe Raposo, Jon Stone Performed by The Oscar Peterson Trio (Piano: Oscar Peterson, Bass: Jiri Mraz, Drums: Louis Hayes) Vocals: Bonnie Herman, Don Shelton, Gene Puerling, Len Dresslar.

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1140852 By Oscar Peterson. By Harriette Hamilton and Oscar Peterson. Arranged by James Pybus. 20th Century,Blues,Jazz,Praise & Worship,Spiritual. 39 pages. James Pybus #741106. Published by James Pybus (A0.1140852). Recognized as one of Oscar Peterson’s most significant compositions, Hymn to Freedom was written in 1962 and was swiftly embraced by people over the world as the anthem of the Civil Rights Movement. The piece was Peterson’s first major work and was written with encouragement from his producer and dear friend Norman Granz. During those initial recording sessions, Granz urged Peterson to create a tune with a “definitive early-blues feel�. For inspiration, Peterson drew upon various church renderings of Negro spirituals recalled from his childhood in Montreal. He aimed to maintain the unadorned, yet poignant quality of these early Baptist hymns while composing the beginning chorus of Hymn to Freedom. Upon its completion, Peterson and Granz decided that lyrics would complement the music and contacted Malcolm Dodds, composer, arranger and choir director of The Malcolm Dodds Singers, a backup group for many popular artists of the day. Dodds turned to his collaborator Harriette Hamilton, who had been writing lyrics for the choir group’s original compositions for several years. According to Hamilton, “all the lyrics had to do was express in very simple language the hope for unity, peace, and dignity for mankind. It was easy to write.� With Peterson on piano, Ray Brown on bass and Ed Thigpen on drums, the trio recorded the piece on Night Train (Verve 1962), which became one of their most commercially successful albums. Critical acclaim moved Peterson to record Hymn to Freedom on several albums that followed. This arrangement is playable by SATB Saxophone Quartet with optional Bass Saxophone, String Bass and Drums. For performances by SATB Saxophone Quartet without rhythm, the part marked Baritone Saxophone 2 (substitute Bass Saxophone) should be used. Some improvising is allowed for in the soprano, alto and tenor parts. Optional written solos are provided. This arrangement will enhance a wide variety of concert programmes and performance situations. The duration is 4:45. Contact me at james.pybus56@gmail.com.