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SATB choir, piano, and Spoken word, with optional violin, B-flat trumpet, and snare drum - Moderately Difficult - Digital Download

SKU: MQ.1.3682-E

Composed by Kyle Pederson. 9/11 Service, National Songs/Patriotic. 104 pages. Galaxy Music Corporation - Digital #1.3682-E. Published by Galaxy Music Corporation - Digital (MQ.1.3682-E).

English.

An exciting extended work by Kyle Pederson, centered around themes of social justice—inviting the choir and audience into a compelling vision of a world rooted in compassion, freedom, inclusivity and justice. This five-movement, genre-bending work is for SATB chorus, with piano, spoken word, and optional violin, snare drum, and trumpet. Texts by Langston Hughes, Walt Whitman, Robert Bode, Shanelle Gabriel, and Pederson invite the listener to reach out and build bridges of care and connection, that we might find a better way of being in community. That we might stand in solidarity with those whose voices are too often dismissed, regardless of their skin color, sexual orientation, faith background, or other characteristic. That we might not dismiss, disdain, and judge those whose politics are different from ours, but that we might make the uncomfortable effort to see them as people just as worthy of respect and dignity. Each of the five movements in the work can be performed as a stand-alone piece; and choirs are welcome to craft their own spoken word narration (poetry, speech excerpts, etc) throughout the work to explore themes and perspectives that most resonate for their community/audience.

A Vision Unfolding: A Five-Movement Work (Choral Score)
Chorale SATB

$12.95 12.24 € Chorale SATB PDF SheetMusicPlus

SATB choir and Piano - Medium - Digital Download

SKU: MQ.1.3610-E

Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E).

English.

From the arranger, Kyle Pederson

To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.”


The original text of Soon Ah Will Be Done is as follows:
Soon ah will be done with the troubles of the world (repeat)
Goin’ home to live with God
No more weeping and a-wailing (repeat)
Goin’ home to live with God
I want t’ meet my mother (repeat)
Goin’ home to live with God
I want t’ meet my Jesus (repeat)
Goin’ home to live with God


When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.”


In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities.


I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.

Soon We Will Be Done (Downloadable) Chorale SATB

$3.20 3.02 € Chorale SATB PDF SheetMusicPlus

SATB choir and piano, with optional violin, trumpet, and snare drum - Moderately Difficult - Digital Download

SKU: MQ.1.3687-E

Composed by Kyle Pederson. Graduation, African American Heritage. Instrument parts. 28 pages. Galaxy Music Corporation - Digital #1.3687-E. Published by Galaxy Music Corporation - Digital (MQ.1.3687-E).

English.

The fifth and final movement of Pederson’s powerful five movement work, A Vision Unfolding. Very few texts cast as beautiful a vision for society as this iconic Langston Hughes poem: I dream a world where none are scorned, where love will bless the earth and peace its paths adorn. There are many choral settings of this powerful text, but Pederson’s treatment deserves serious consideration. Soaring melody lines, lush harmonies, and a beautiful piano accompaniment will immediately resonate with choir and audiences alike.

I Dream a World: from A Vision Unfolding (Choral Score)
Chorale SATB

$3.25 3.07 € Chorale SATB PDF SheetMusicPlus


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