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String Ensemble Cello - Level 4 - Digital Download SKU: A0.1157014 Composed by Moses Hogan. Arranged by Rebekah Stark Johnson. Chamber,Historic,Religious,Spiritual,Traditional. 10 pages. Moses Hogan, Hal Leonard, Arranged for cello, Rebekah Stark Johnson #757341. Published by Moses Hogan, Hal Leonard, Arranged for cello, Rebekah Stark Johnson (A0.1157014). Cello ensembles will enjoy the energetic rhythms and soulful lines in this crowd pleasing Moses Hogan traditional spiritual, originally for choir and arranged and adapted for five cellos. Includes all the dynamic nuance and harmonic stylings of the original arrangement, with added bowing’s and occasional fingerings. Medium advanced, Level 3 - 4. Score and parts. Performance time 2 minutes. Cello Ensemble, Gospel, Traditional Spiritual. “It is indeed a tribute both to the suffering of the slaves and to their musical genius that they were able, under conditions of unspeakable adversity, to wring from their hearts music of such poignancy and power. These songs….are of enduring quality, and they still enrich the spirits of those who listen with the heart as well as the ear. -Moses Hogan, New Orleans, Louisiana.
Ev'ry Time I Feel The Spirit

$15.00 13.05 € PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.
The Gift to Sing - SATB choir
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829042 Composed by David Neff, Traditional. Arranged by David Neff. Folk,Spiritual. 4 pages. David Neff #5866099. Published by David Neff (A0.829042). No More Auction Block originated in Canada before the US Civil War among African-Americans who had escaped slavery and found safe haven there. It was later adopted by black troops in the Union Army. It is a song of determination and hope, although its positive message is tempered by the wistful line that closes each verse--many thousand gone. Those many thousand were not only the many who had escaped slavery, but also those who had been separated from family and loved ones by being sold on the auction block. This arrangement was written for Larry D. Hylton, a tenor who sang with Moses Hogan and with the Metropolitan Opera Chorus, and who has been in over 350 performances of Porgy and Bess. David Neff and Larry Hylton collaborated on recording this remotely during the 2020 pandemic in order to produce music for their church's celebration of Juneteenth, following the widespread protests over the murder of George Floyd. The song is appropriate for any occasion that celebrates African-American history and music, as well as the ideals of freedom and liberty. 
No More Auction Block for Me (Many Thousand Gone)
Voix moyenne, Piano

$4.99 4.34 € Voix moyenne, Piano PDF SheetMusicPlus






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