Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1035089

Composed by Cole Porter. Arranged by Dave Gingras, John E. Dosher. Broadway,Jazz. Score. 4 pages. DAVID LEE GINGRAS #5286979. Published by DAVID LEE GINGRAS (A0.1035089).

I've Got You Under My Skin is a song written by Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film Born to Dance in which it was performed by Virginia Bruce. It became a signature song for Frank Sinatra, and, in 1966, became a top 10 hit for the Four Seasons. This is a contemporary arrangement making extensive use of a root-based chord-blocking method John and I have used in many of our arrangements. We hope you like it!

String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download

SKU: A0.1253494

Composed by Cole Porter. Arranged by H.P. Gyldfeldt. 20th Century. 8 pages. H.P. Gyldfeldt #847183. Published by H.P. Gyldfeldt (A0.1253494).

A classical American piece of music, special arrangement for Tenor Saxophone and String Orchestra. The string parts are highly professional - can also be played by String Quartet + bass. I have used my own compositorial ideas and mainly the standard chords. - I composed this arrangement for advanced professional musicians and it is going to be performed at a special concert for Chamber Orchestra and Tenor Saxophone as soloist in a cross-over repertoire. It is definitely enjoyabel for the musicians and there is good space in the piece for the Soloist's improvisation.  - Alternatively a part is also available for Alto Saxophone.

C Instrument - Level 4 - Digital Download

SKU: A0.1205908

By Danny Zeitlin. By Cole Porter, Dennis Jay Zeitlin, and John Coltrane. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #804099. Published by John Fries (A0.1205908).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  What Is This Thing Called Love? is a 1929 popular song written by Cole Porter, for the musical Wake Up and Dream. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1205910

By Danny Zeitlin. By Cole Porter, Dennis Jay Zeitlin, and John Coltrane. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Score. 1 pages. John Fries #804101. Published by John Fries (A0.1205910).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  What Is This Thing Called Love? is a 1929 popular song written by Cole Porter, for the musical Wake Up and Dream. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played songs.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1459167

Composed by Bill Danzeisen. Arranged by Will Corbin. Broadway,Latin,Musical/Show,Pop. 24 pages. Will Corbin #1038137. Published by Will Corbin (A0.1459167).

A song doesn't get more traveled than this one. American Cole Porter wrote it in 1935 while on a South Pacific cruise between Indonesia and Fiji aboard a British liner. Its roots are in a Latin dance from the French Caribbean islands of Guadeloupe and Martinique. So it's somewhere between a minuet and a samba. The name of the dance, beguine, is Creole (probably pejorative) for white woman.
The song was first performed in a Broadway musical called Jubilee. It didn't get much traction until Artie Shaw recorded it with his big band, in a purely swing mode, in 1938; it became the 3rd best-selling recording of the year and set off a new dance craze. Check out the drummer in the YouTube video of Shaw's band performing the song, with special attention to the drummer. It's a young and relatively quite subdued Buddy Rich.
This arrangement, for two trumpets, horn, trombone and tuba, sticks pretty close to a Latin feel except for a swing break in the middle.
If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.