Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527498 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Jazz,Standards. 8 pages. Diego Marani #2550889. Published by Diego Marani (A0.527498). In a Sentimental Mood is a jazz composition by Duke Ellington which is also performed as a song. Ellington composed the piece in 1935 and recorded it with his orchestra the same year. Lyrics were later written for the tune by Manny Kurtz. In a Sentimental Mood makes use of a musical technique called contrapuntal or chromatic embellishment of static harmony. This is also sometimes referred to as a line cliché. Ellington recorded his best-known version together with John Coltrane, which is featured on Duke Ellington and John Coltrane andColtrane for Lovers. This arrengement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.

Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.527502 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Jazz,Standards. 9 pages. Diego Marani #2550899. Published by Diego Marani (A0.527502). In a Sentimental Mood is a jazz composition by Duke Ellington which is also performed as a song. Ellington composed the piece in 1935 and recorded it with his orchestra the same year. Lyrics were later written for the tune by Manny Kurtz. In a Sentimental Mood makes use of a musical technique called contrapuntal or chromatic embellishment of static harmony. This is also sometimes referred to as a line cliché. Ellington recorded his best-known version together with John Coltrane, which is featured on Duke Ellington and John Coltrane andColtrane for Lovers. This arrengement for saxophone quintet includes the following parts: Bb Soprano or Eb Alto (lead part), Eb Alto 1, Eb Alto 2, Bb Tenor and Eb Baritone.

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1382562 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Popnroll 1976. 20th Century,Jazz,Standards. Score and part. 6 pages. Popnroll 1976 #966986. Published by Popnroll 1976 (A0.1382562). In A Sentimental Mood - Duke Ellington & John Coltrane (Tenor Sax & Piano/Bass/Sax solo transcribed)A complete tenor saxophone transcription (Theme section only) of the opening ballad standard In A Sentimental Mood from Duke Ellington & John Coltrane's 1962 album Duke Ellington & John Coltrane, which begins with an impressive piano intro and the piano accompaniment part (with bass score).The bass part is also scored with piano improvisation section.PDF format, 6 pages.Contents: 4 pages of score, 2 pages of parts for Bb saxophone.Composed by Duke EllingtonPerformed by：Duke Ellington - pianoJohn Coltrane - tenor saxAaron Bell - bassElvin Jones - drumsRecording Producer: Bob Thiele.

Brass Ensemble - Level 5 - Digital Download SKU: A0.941017 By Stevie Wonder. By Stevie Wonder. Arranged by Helen Douthwaite-Teasdale. Pop,Soul. Score and parts. 9 pages. Helen Douthwaite-Teasdale #4755995. Published by Helen Douthwaite-Teasdale (A0.941017). Sir Duke is a song composed and performed by Stevie Wonder, from his 1976 album Songs in the Key of Life. Released as a single in 1977, the track topped the U.S. Billboard Hot 100 and Black Singles charts and reached number two in the UK Singles Chart, his joint biggest hit there at the time. Billboard ranked it as the No. 18 song of 1977. The song was written in tribute to Duke Ellington, the influential jazz legend who had died in 1974. The lyrics also refer to Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1208592 By Frank Sinatra. By Billy Strayhorn. Arranged by Bert Ligon [BertLigonMusic.com]. Jazz. Score and Parts. 55 pages. Bert Ligon Music #806700. Published by Bert Ligon Music (A0.1208592). Jazz Big Band Male VOCAL Feature 5444 (2 Alto Saxophones; 2 Tenor Saxophones; Baritone Saxophone; 4 Trumpets; 3 Trombones; Bass Trombone; Guitar; Piano; Bass; Drums) – Medium. BertLIGONMusic.comLush Life was composed  sometime between 1933 and 1936. It was first performed by Duke Ellington in 1943. The ultimate sad and sullen broken-hearted jazz ballad. Let the male vocalist in your band and his name to the great singer who have performed this song including Johnny Hartman, Chet Baker, Billy Eckstine and many others. This will be performed by the SC Masterworks Orchestra on April 15, 2023. Youtube links will be posted afterwards.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1271383 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 21st Century,Jazz,Standards. 14 pages. Keith Terrett #863780. Published by Keith Terrett (A0.1271383). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Saxophone Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1086327 Composed by Duke Ellington. Arranged by Chris Gorman. Jazz. Brass Band. 25 pages. Chris Gorman #690527. Published by Chris Gorman (A0.1086327). In August 1956, Duke Ellington and his orchestra were in Canada, performing in the same city as the ongoing Stratford Shakespearean Festival. Curious, Ellington and his longtime composer/arranger Billy Strayhorn talked to festival staffers, and Ellington soon announced his next album project would be a conceptual piece, paying tribute to Shakespeare's varied works with appropriate jazz compositions. In addition to the Such Sweet Thunder album, he promised the entire suite would be performed at the 1957 edition of the festival. Ellington and Strayhorn began building a home library of Shakespeare, seeking out Shakespeare experts, and reading through the canon during orchestra downtime. The title comes from Act IV scene i of A Midsummer Night's Dream, where Hippolyta says: I never heard / So musical a discord, such sweet thunder. The suite that would constitute Such Sweet Thunder was written in just under three weeks and recorded in early 1957. Although most of the compositions were created for the suite in conjunction with Strayhorn, a few were versions of older Strayhorn songs that were reworked and re-titled for the collection.

Flute Duet Flute - Level 2 - Digital Download SKU: A0.1287089 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged by P. R. Frederick. Pop,Standards. Score. 4 pages. P. R. Frederick #878097. Published by P. R. Frederick (A0.1287089). The standard Moonglow was first recorded by Joe Venuti in 1933, with subsequent recordings by Duke Ellington, Cab Calloway, Benny Goodman, Ethel Waters, and Art Tatum in 1934. The tune has since become a jazz standard, performed and recorded numerous times by a wide array of musical talents. The Benny Goodman Quartet with Teddy Wilson, Gene Krupa and Lionel Hampton made a famous version of the song in 1936, Artie Shaw recorded it in 1941, and Harry James recorded it in 1946 (released in 1950) on Columbia Here it’s offered as a flute duet.  A score and separate parts are providedCheck out my other duets

Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1366599 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged by P. R. Frederick. Pop,Standards. Saxophone Duet. 4 pages. P. R. Frederick #950938. Published by P. R. Frederick (A0.1366599). The standard Moonglow was first recorded by Joe Venuti in 1933, with subsequent recordings by Duke Ellington, Cab Calloway, Benny Goodman, Ethel Waters, and Art Tatum in 1934. The tune has since become a jazz standard, performed and recorded numerous times by a wide array of musical talents. The Benny Goodman Quartet with Teddy Wilson, Gene Krupa and Lionel Hampton made a famous version of the song in 1936, Artie Shaw recorded it in 1941, and Harry James recorded it in 1946 (released in 1950) on Columbia Here it’s offered as a duet for like saxophones.  A score and separate parts are providedSee my other saxophone duets here

Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.1285720 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged by P. R. Frederick. Pop,Standards. 2 scores. 4 pages. P. R. Frederick #876814. Published by P. R. Frederick (A0.1285720). The standard Moonglow was first recorded by Joe Venuti in 1933, with subsequent recordings by Duke Ellington, Cab Calloway, Benny Goodman, Ethel Waters, and Art Tatum in 1934. The tune has since become a jazz standard, performed and recorded numerous times by a wide array of musical talents. The Benny Goodman Quartet with Teddy Wilson, Gene Krupa and Lionel Hampton made a famous version of the song in 1936, Artie Shaw recorded it in 1941, and Harry James recorded it in 1946 (released in 1950) on Columbia Here it’s offered as a clarinet duet.  A score and separate parts are providedCheck out my other duets