EUROPE
21 articles USA
49 articles DIGITAL
214 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
214 partitions trouvées

<  1 16 31 ....211 > 

Piano Solo - Level 5 - Digital Download

SKU: A0.1224471

Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #820575. Published by Timothy Stapay (A0.1224471).

This arrangement of St. Louis Blues is written as performed by piano artist, Liberace.  He performed this on his t.v. show and record albums. 

The Saint Louis Blues (or St. Louis Blues) is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Liberace, and the Boston Pops Orchestra (under the directions of both Arthur Fiedler and Keith Lockhart) are among the artists who have recorded it. 

Lyrics:

I hate to see that evening sun go down, 
I hate to see that evening sun go down, 
'Cause my lovin' baby done left this town. 

If I feel tomorrow, like I feel today, 
If I feel tomorrow, like I feel today, 
I'm gonna pack my trunk and make my getaway. 

Oh, that St. Louis woman, with her diamond rings, 
She pulls my man around by her apron strings. 
And if it wasn't for powder and her store-bought hair, 
Oh, that man of mine wouldn't go nowhere. 

I got those St. Louis blues, just as blue as I can be, 
Oh, my man's got a heart like a rock cast in the sea, 
Or else he wouldn't have gone so far from me. 

I love my man like a schoolboy loves his pie, 
Like a Kentucky colonel loves his rocker and rye 
I'll love my man until the day I die, Lord, Lord. 

I got the St. Louis blues, just as blue as I can be, Lord, Lord! 
That man's got a heart like a rock cast in the sea, 
Or else he wouldn't have gone so far from me. 

I got those St. Louis blues, I got the blues, I got the blues, I got the blues, 
My man's got a heart like a rock cast in the sea, 
Or else he wouldn't have gone so far from me, Lord, Lord!

Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

St. Louis Blues Piano seul

$8.99 8.55 € Piano seul PDF SheetMusicPlus

Two horns & piano - Digital Download

SKU: IZ.IMF1816

Composed by Willard Zirk. Score and Parts. 22 pages. Imagine Music - Digital #IMF1816. Published by Imagine Music - Digital (IZ.IMF1816).

9 x 12 in inches.

I have always been in awe of Louis Armstrong's (1901-1971) and Ella Fitzgerald's (1917-1996) extraordinary musicianship and creative improvisations, hence the title, I like Louis and Ella. They performed and recorded together in the 1940s through the 1960s. In the 1950s they produced three duet records: two Ella and Louis albums, and their Porgy and Bess album.

I thought the best way to begin to understand their music was to imitate them. I sought to emulate Louis' warm humanity and musical efficiency--just the right note at the right time--and Ella's skillful and musically satisfying scat singing. There is only one quote in I Like Louis and Ella, the opening trumpet statement, but the rest of the music was written as my own impressions of their unique stylings.

I am grateful to my former student, Kyle Tolstyka, for commissioning this piece to benefit the horn scholarship fund at Eastern Michigan University. Thanks go to the donors to the scholarship fund in support of this project--my former horn students, Tania Dupuis, Liesl Caarn Hansen, Dr. William Cederquist and his parents, Dr. Jack Cederquist and Meg Kennedy-Shaw. Finally, I would like to thank jazz greats Phil Sims, the engraver of this music; and Adam Unsworth, horn professor at the University of Michigan, for their invaluable advice.

I Like Louis and Ella 2 Cors, Piano

$16.00 15.22 € 2 Cors, Piano PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1197303

Composed by Eddie De Lange and Louis Alter. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 2 pages. John Fries #796467. Published by John Fries (A0.1197303).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Do You Know What It Means to Miss New Orleans is a song written by Eddie DeLange and Louis Alter, which was first heard in the movie New Orleans in 1947, where it was performed by Louis Armstrong and sung by Billie Holiday.

Do You Know What It Means To Miss New Orleans Piano, Voix et Guitare

$4.99 4.75 € Piano, Voix et Guitare PDF SheetMusicPlus

Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download

SKU: A0.1149132

By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132).

A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!

Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.

The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.

History:

Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.

The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.

Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.

Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.

The Sunflower controversy:

Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.

Hello, Dolly! Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Louis Armstrong
$15.99 15.21 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download

SKU: A0.1491009

By Louis Armstrong. By Don Raye and Lillian Hardin Armstrong. Arranged by John Ivor Holland. 20th Century,Jazz,Standards. 46 pages. John Ivor Holland #1067774. Published by John Ivor Holland (A0.1491009).

Lillian Hardin Armstrong was an American jazz pianist, composer, arranger, singer, and bandleader; she was the second wife of trumpeter Louis Armstrong, with whom she collaborated on many recordings in the 1920s. “Struttin’ with Some Barbecue” was originally composed in 1927 as an instrumental piece, with lyrics added by Don Raye in 1941. This popular song has been recorded more than 600 times, notable covers include those performed Gil Evans, Cannonball Adderley, Paul Desmond, Herbie Hancock, the Marsalis family and Earl Hines. When filing for divorce, Lillian sued Louis for custody of the song; Hardin won, though Armstrong continued to claim ownership for years after. This arrangement for concert band has been drawn from the jazz ensemble version by Rick Stitzel and features short solos for trumpet and alto sax. Arranged as part of an ongoing project to bring more music by women into the worldwide concert band repertoire.

Struttin' With Some Barbecue Orchestre d'harmonie
Louis Armstrong
$49.99 47.56 € Orchestre d'harmonie PDF SheetMusicPlus


<  1 16 31 ....211 > 




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale