SKU: A0.1449311

An absolute 80s classic arranged for string quartet! Have fun with this arrangement of 'All Night Long' - all breakdown sections are included, and moments with 'percussive' sounds.

Please note! There are some transcribed semiquaver string lines in the violin 2 part to look out for, and the mp3 guide uses programmed percussion sounds rather than Sibelius strings to show the imitated percussion. This arrangement has been taken up a semitone to D major from the original so some of the phrases sit better on strings. Enjoy!

Julia Dos Reis is a freelance violist, composer/arranger, and teacher based in London, UK. She has performed with her own groups, as well as one off projects, in venues across the UK and Europe, including Ronnie Scotts, Royal Festival Hall, Paris Grande Halle de La Villette. Julia has a Masters in Jazz Performance from Guildhall School of Music & Drama, where she studied under jazz violinist, Chris Garrick.

Her arrangements offer fun takes on pop/jazz classics, keeping the essence of the original. Features of the arrangements include the inclusion of extended and percussive techniques such as chopping, moments of improvisation, melodic lines passed around all players, and solid grooves. Such features are flexible and can be adapted to suit players skills.

The arrangements are all truly tried and tested, as she performs the arrangements regularly at weddings and events with her quartet, Soli Strings. Please listen here: https://www.youtube.com/@solistringsmusic

https://www.juliadosreis.com/.

SKU: A0.1503431

Solo Vocal with Orchestra arrangement of Sally's Song from Tim Burton's The Nightmare Before Christmas.

Includes optional Accordion and Alto Saxophone parts.

Score & Parts (in the original key)

FLUTE 1-2
ALTO FLUTE
OBOE
ENGLISH HORN
Bb CLARINET 1-2
BASS CLARINET
BASSOON  1-2
ALTO SAXOPHONE (optional)

F HORNS 1-4
Bb TRUMPET 1-3
TROMBONE 1-2
BASS TROMBONE
TUBA

PERCUSSION 1: Glockenspiel
PERCUSSION 2: Vibraphone, Finger Cymbals

HARP
CELESTA
ACCORDION (optional)

SOLO VOICE

VIOLIN I
VIOLIN II
VIOLA
CELLO
CONTRABASS


About the arranger:

Victor Pesavento is a Los Angeles based orchestrator and arranger. Recent notable orchestration projects include the films Hocus Pocus 2 (2022), Luck (2022), Ice Age: Adventures of Buck Wild (2022), The New Mutants (2020), Dora and the Lost City of Gold (2019), Solo: A Star Wars Story (2018) and Maze Runner: The Death Cure (2018), as well as episodes of The Simpsons, The Orville, Halo, Green Eggs & Ham, and The Mandalorian.

Victor has worked with composers John Williams, Alan Silvestri, James Newton Howard, John Debney, John Powell, Alexandre Desplat and others on over 600 motion pictures that have included West Side Story, Star Wars: Episodes VII-VIII-IX, Frozen, The Avengers and How To Train Your Dragon. Other film credits include various installments of the Indiana Jones, Harry Potter, Hunger Games and Lord of the Rings franchises, as well as Tony Award nominated musicals Catch Me If You Canand Beautiful: The Carole King Musical.

Victor’s arrangements have been heard on numerous Academy Awards shows and American Idol broadcasts and have been recorded by the London Symphony Orchestra, the Los Angeles Film Orchestra and the Royal Philharmonic Orchestra, performed by such notable artists and ensembles as Barbra Streisand, Jennifer Hudson, Kristen Bell, the National Symphony Orchestra, and featured in the Ghent Film Festival, the Tenerife International Film Music Festival and Hollywood In Vienna (Festival der Filmmusik).

SKU: A0.808698

    Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed.
    The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate.
    Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range.
    Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio.
    This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.

SKU: A0.808700

    Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed.
    The rhythmic and melodic nature of Once In Love With Amy, particularly its chorus, seems to lend itself to performance by musical instruments in the lower registers. And that’s what inspired this arrangement in which bass tuba carries the load with strong support from euphonium and tuba. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features euphonium and tuba playing melody while bass tuba provides tempo and pulse. Then comes the familiar chorus-Once in love with Amy, always in love with Amy-and bass tuba takes over. The first time through, bass tuba plays melody with the other two providing accompaniment; the second time, bass tuba plays an intricate counterpoint while euph and tuba do a rather smooth swing version of the melody. Then comes the surprise ending in which all three participate.
    Most players will have little trouble. The arrangement consists of 75 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for euphonium and bass tuba should be within normal playing range. Tuba, on the other hand, plays quite a few G and A notes at the top of the treble clef.
     Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for brass quintet.
    This arrangement was completed in 2020, and performance time runs about 3 minutes, 1 second. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for euphonium) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.

SKU: A0.1104210

The Janet and Alan Bullard Piano Series contains a range of arrangements for easy piano, old and new.

'And did those feet' the mystic and idealistic poem of William Blake (1757-1827) was set to music by the director of London's Royal College of Music, C. H. H. Parry (1848-1918) to raise public morale during the First World War. The triumphal result was soon adopted as an anthem by political parties on both sides of the spectrum, sung lustily at the last night of the BBC Promenade concerts in the Albert Hall, and became a fixture at many sporting ceremonies and an unofficial National Anthem.

Janet Bullard has a busy and thriving piano teaching practice and many years’ experience of teaching adults and children. Alan Bullard is a pianist, composer and arranger whose music is performed widely. Together they are the authors of the successful Pianoworks series of tutor and repertoire books for beginner pianists, published by OUP. www.bullardmusic.co.uk